Quilt No.239KW - Kathleen White

Owner: 
Kathleen White
Location: 
SA
Maker
Maker: 
Kathleen White
Made in
AUSTRALIA SA
Date: 
1941 - 1970
Description: 
Patchwork quilt (one of a pair) made from hexagons in cottons, rayon, and taffeta, to fit a single bed. The quilt has a pleated ruffle or flounce of pale green fabric. Patchwork machine sewn onto backing, flounce sewn by machine.
History: 

Made by the owner, Kathleen White (born Smith), with her mother Mary Smith and sister Rosemary Smith. Used in Kathleen's house at Kingston (SA).

Story: 

"I read a book called 'Aunt Jane of Kentucky' & each chapter was about a different quilt or scrap & I got inspired so sewed lots of bits onto an old blanket and made a Wagga. �
My mother had been away & when she came home she told me it was a Wagga & as an experienced C.W.A. Handicraft worker decided to show me how to do Patchwork with Hexagon. We always did our own sewing & had scraps & as soon as our friends & neighbours found out what we were doing they gave us more pieces.
I am sending you a photo of one of the quilts � they are the same.
The photo of my mother was a little older than when we made our first quilt but she kept on doing Hexagons & random patchwork until she was 95. All her life she made cushions & pot holders using Log Cabin which she learnt from her grandmother in about 1900.
The photo of my sister & I we are a year or so younger than when we started quilting.
I am the one with the bow. Sister Rosemary still does patchwork but mainly random by machine.
My second sister Vida has a slightly crippled hand & can't manage Hexagons so in 1985 when it was her 50 Birthday a lot of family & friends made [hexagon] 'flowers' from apricot shades & I put them together with a plain apricot in between on the back I embroidered a little verse which Vida had written for Mum several years ago �
I had a bit of difficulty finding photos of the home we lived in when the quilts were made, but have one of it as an empty ruin. It was a very old place when we lived there & it was surrounded by garden.
The � photo with water in front was where I lived when I was first married in 1954, my husband was a Soldier Settler & with my mothers help I finished the quilts & they were used on spare beds & later childrens beds etc.
I have now retired & we live in Kingston & the quilts are still treasured & odd hexigons replaced as they perish but they are mostly stored in a draw.
I have 3 daughters who are all keen on Patchwork but only 1 has time, or makes time, to carry on the skills. �"
[Letter from Kathleen White June 1995]

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Tasmanian Museum and Art Gallery
Cot quilt of mixed textiles and techniques. Made in sections and stitched together possibly with some padding. It features embroidered and appliqued animals (cats, donkey, elephant, squirrel, birds, kangaroo, emu) and nursery rhyme characters. Materials are cotton, silk, wool, imitation fur. There is a black velvet patch with a cross stitch parrot and embroidered date and initials 'May 1925 AE'. The backing is woven self patterned curtain material. There is a ruffle around the edge in the same material.
1400 x 930mm
Gabrielle Carter
Crazy quilt of velvet upholstery fabrics, and cigar ribbons with surface embroidery. Patches are outlined in embroidery stitches, and one patch has 'Dec 12 1886' on it. There is no padding, and the backing is cotton. 1720 x 1580 mm.
Albury Regional Museum
Log cabin patchwork pieces (2) with each block approximately 120 x 120mm. They are diagonally divided into light and dark side. Materials are mainly silks including silk velvets. Each block is stitched on to a backing square, pieces of old blanket, woollens, cottons, many very worn. There is no other backing.
Quilt is hand pieced.
1000 x 1000mm
Jindera Pioneer Museum
Quilt made of 26 x 13 rectangles of woollen men's suiting samples. Each rectangle is about 70 x 130 mm. Wide variety of patterns, mainly stripes, and colous. The padding is part of a worn cream blanket and joined pieces of woollen clothing. The backing is a well worn piece of brushed cotton. Machine made.
11900 x 1870 mm
Lois Ryan
Log Cabin quilt made from a variety of cottons and silks. There is no padding and the backing is calico bags. 1500 x 1250 mm.