Quilt No.908UB - Una Braby

Una Braby
Owner: 
Una Braby
Location: 
QLD Brisbane
Maker
Maker: 
Amelia Brown
Made in
AUSTRALIA NSW
Date: 
1851 - 1880
Description: 
Frame quilt pieced from square, rectangular and triangular pieces from plain and patterned cotton. The central motif of the rooster is appliqued in red cotton on white background with a border of red triangles. There is a white cotton backing.
2000 x 1925mm
History: 

The quilt was made by Amelia Brown (1817-1905) at Bowning NSW probably between 1856 and 1880. The quilt has only been in the Brown family linen cupboard, first at Bowning where Amelia lived with her youngest son John Brown until he died and then Binalong where she lived with William Brown, father of the present owner Una Braby, at 'Emu Flat'. Una has owned the quilt for the last 20 years. It is not used now.

Story: 

Amelia Brown was born in Devon, England, the daughter of James and Mary Parsons. She married John Brown in 1836 and they came to Sydney in 1857, at the height of the goldrushes, with their 7 children. They settled on a property called 'Oakvale' at Binalong near Yass NSW. "The original old home was burnt during a bush fire about 1938. 1 1/2 miles further down Banjo Paterson's father lived, he is buried in Binalong cemetery."
"I never met my grand-mother Amelia Brown of Bowning as I am the only surviving member of a family of 7 children, and I am now approaching the age of eighty years." [Una Braby 15.2.2000]

Related Quilts:

Irene Treneman
Cotton quilt, checks, plains and patterns. Machine construction. Rectangles stitched together in strips and then strips joined. The backing is a cotton print. There is no padding and no quilting.
2420 x 1220
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Fay Burgess
Hexagonal piece of patchwork made up of 9 rows of rosettes of hexagons in a wide variety of colours and patterns mainly in silks and velvets. It is incomplete. Backing papers are still in the outside rows and also basting threads. Hexagons are joined by fine whip stitching. It is unlined.
1370 x 1220mm
Brenda Bird
Suffolk Puff quilt made from a variety of scraps of dress materials including cottons and terylene. It is backed with white cotton sheeting and edged with a frill of white terylene. There is a matching pillow sham.
1740 x 1300 mm.
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has a central patch of small rectangles and borders of half square triangles. Seamed construction. Side 2 is crazy patch in wools and cottons on to a backing material. There is one round segmented circle in the centre. Machine pieced and quilted.
2050 x 1610mm
The Pioneer Women's Hut
The top is machine pieced patches of used clothing. The backing is large pieces of dress materials and either end patches similar to the top. The padding is a chaff bag or similar with patches of worn, matted children's jumpers sewn directly on to it.
1400 x 1150mm