Quilt No.425AW - Alyce Wright

Alyce Wright
Owner: 
Alyce Wright
Location: 
QLD Brisbane
Maker
Maker: 
Alyce Bush
Made in
USA
Date: 
1921 - 1940
Description: 
All cotton scrap quilt in 'Star' variation. Scalloped border bound with pink cotton. The padding is hand carded cotton and the backing is white cotton.
2160 x 1626mm
History: 

The quilt was made by Alyce Bush (born Rodgers) 1870s-1949 in the early 1930s in Alabama USA. It was made for Anna Bush who then gave it to Alyce Wright. Alyce Bush, the maker, was Alyce Wright's paternal grandmother. Alyce Wright owns the quilt now. It is not used.

Story: 

"Alyce Bush, a lone quilter, would spend many hours alone on her front porch as her husband was a security night watchman and slept during part of the day. Quilts were the main form of bed covering used in the family.
When I went to visit my grandmother the bedding comprised a feather mattress with at least 4 quilts layered on top. It was very cold in winter and we only had open fireplaces for heating."
[Alyce Wright 14.1.98]

Alyce Wright with her grandmother's quilt
Alyce Wright with her grandmother's quilt

Related Quilts:

National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Art Gallery of South Australia
Patchwork quilt made of hexagons in cottons in a variety of prints. The patches are arranged in the 'Grandmother's Flower Garden' pattern, with dark patches around a light centre patch. The 'paths' are cream cotton. The border is made from diamond shapes placed alternately vertical and horizontal, between two edges of red striped fabric, with mitred corners.
No padding. Backing is red cotton, embroidered 'M.A. Wilson 1863'. Handsewn.
2500 x 2170mm
Margery Creek
This utility quilt is mainly constructed from long strips of cotton seed sack material. It is machine pieced and quilted by hand in a diagonal pattern. There is a red border. The backing is cotton flannelette and the padding is cotton.
1601 x 1525mm
The Temora Rural Museum
All cotton hexagon quilt using a wide variety of colours and patterns. The hexagons were hand stitched by Sylvia Schleibs in the same style she and her daughter, Norma Gilchrist, had previously made 3 hexagon quilts. There is a calico border and backing.
2000 x 1450mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Glenda Wilkinson
Small quilt made from pieces of heavy weight wooollen coat material cut into strips and machined together. It is reversible. Each side is made from different materials but in similar colours of aqua, blue, green and beige. The 2 layers are quilted together with a few machined lines of straight stitching. It has a folded and machine stitched edge. There is no padding.
950 x 790mm