Quilt No.413MC - Margery Creek

Margery Creek
Owner: 
Margery Creek
Location: 
QLD South West
Maker
Maker: 
Cathrine Hendershot and Estella Dingley
Made in
USA
Date: 
1901 - 1920
Description: 
This utility quilt is mainly constructed from long strips of cotton seed sack material. It is machine pieced and quilted by hand in a diagonal pattern. There is a red border. The backing is cotton flannelette and the padding is cotton.
1601 x 1525mm
History: 

This quilt was made by Cathrine Ann Schriever Hendershot and Estella Goldie Hendershot Dingley. It remains in the family with Margery Creek.

Story: 

Olive Goldie Dingley Creek remarked (5.2.2000) "It was an old quilt when I was born (1924) so I would say c.1920 or even before."

Related Quilts:

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The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Busselton Historical Society
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Barbara McCabe
Patchwork quilt made of squares and rectangles in woollen fabric, stitched together without any particular pattern. Colours are mainly green, grey, blue, black, pink and some yellow. Fabrics are plain, checks and stripes. No padding, quilting or binding. Backing is a remnant of synthetic fabric. The quilt has been well sued and is very worn with fabric torn and marked in some places.
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National Trust of Australia (TAS)
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National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
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Tess Davidson
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