Quilt No.536KBS - Kay Bruce-Smith

Owner: 
Kay Bruce-Smith
Location: 
NSW Sydney
Maker
Maker: 
Margaret Dickson
Made in
IRELAND
Date: 
1881 - 1900
Description: 
Quilt top. One of a pair. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1160 x 1100mm
History: 

The quilt top is one of two believed to have belonged to Margaret Dickson in Donegal Northern Ireland and to have been made by her before 1900. They came to Australia as part of her chattels about 1910. In 1977 a descendant died and the quilt tops were found in the trunks in which they came out from Ireland. They came into the possession of the present owner's mother and father- in- law and then to Kay Bruce-Smith who owns them now.

Story: 

"These quilt tops came to Australia in approximately 1910 as part of the chattels of one, Margaret Dickson (nee McLean). Margaret's father had gone to Northern Ireland from Garamore in Scotland. Garamore is south of Glasgow. Her father was an Orangeman and so too was her husband. Margaret and her husband lived in a little thatched cottage on their farm with their two children Annie Kyle and David Charles Dickson. Margaret was widowed after her husband answered a knock at the door. He was cruelly murdered in front of his wife and children, when an ignited stick of gelignite was dropped down his shirt front. Her husband's father had left a will that disinherited Margaret should she remarry. However, Margaret did not receive any inheritance even though she did not remarry. She and the children were left destitute upon the death of her husband.
Margaret's elder brother, John Robert McLean, immigrated to Australia sailing before the mast. He was only 12 years old. He made a life for himself in Australia. He rose from nothing to become a very wealthy businessman. He was involved in with McKay Massey Harrison the farm machinery manufacturers. J.R.McLean brought the destitute Margaret and her children to Australia from Ireland. On their arrival he purchased a house for them at 25 Arlington Street, Fivedock.
Annie did not marry. She lived the rest of her life with her mother and David at the above address. She and her mother were born needlewomen, probably out of necessity, and made all their clothing. They did not enjoy their life in Australia and forever held the desire to return to Ireland.
When David was old enough to work, his uncle arranged for employment in the company business. David grew to be a very handsome young man. However, his uncle forbade him to marry as it would impair his ability to care for his mother and sister. He also had to repay his uncle for the purchase of the family's home.
When David was admitted to a nursing home in 1977, the two quilt tops were discovered in the trunks in which they had travelled from Ireland, all those years before. They then came into the possession of my mother and father-in-law. My father in law is is John Wilson McLean, who is David Dickson's first cousin once removed. My mother in law knew of my interest in patchwork and quilting. Earlier this year she asked if I would be interested in two scrap quilt tops. She felt they were in poor condition and considered discarding them
I accepted the two quilt tops with delight and felt honoured to be entrusted with this small piece of history."
[Extract from family history. Kay Bruce-Smith 27.8.98]

Related Quilts:

Albury Regional Museum
Patchwork quilt or cloth made from pieces of woollen material used for regimental uniforms in England last century. Star pattern in colours, red, pale blue, green, maroon, yellow [white] and brown. Hand pieced probably by more than one person. Red fringe machined on. Red flannelette backing in poor condition. Two layers, not quilted.
1780 x 1700mm
Alison Tunney
Quilt in mauve, pale blue and white squares, with wide borders of floral and off white. The quilting is a centre medallion with leaves on the border, and cross hatched over all. The padding is cotton batting, and the backing is plain white cotton. 2180 x 1900 mm.
Helen Sparkman
Hexagon quilt made from dressmaking scraps, nearly all woollen. The hexagons measure 150mm. It is hand stitched.
1170 x 1100mm
Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
Fay Burgess
Hexagonal piece of patchwork made up of 9 rows of rosettes of hexagons in a wide variety of colours and patterns mainly in silks and velvets. It is incomplete. Backing papers are still in the outside rows and also basting threads. Hexagons are joined by fine whip stitching. It is unlined.
1370 x 1220mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm