Quilt No.443DC - Dorothy Cawood

Dorothy Cawood
Owner: 
Dorothy Cawood
Location: 
VIC Melbourne
Maker
Maker: 
Francis Jane McElhinney
Made in
IRELAND
Date: 
1921 - 1940
Description: 
Utility quilt. Random piecing with borders. Reused materials from furnishings and clothing uncluding wool, tweed, cotton, suiting. The backing is mattress ticking and the padding is an old sheet.
1850 x 1500mm
History: 

The quilt was made by Francis Jane McElhinney 1896-1965 in Londonderry Ireland pre 1926. One of 2 quilts brought to Australia as family luggage on the Barrabool in 1926. Passed by maternal descent to the present owner, Dorothy Cawood, who is the grand-daughter of Francis. The quilts were used in Ireland and Australia for extra warmth when needed. More recently they were used under the wire mattress, as dog blankets, as moving blankets to protect furniture and as drop sheets for painting. They were stored in a back shed but are now valued and stored in the owner's house. They are not now used.

Story: 

"My grandmother Francis Jane McElhinney (nee Patterson) was born on the 15.4.1896 at Milford, Letterkenny, Eire and died on the 22.1.1965 at Melbourne. Francis and her husband Robert lived in a 2 storey house at No.1 Sydney Terrace, Great James Street, Londonderry Ire, where Martha, (my mother) and Francis were born. A third daughter, Laura was born in Australia in 1926 soon after their arrival.
My grandfather was a motor mechanic for Rover and my grandmother was a secretary/typist for a law company. I have a small Pitman's Shorthand Pocket Dictionary presented to her on passing her examinations dated July 1912. My mother also tells of her parents taking in borders to supplement their income.
The reason for leaving Ireland for Australia in 1926, was the opportunity for a better way of life.
The quilts I have were used for bedding both here and in Ireland. My Mother used them for extra warmth when needed, but I can remember them being under the mattress on my bed, whether it was for easy storage when not is use, or it kept the draught from coming up through the wire base, then they ended up in our garage.
Their belongings came to Australia in trunks, one of which I keep my embroidery supplies. As you will see from a copy of goods and chattels sold at auction* before the family sailed a lot of quilts were left behind, perhaps too bulky or heavy to transport, or maybe they thought they would not be needed in a warm country like Australia. My grandmother did not value the quilts, they were a purely functional household item, although I wonder why these 2 were kept. I also have some linen pillow shams with a crochet edge and handmade buttons, that were also used on their beds. The family moved into a house (1926 or 1927) at 71 Benjamin Street Sunshine (not far from where I live) until the 3 girls were married and their parents passed away. My grandmother taught her 3 daughters to mend, darn, crochet, knit and of course do "fancywork" which mum remembers would be done after the household chores and music practice. Mum recalls being taught to darn her socks at the age of 6 before she came to Australia."
[Dorothy Cawood 13.1.1999]
* The auction sale notice lists 3 "P.Work Quilt" and 6 "Quilt" at prices ranging from 4 shillings and threepence to one shilling. ED.

Francis Jane Patterson c.1916
Francis Jane Patterson c.1916
Francis Jane McElhinney 1940s
Francis Jane McElhinney 1940s
Centre:Francis McElhinney & Dorothy Jones (Cawood)
Centre:Francis McElhinney & Dorothy Jones (Cawood)

Related Quilts:

Muriel Hartmann
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has an off centre frame based on a hexagon and including triangles and squares in a concentric pattern. The borders are all small rectangles with a single strip of large rectangles at one end. Side 2 has a central patch of pieced shapes appliqued to the background. The borders are squares and rectangles many in striped shirting cotton. Side 1 has minimal quilting to the interlining but it does not go through to side 2. The padding is a thin sheet.
The circle (sometimes pieced hexagons) is common to other 'Craigmoor' quilts.

1450 x 1230mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
The Pioneer Women's Hut
Machine constructed log cabin quilt using a wide variety of strips of used clothing including cottons, men's suitings and wools. Each square is about 250mm and arranged in the 'light and dark of the fire' variation of log cabin. There is no padding. The backing is brown twill with an orange pattern and is probably a replacement backing.
2180 x 1710mm
June Brown
This quilt has been strip pieced with no regular pattern. It seems a large quilt has been made then folded in half. The materials used are woollen skirting pieces in a variety of colours. It could be used either way. There is no padding and it is very heavy.
2100 x 1950mm
Julie Bos
Crazy patchwork quilt with pieces made from cottons, rayons, silks and taffetas. Each piece is stuffed with kapok and machine sewn to a backing then a wholecloth floral cotton backing has been added.
920 x 164o mms