Quilt No.672GH - Gail Hansen

Gail Hansen
Owner: 
Gail Hansen
Location: 
QLD South East
Maker
Maker: 
Alice Neverman
Made in
USA Wisconsin
Date: 
1921 - 1940
Description: 
All over pattern of hexagons formed into rosettes or 'flowers' in a pattern known as 'Grandmother's Flower Garden'. Hand sewn and hand quilted 5mm around hexagons. Materials are muslins, scraps of dress materials and flour 'sacks'. It has cotton padding and muslin backing.
2230 x 1650mm
History: 

The quilt was made by Alice Neverman Flynn in the 1920s at Neillsville, Wisconsin, USA and is now owned by the grand-daughter Gail Hansen (born Flynn). It is used for display only.

Story: 

"Alice Flynn was born in Neillsville, Wisconsin, U.S.A December 13 1889 to German parents, she married Arthur Flynn in 1916 and had two sons and seven grandchildren. Her elder son, John, married an Australian in 1944 and moved to Australia in 1952, bringing the quilt with them. She made at least six quilts, applique and pieced. Her eldest granddaughter, Gail, (Australia) is the only grandchild to be an avid quilter. Gail has another Grandmother's Flower Garden quilt made by Alice Flynn and brought to Australia in 1980. The other quilts Alice made remain in the U.S.A. with a granddaughter and daughter-in-law."
[Gail Hansen 9.10.98]

Alice Neverman Flynn 1889-1981
Alice Neverman Flynn 1889-1981

Related Quilts:

National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
N.S.W. Parks and Wildlife Service
Large centre rectangle of hexagons in various colours of patterned and plain cottons. It is surrounded by a wide border in a checkerboard of red and white cottons. There is a wholecloth cotton backing. The front and the back have been turned under at the edge and machined. There is no padding.
1829 x 1372mm