Quilt No.429HH - Helen Hancock

Helen Hancock
Owner: 
Helen Hancock
Location: 
QLD South West
Maker
Maker: 
Marion Best
Made in
AUSTRALIA QLD
Date: 
1881 - 1900
Description: 
Fragment of a crazy patchwork quilt hand stitched in cottons, silks, silk velvets and silk brocades. Variety of fancy stitches including blanket, feather, herringbone worked in various kinds of cottons and some chenille thread. There is also some beading. The backing is red cotton. The fragment is now framed.
484mm x 484mm
History: 

The quilt, of which this is a fragment, was made c1890 by Marion Best (Fairlie) 1862-1954 in Maryborough Queensland. It then passed to her grand-daughter Marion Ham and is now owned by her great grand-daughter. Helen Hancock. It is framed.

Story: 

Marion Fairlie came to Australia from England in 1862 as a baby. Her parents came to explore the possibility of growing cotton for their muslin factory in Glasgow, Scotland. This was prompted by the failure of the American cotton crop. Maryborough proved unsuitable for cotton growing so James Fairlie started a joinery business making window frames from Queensland red cedar. He is said to have made a fortune.

Helen Hancock
Helen Hancock

Related Quilts:

Albury Regional Museum
Patchwork cot quilt, machine pieced, rectangular, 5 x 4 squares. Assorted fabrics including seersucker, corduroy, printed and plain cottons. White ric-rac braid and zigzag machine stitching accentuate rows. Edge of white cotton tape. Backing is single flour bag, calico, with maker's printing visible through patchwork: 'Tiger. Best Australian Roller Flour. Mala Foot. Sole Supply. Part of Kuala Lumper' and Chinese characters.
674 x 540mm
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm
Gwen Cordinglay
Patchwork quilt made from hexagon patches in silks and rayons, in pinks, blues, red, yellow mainly, with pastels. No padding. Bordered and backed with green satin.
1829 x 1372mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Amanda Smith
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm