Quilt No.171KHS - Kaniva District Historical Society

Kaniva District Historical Society
Owner: 
Kaniva District Historical Society
Location: 
VIC North West
Maker
Maker: 
Mary Ann Clark
Made in
ENGLAND
Date: 
pre 1850
Description: 
Patchwork quilt of hexagons in 'Grandmother's Flower Garden' pattern, consisting of a dark centre hexagon, a row of light patches, then a second row of dark patches in the same colour as the centre. Each group of patches or 'flower' is joined by white paths. Colours are predominantly red, blue, brown and pale or faded colours. Some fading; some dark colour fabrics have deteriorated. Backing. Hand sewn. Border of quilt and backing sewn edge to edge.
2236 x 1829mm
History: 

Made by Mary Ann Clark (1828-1917), later Mrs John William Wake King, about 1845, in England. In 1915 it was given to her grand-daughter Emily King (Mrs Champness), second daughter of Mary Ann's eldest son William Frederick. In 1977 the quilt was donated to the Kaniva District Historical Society by the family of Emily's eldest daughter Irene (Mrs H.L. Williams).

Story: 

Mary Ann Clark came from Spalding, Lincolnshire. On 31 March, 1850, she married John William Wake King, of London, at Trinity Church, Regent Park, London. John was a boot and shoe maker. Mary Ann King took out a prize for book binding at the Paris Exhibition in 1851.
John decided to emigrate to Australia for health reasons and he, Mary Ann and their two children arrived at Port Adelaide on 16 November, 1853, on board the 'Olivia'. John took up work as a shoe maker with a Mr H.M. Jackson of Nairne, and later took over the business. From 1855 to 1857 John was at the Victorian gold giggings, but did not do very well. In 1857 he returned to Port Adelaide, walking back to Nairne, and took up business as an agent and auctioneer.

Related Quilts:

Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Lyn Cottingham
Single bed quilt hand pieced from silk hexagons using the English method. The border, backing and central rosette of hexagons are black. All other hexagons are a mixture of plain colours, stripes and florals. They are randomly placed. It is quilted in a diamond pattern. The padding is a thin cotton woven material.
1550 x 1330mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
Dubbo Museum & Historical Society Inc
"English patchwork pieces. 1110mm x 1500mm. Hand pieced by at least two people. Made from scraps, cut down clothing and sheeting. Backing made from shirtings, dress fabrics, furnishing fabric and ticking. No synthetics. Machine quilted. Condition, fragile�.." [Dubbo Museum]