Quilt No.345TBM - Tongarra Bicentennial Museum

Tongarra Bicentennial Museum
Owner: 
Tongarra Bicentennial Museum
Location: 
NSW
Maker
Maker: 
Sarah Thomas
Made in
ENGLAND
Date: 
pre 1850
Description: 
Patchwork cot quilt top made from cotton hexagon patches, featuring a centre rosette with 7 rows of patches around it forming an elongated shape, with rosettes and patches randomly placed on the sides. Quilt has a border of triangles pieced to form squares. Cotton prints with over 50 different patterns. Colours are faded, with red and brown (may be faded green) and mostly pastels. Hand sewn using whip stitch. No padding or backing.
990 x 825mm
History: 

Made c.1830 in England by Sarah Thomas and used for her 10 children. The first was born in 1828, and the first three were born in England.. Owned by Sarah and then the Thomas Family. Now owned by the Tongarra Bicentennial Museum, NSW.

Related Quilts:

Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Alison Tunney
Quilt in mauve, pale blue and white squares, with wide borders of floral and off white. The quilting is a centre medallion with leaves on the border, and cross hatched over all. The padding is cotton batting, and the backing is plain white cotton. 2180 x 1900 mm.
Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
National Trust of Australia (NSW)
" Double bed size coverlet made of white cotton 'blue bags' fabric (white cotton squares used to hold a measured amount of blueing agent used to keep linens white during the laundering process). Patches are sewn together in the 'Suffold Puff' style - a circle of fabric is gathered up to make a puff. Patches are joined by a few stitches on four sides. Coverlet is edged with a deep crochet fringe, to a depth of approx. 18cm on all four sides���On lining is written in black ink: 'C.Bleagard Baby Ken'. " [NT NSW]
2570 x 2380mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260