Quilt No.536KBS - Kay Bruce-Smith

Owner: 
Kay Bruce-Smith
Location: 
NSW Sydney
Maker
Maker: 
Margaret Dickson
Made in
IRELAND
Date: 
1881 - 1900
Description: 
Quilt top. One of a pair. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1160 x 1100mm
History: 

The quilt top is one of two believed to have belonged to Margaret Dickson in Donegal Northern Ireland and to have been made by her before 1900. They came to Australia as part of her chattels about 1910. In 1977 a descendant died and the quilt tops were found in the trunks in which they came out from Ireland. They came into the possession of the present owner's mother and father- in- law and then to Kay Bruce-Smith who owns them now.

Story: 

"These quilt tops came to Australia in approximately 1910 as part of the chattels of one, Margaret Dickson (nee McLean). Margaret's father had gone to Northern Ireland from Garamore in Scotland. Garamore is south of Glasgow. Her father was an Orangeman and so too was her husband. Margaret and her husband lived in a little thatched cottage on their farm with their two children Annie Kyle and David Charles Dickson. Margaret was widowed after her husband answered a knock at the door. He was cruelly murdered in front of his wife and children, when an ignited stick of gelignite was dropped down his shirt front. Her husband's father had left a will that disinherited Margaret should she remarry. However, Margaret did not receive any inheritance even though she did not remarry. She and the children were left destitute upon the death of her husband.
Margaret's elder brother, John Robert McLean, immigrated to Australia sailing before the mast. He was only 12 years old. He made a life for himself in Australia. He rose from nothing to become a very wealthy businessman. He was involved in with McKay Massey Harrison the farm machinery manufacturers. J.R.McLean brought the destitute Margaret and her children to Australia from Ireland. On their arrival he purchased a house for them at 25 Arlington Street, Fivedock.
Annie did not marry. She lived the rest of her life with her mother and David at the above address. She and her mother were born needlewomen, probably out of necessity, and made all their clothing. They did not enjoy their life in Australia and forever held the desire to return to Ireland.
When David was old enough to work, his uncle arranged for employment in the company business. David grew to be a very handsome young man. However, his uncle forbade him to marry as it would impair his ability to care for his mother and sister. He also had to repay his uncle for the purchase of the family's home.
When David was admitted to a nursing home in 1977, the two quilt tops were discovered in the trunks in which they had travelled from Ireland, all those years before. They then came into the possession of my mother and father-in-law. My father in law is is John Wilson McLean, who is David Dickson's first cousin once removed. My mother in law knew of my interest in patchwork and quilting. Earlier this year she asked if I would be interested in two scrap quilt tops. She felt they were in poor condition and considered discarding them
I accepted the two quilt tops with delight and felt honoured to be entrusted with this small piece of history."
[Extract from family history. Kay Bruce-Smith 27.8.98]

Related Quilts:

Val Ireland
Utilitarian quilt. The padding is pieced used clothing and possibly reused blanket. The top and backing are machine pieced cotton scraps in a wide variety of pattern and colours.
1626 x 1601mm
The Queensland Women's Historical Assoc.
Quilt top of plain, floral and printed cotton hexagons in a diamond pattern, separated by plain white hexagons. Hand written letters have been used as templates and some are still in position but the ink is faded and the writing now illegible. Tacking stitches are still in place.
3048 x 2210mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
National Trust of Australia (TAS)
Patchwork quilt of cotton hexagons in a random mix of colours and prints, the predominant colours being blue, red, green, light yellow and pastels. Patches hand sewn. There is no padding and the backing is a grey wool blanket. The top is machine stitched around the edge to the blanket.
1645 x 1060mm