Quilt No.351GPM - Griffith Pioneer Park Museum

Griffith Pioneer Park Museum
Owner: 
Griffith Pioneer Park Museum
Location: 
NSW Riverina
Maker
Maker: 
Fanny Matilda Elliott
Made in
ENGLAND
Date: 
1881 - 1900
Description: 
Patchwork quilt made from hexagon patches of cotton, silk, brocade, sateen and wool. Some silk patches are individually lined. Colours are mainly red, blues, purple, black, yellow and brown, with some pastels. Many silk patches have disintegrated, showing the paper templates. Quilt has a brown cotton inner lining, then a blue cotton backing, and is edged on the reverse with checked silk. Hand sewn by more than one person: one experienced sewer, one not so experienced.
1370 x 1170mm
History: 

Made in 1886 at Middleton Stoney, Oxfordshire, England, by Mrs Fanny Matilda Elliott (born East, 1860-1934). Previously owned by Fanny's daughter, Olive Avenell Scott (born Elliott, 1899-1991). Donated to the Griffith Pioneer Park Museum, Griffith NSW.

Story: 

Fanny Elliott's husband was a tailor, and the quilt was made from scraps from the Tailor's shop.
In 1923 Fanny's daughter Olive came to Australia and brought the quilt with her. She had met Mr Doug Scott in England during the war years (1916-1918) and they had struck up a relationship, so Olive came out to marry him.
Doug and Olive lived out on the farm at Lake Wyangan, which they had bought in the 1920s. The farm is run by their son Frank, who remembers the quilt being used on beds when he was growing up.

Fanny Matilda Elliott
Fanny Matilda Elliott
Olive Avenell Scott
Olive Avenell Scott

Related Quilts:

Margery Creek
Cotton quilt made in the USA. The pattern is called 'Turkey Tracks'. It has a cotton backing and a bottle green binding. The red patches have faded to pink. The quilt is hand pieced and hand quilted. Two names are written on tape sewn on the back viz: Cora Phelps and M.Hoover.
2135 x 1727mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Mare Carter
Patchwork quilt, all cotton including cotton padding filler. The design is 'Dresden Plate' or 'Friendship Circle'. Background is white with multicoloured and patterned triangular pieces forming circles. Hand stitched and heavily quilted.
2235 x 1778mm
Alice Lemon
Patchwork quilt made from hexagon patches on one side, and squares and rectangles on the reverse. Cottons are used, mostly from dressmaking, in bright and light colours. The hexagons form an indented edge on all sides; on the back the rectangles have been cut at the edge to match the hexagon shapes. Hand sewn, the edge machine sewn.
No padding.
1551 x 1373mm