Quilt No.554NPW - N.S.W. Parks and Wildlife Service

N.S.W. Parks and Wildlife Service
Owner: 
N.S.W. Parks and Wildlife Service
Location: 
NSW Sydney
Maker
Maker: 
Sarah Marshall?
Made in
AUSTRALIA NSW
Date: 
1901 - 1920
Description: 
Double sided quilt. Side 1 has a central patch of small rectangles and borders of half square triangles. Seamed construction. Side 2 is crazy patch in wools and cottons on to a backing material. There is one round segmented circle in the centre. Machine pieced and quilted.
2050 x 1610mm
History: 

At this time it is impossible to make a definite attribution to Sarah Marshall but this quilt was almost certainly made by Sarah Marshall and/or one of her daughters, Hannah, Jean or Agnes at Hill End NSW and probably at 'Craigmoor' their family home. The exact date is unknown. It is now part of the 'Craigmoor' collection owned by the NSW National Parks and Wildlife Service and displayed at 'Craigmoor'.

Story: 

James Marshall (1828-1905) from Scotland via the Californian gold rush and Sarah Langslow Adams (1836-1926) born Herefordshire England, were married in 1858 at Hill End. Reef mining in the 1860s brought fame and fortune to this mining settlement, north of Sofala and Bathurst in NSW.
In 1875 James Marshall had 'Craigmoor' built and he and Sarah lived there with their family of 9 children, 2 having died in infancy.
The textile collection at 'Craigmoor', including the quilts, reflects the Marshall women, Sarah and her daughters Hannah (1859-1950), Jean (1867-1948) and Agnes (1871-1950) and gives a glimpse of the daily lives of the women. Needlework, including crochet, in various forms was important and some of the women made their own hats. At least in the later years it appears to have been a thrify household with many quilts made over and patched.
Hannah, a spinster, lived at 'Craigmoor' from the time it was built until her death aged 91. She taught Sunday school in Hill End and was well know locally for her bottling, preserving and jam making. She also made elderberry wine. The 3 sisters were fond of playing the piano.

[Sources: N.S.W National Parks and Wildlife Service Brochure on Hill End, Sue Stephens daughter of Charles Marshall, Christine Karlsen, informal conversations with the locals at 'The Royal'. Wendy Hucker for NQR]

Related Quilts:

National Trust of Australia (WA)
Frame quilt in cottons with a centre motif of pieced 8 point star surrounded by borders, 2 from red/white material printed to represent Tumbling Block patchwork. The remaining borders are, one plain, one of pieced squares, one of pieced large triangles with squares in the corner. The outer border is plain. The padding is wool and the backing is cream cotton. It is elaborately quilted.
2400 x 2260mm
Anne Gardener
Quilt made from woollen dressmaking scraps, sewn to an army demob issue blanket, grey with blue stripes. Patches are feather stitched in red broder cotton thread. Quilt is edged with red cotton material zig zagged into place. Colours are pink, blue, brown, black and grey, in plain cloth, weaves and checks.
1462 x 966mm
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from silk and challis and velvet hexagons set to form diamond shapes. The centre shape has 8 hexagons surrounded by a row of 16 hexagons. The outer border of the quilt is 2 rows of 'Tumbling Blocks' set amongst a variety of black silk and satin patches. There is a wide fringe in red, green, blue and yellow. There is no padding and the backing is a recent addition in red cotton, synthetis mix.
1770 x 1740mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm