Quilt No.959NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Unknown
Made in
AUSTRALIA ?
Date: 
pre 1850
Description: 
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches:...
History: 

"Mrs. Marjorie Campbell (c1895-1967) of Victoria bequeathed this quilt to a member of her family. Marjorie may have been a descendant of one of the artists. In 1998 the Canberra Quilters Inc., purchased it from a close relative of Marjorie Campbell. In the same year, the Canberra Quilters Inc., donated the quilt to the National Gallery of Australia in memory of Jim Logan, the former Curator of Australian Decorative Arts." [NGA]

Story: 

"There is little information about the fabrication of this quilt. It is remarkable for its use of fabrics that are contemporary to the Rajah quilt and the wonderful use of a rather wild chinoiserie lining reflects the fashion of the times. The stitching indicates two makers of differing skill, which implies that the fabric may have been brought out from England and cut out by one generation, then sewn and finished by the next." [NGA]

Related Quilts:

Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Irma Whitford
Pieced repeat block, in what the owner calls 'Our Village Green' pattern. Wide variety of patterned and plain materials. Finely quilted. Padding is cotton and the backing is white calico. 2180 x 1890 mm.
Oakey Historical Museum Society Inc
This quilt consists of rows of pieced blocks approximately 280mm square sewn directly on to a foundation square. The design is really a version of 'log cabin' set on the diagonal. The backing squares are made from flour bags including a number stamped in blue ink "The Defiance Milling Company��..Toowoomba NET 3 lbs". Another is stamped in green ink "Parsons Rolled Oats". Two short sides and one long side of the quilt are bound in apricot coloured cotton.
1960 x 1700mm
Muriel Thompson
Quilt in pattern known as 'double weeding ring'. All cotton, using old prints, plaids, checks and solid colours, with plain blues and red squares at the intersections of the circles. White background. Hand pieced. Padding is Hobbs Heirloom: cotton 80%, polyester 20%. Backing is cream quilted cotton. 2500 x 2100 mm.
Annette Gero
Hand pieced frame quilt with centre frame of hexagons and radiating borders of cotton and chintz. There is a heart at each of the 4 corners on the second border. It is hand quilted. There is no padding.
1900 x 1900mm