Quilt No.61MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
Patchwork cradle quilt of pieced repeat blocks. All cotton including cotton filling. Pattern is in faded greens and pinks,"4 pointed star" in circles. There are 20 blocks.
991 x 788mm
History: 

Made by Eva L. Towe in 1930 for her grand-daughter Mare (now Carter) born in 1929. It was made in southern California, U.S.A. In 1950 Mare moved to Australia. In 1953 her grandmother died and in 1960 her mother "brought me my Grandmother's legacy, her handworks, including the quilts, when she came to Australia". Mare has registered 16 of her grandmother's quilts.They were used frequently as family quilts and now occasionally.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother [Adeline Leota Thompson, nee Tussey] made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground 1998]

Eva Leota Towe c 1940
Eva Leota Towe c 1940
Adeline Thompson with daughter Mary 1930
Adeline Thompson with daughter Mary 1930

Related Quilts:

Harden Murrumburrah Historical Society
Patchwork quilt has pieced blocks in the 'Ohio star' pattern in red print and white cotton, alternating with plain white blocks. Quilt has a 9cm frill in red and grey geometric print cotton, machine stitched around the edge. Quilt appears to have some hand quilting. No padding. Backing is white cotton.
2210 x 2060mm
Peter and Jan Newman
Suffolk Puff quilt with puffs mainly in patterned cotton pieces saved from 60 years of household sewing. Puffs are formed into rosettes and the holes are on the top making a decorative feature. It is hand sewn.
2700 x 2400mm.
Helen Cornish
Patchwork quilt in the Log Cabin pattern, each square 14cm x 14cm, made of used cotton fabrics with a fine wool fabric as the centre square of each. Colours are mainly reds, blues, greens and maroon, and pastels, in prints and plains. Quilt has a wide border of dark blue cotton with mitred corners. The padding is black and white mattress ticking, and the backing is the same dark blue cotton as the border. Machine stitched.
1770 x 1170mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.