Quilt No.443DC - Dorothy Cawood

Dorothy Cawood
Owner: 
Dorothy Cawood
Location: 
VIC Melbourne
Maker
Maker: 
Francis Jane McElhinney
Made in
IRELAND
Date: 
1921 - 1940
Description: 
Utility quilt. Random piecing with borders. Reused materials from furnishings and clothing uncluding wool, tweed, cotton, suiting. The backing is mattress ticking and the padding is an old sheet.
1850 x 1500mm
History: 

The quilt was made by Francis Jane McElhinney 1896-1965 in Londonderry Ireland pre 1926. One of 2 quilts brought to Australia as family luggage on the Barrabool in 1926. Passed by maternal descent to the present owner, Dorothy Cawood, who is the grand-daughter of Francis. The quilts were used in Ireland and Australia for extra warmth when needed. More recently they were used under the wire mattress, as dog blankets, as moving blankets to protect furniture and as drop sheets for painting. They were stored in a back shed but are now valued and stored in the owner's house. They are not now used.

Story: 

"My grandmother Francis Jane McElhinney (nee Patterson) was born on the 15.4.1896 at Milford, Letterkenny, Eire and died on the 22.1.1965 at Melbourne. Francis and her husband Robert lived in a 2 storey house at No.1 Sydney Terrace, Great James Street, Londonderry Ire, where Martha, (my mother) and Francis were born. A third daughter, Laura was born in Australia in 1926 soon after their arrival.
My grandfather was a motor mechanic for Rover and my grandmother was a secretary/typist for a law company. I have a small Pitman's Shorthand Pocket Dictionary presented to her on passing her examinations dated July 1912. My mother also tells of her parents taking in borders to supplement their income.
The reason for leaving Ireland for Australia in 1926, was the opportunity for a better way of life.
The quilts I have were used for bedding both here and in Ireland. My Mother used them for extra warmth when needed, but I can remember them being under the mattress on my bed, whether it was for easy storage when not is use, or it kept the draught from coming up through the wire base, then they ended up in our garage.
Their belongings came to Australia in trunks, one of which I keep my embroidery supplies. As you will see from a copy of goods and chattels sold at auction* before the family sailed a lot of quilts were left behind, perhaps too bulky or heavy to transport, or maybe they thought they would not be needed in a warm country like Australia. My grandmother did not value the quilts, they were a purely functional household item, although I wonder why these 2 were kept. I also have some linen pillow shams with a crochet edge and handmade buttons, that were also used on their beds. The family moved into a house (1926 or 1927) at 71 Benjamin Street Sunshine (not far from where I live) until the 3 girls were married and their parents passed away. My grandmother taught her 3 daughters to mend, darn, crochet, knit and of course do "fancywork" which mum remembers would be done after the household chores and music practice. Mum recalls being taught to darn her socks at the age of 6 before she came to Australia."
[Dorothy Cawood 13.1.1999]
* The auction sale notice lists 3 "P.Work Quilt" and 6 "Quilt" at prices ranging from 4 shillings and threepence to one shilling. ED.

Francis Jane Patterson c.1916
Francis Jane Patterson c.1916
Francis Jane McElhinney 1940s
Francis Jane McElhinney 1940s
Centre:Francis McElhinney & Dorothy Jones (Cawood)
Centre:Francis McElhinney & Dorothy Jones (Cawood)

Related Quilts:

La Dona Anick
Red and white cross stitch quilt. Central white panel with red cross stitch embroidery featuring flowers and leaves. Red panels as borders with white embroidery, also flowers and leaves. Machine pieced. Hand quilted in an espalier pattern. There is a fine padding and the backing is homespun. 2200 x 1970mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Kristine Gray
Double sided quilt. One side is frame with borders of wool rectangles mainly offcuts of men's suiting from tailors' shops. The other side is mainly flannelette in stripes and patterns similar to pyjama material. The padding is pieced patches of worn jumpers that were too matted to be unpicked. Machine construction.
1700 x 1490mm
Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
Annette Gero
Hand pieced hexagon quilt or table cover with centre motif of hexagons within hexagons. The remainder of the quilt is mainly hexagon rosettes. The materials are silks and brocades and it is pieced over papers in the English tradition.
1710 x 1600mm