Quilt No.443DC - Dorothy Cawood

Dorothy Cawood
Owner: 
Dorothy Cawood
Location: 
VIC Melbourne
Maker
Maker: 
Francis Jane McElhinney
Made in
IRELAND
Date: 
1921 - 1940
Description: 
Utility quilt. Random piecing with borders. Reused materials from furnishings and clothing uncluding wool, tweed, cotton, suiting. The backing is mattress ticking and the padding is an old sheet.
1850 x 1500mm
History: 

The quilt was made by Francis Jane McElhinney 1896-1965 in Londonderry Ireland pre 1926. One of 2 quilts brought to Australia as family luggage on the Barrabool in 1926. Passed by maternal descent to the present owner, Dorothy Cawood, who is the grand-daughter of Francis. The quilts were used in Ireland and Australia for extra warmth when needed. More recently they were used under the wire mattress, as dog blankets, as moving blankets to protect furniture and as drop sheets for painting. They were stored in a back shed but are now valued and stored in the owner's house. They are not now used.

Story: 

"My grandmother Francis Jane McElhinney (nee Patterson) was born on the 15.4.1896 at Milford, Letterkenny, Eire and died on the 22.1.1965 at Melbourne. Francis and her husband Robert lived in a 2 storey house at No.1 Sydney Terrace, Great James Street, Londonderry Ire, where Martha, (my mother) and Francis were born. A third daughter, Laura was born in Australia in 1926 soon after their arrival.
My grandfather was a motor mechanic for Rover and my grandmother was a secretary/typist for a law company. I have a small Pitman's Shorthand Pocket Dictionary presented to her on passing her examinations dated July 1912. My mother also tells of her parents taking in borders to supplement their income.
The reason for leaving Ireland for Australia in 1926, was the opportunity for a better way of life.
The quilts I have were used for bedding both here and in Ireland. My Mother used them for extra warmth when needed, but I can remember them being under the mattress on my bed, whether it was for easy storage when not is use, or it kept the draught from coming up through the wire base, then they ended up in our garage.
Their belongings came to Australia in trunks, one of which I keep my embroidery supplies. As you will see from a copy of goods and chattels sold at auction* before the family sailed a lot of quilts were left behind, perhaps too bulky or heavy to transport, or maybe they thought they would not be needed in a warm country like Australia. My grandmother did not value the quilts, they were a purely functional household item, although I wonder why these 2 were kept. I also have some linen pillow shams with a crochet edge and handmade buttons, that were also used on their beds. The family moved into a house (1926 or 1927) at 71 Benjamin Street Sunshine (not far from where I live) until the 3 girls were married and their parents passed away. My grandmother taught her 3 daughters to mend, darn, crochet, knit and of course do "fancywork" which mum remembers would be done after the household chores and music practice. Mum recalls being taught to darn her socks at the age of 6 before she came to Australia."
[Dorothy Cawood 13.1.1999]
* The auction sale notice lists 3 "P.Work Quilt" and 6 "Quilt" at prices ranging from 4 shillings and threepence to one shilling. ED.

Francis Jane Patterson c.1916
Francis Jane Patterson c.1916
Francis Jane McElhinney 1940s
Francis Jane McElhinney 1940s
Centre:Francis McElhinney & Dorothy Jones (Cawood)
Centre:Francis McElhinney & Dorothy Jones (Cawood)

Related Quilts:

Mare Carter
Patchwork quilt of pieced repeat blocks in cotton in white, blue, green, orange and red prints, plains and checks. Blocks are set between green sashes with white corner blocks. The pattern is 'Saw Tooth Star' or 'Jacob's Ladder' variation. Backing is of cotton, padding of cotton. Hand sewn and hand quilted.
2058 x 1296mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Euroa and District Historical Society
Handsewn cotton hexagons in a wide variety of patterns. Centre oval of hexagons with 2 outer rings. There is no padding and the backing is white cotton.
2490 x 2200mm
National Trust of Australia (TAS)
Small rectangular bed cover, probably child's or even doll's, made from rectangles of cream linen stitched together with hand sewn french seams. The top surface is decorated with small squares and rectangles of coloured silk, velvet, wool and cotton attached approximately 25mm apart, with 3 stitches in centre of patch to attach to background. Bright pink wool patches stand out.
935 x 635mm
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm