Quilt No.284HJ - Hazel Jarmyn

Description:
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
1550 x 1400mm
History:
Made by the owner, Hazel Jarmyn, in 1972 in South Australia.
Story:
"I am Australian Born in a Northern Town Named Booborowrie in my Grand Mother's House and have always been a very keen needle person. I love to sew as well as other needlework, including Tatting and Bobbin lace. I lived on the same Farm until 1979 when we moved to the city in semi retirement and taught all sorts of needlework for 25 years. Foundation member of the Australian Lace guild in Sth Aust, and still like to do all kinds of work."
[Hazel Jarmyn 10.1.98]
Related Quilts:
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Crazy patchwork quilt with mainly patterned pieces in a wide variety of designs and colours. Backing is wholecloth patterned cotton. The quilt is edged with a checked bias binding. Machine construction.
2299 x 1449mm
2299 x 1449mm
Handsewn quilt of hexagon patches in cotton prints in 'Grandmother's Flower Garden' pattern. Each flower consists of double rows of print hexagons around a yellow centre and these are joined by 'paths' in plain green and white cotton. Backing is green cotton and there is a wool padding. There is outline quilting around all green and white hexagons and centre and first row of hexagons in flowers.
1885 x 1750mm
1885 x 1750mm
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
2590 x 2170mm
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2050 x 1610mm
2050 x 1610mm
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1310 x 1140mm
1310 x 1140mm