Quilt No.932NC - Mrs Noleen Caarthew

Mrs Noleen Caarthew
Owner: 
Mrs Noleen Caarthew
Location: 
SA Adelaide
Maker
Maker: 
Emma Loder
Made in
AUSTRALIA SA
Date: 
1921 - 1940
Description: 
Hand stitched quilt top in printed cotton with central frame of elongated diamond of orange/blue squares and triangles. Borders are mainly squares set on point, triangles, strips, pinwheels and log cabin.
2140 x 1850mm
History: 

The quilt top was made by Emma Jane Loder (born Lloyd) 1842 - 1938 between 1920 and 1930. Emma made many quilts in her lifetime. It has been passed down in the family and is now owned by Mrs. Noleen Carthew (born Beasley) great grand-daughter of the maker.

Story: 

Emma was born in 1842 in SA and went to the Coolgardie gold fields with her daughter Mrs. N.C.Bottrill (born Loader) and their children (and a cocky and a galah) to join their husbands. They saw the New Year of 1896 in outside Bulla Bullin where the coach had broken down. They eventually arrived at Coolgardie and the women had to finish constructing the house they were to live in.
"My husband was working in the mine, but all the house he had for us to live in was some large sheets of iron leaning against a large log and the first thing I had to do was to cut some poasts and dig holes and put them in the ground, then cut corn sacks open and sew them together and nail them to the poast then put the iron on it for a roof and sewed more bags up and lined it inside too, then got some big cases from the store ' there was always plenty of cases to be got which the goods came up in' and made doors and window frames and put some micha 'from the micha mine which was about 3 or 4 miles away' and put micha in for glass, then I papered the inside with newspapers and whitewashed the outside, it was quite a smart house. I pugged the floors to make them hard and sewed bags together for carpets, then I started making the furniture, I made bedsteads, tables, sofas, chairs and cupboard all out of boxes and had a comfortable home. I got the storekeeper to get me a Metters stove then I found I had to put in some poast, a few feet from the house and nail nails on them to keep the horses and camels from breaking the house. I also made a garden and in the winter I had plenty nice vegetables, but the water was too dear and scarce in the summertime, it was then 1/- for a kerosene bucket full of condensed water, and only allowed to have one bucket a day, and if the thunder storm came up, we put everything that would hold water, around the house to catch the droppings from the roof, even the jam tins.
During my stay in Western Australia I made quite a number of different homes like that but as the trains got going on the fields and we could get iron cheaper, we made the walls of iron and boxes made into board floors and I built a brick chimney for my stove and lined the inside of the iron walls with oilcloth and had linoes on the floors (quite smart then)."
[Extract reminiscences of Emma Jane Loader 1938 courtesy Noleen Carthew and David Beasley Adelaide]

Emma Loader with her 3 daughters, Harriett, Violet, Matilda (Rt)
Emma Loader with her 3 daughters, Harriett, Violet, Matilda (Rt)

Related Quilts:

Lesley Stocker
Suffolk puff quilt with puffs in a variety of fabrics. Very little cotton. Fabrics are satin, polyester, organza, wool (now moth eaten), rayon and silk. There is no padding or backing. 2450 x 2100mm
Rozanne Andrew
Quilt, single bed size, made from reused clothing roughly handstitched on to a backing of a wool/linen blanket type fabric in green, cream and brown stripes. Clothing is fronts and backs of old jumpers, vests etc as well as opened out sleeves in red, brown and grey. They are stitched together in several layers with long stitches. Another top may have been intended to cover the stitched down layers of clothing.
1500 x 1040mm
Mare Carter
Quilt of alternate green and fawn squares (100mm) in knitted fabric, originally swatches of sample fabrics. Padding is a piece of old blanket. Backing is fawn flannelette, and the quilt is finished with a flannelette ruffle.
1423 x 1124mm
Colleen Whitaker
Quilt top, all cotton. Center frame is 600mm square of calico on to which is appliqued red material in an elaborate cut out design. Radiating rows of mainly red and blue triangles. Other materials include, white with abstract plants scattered across it, pink with pin print white dots, white and maroon herringbone with small white flowers with maroon leaf sprays spread 25mm apart. The border is a strip of red not hemmed but with selvedges on the long sides. The quilt is all hand sewn with small back stitch, running stitch and hemming.
National Trust of Australia (TAS)
Patchwork quilt of cotton hexagons in a random mix of colours and prints, the predominant colours being blue, red, green, light yellow and pastels. Patches hand sewn. There is no padding and the backing is a grey wool blanket. The top is machine stitched around the edge to the blanket.
1645 x 1060mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm