Quilt No.472FN - Flora Noyce
Owner:
Flora Noyce
Location:
VIC Northern
Maker
Maker:
Mary-Anne Weir
Made in
AUSTRALIA VIC
Patterms
Date:
1881 - 1900
Description:
Log cabin quilt consisting of 36 blocks each 200mm square. Light and dark arrangement with a variety of small patterned cotton materials (floral, spotted, striped) and plains. The blocks are hand stitched on to fine cotton and then joined by machine. There is a 120mm double gathered frill of floral cotton with a beige background. The backing is 2 pieces of cream cotton with repeat floral and musical motifs interspersed with forget me nots.
1500 x 1500mm
1500 x 1500mm
History:
The quilt was made by Mary-Anne Weir probably before 1890 at Glenlogie near Elmhurst Vic. where she lived with her husband William. They were married in 1880.
It was then owned by the daughters of Mary-Anne, the youngest died 1976, aged 84 years. It is now owned by Flora Noyce, daughter of Elsie Weir. It is not used.
Story:
The family knew the quilt was on the bed every Sunday when Mary-Anne and William lived at Glen Logie.
"The youngest of Mary-Anne's children rescued this quilt from the 'Red Cross rag bag' about 1950 when an older sister was cleaning out cupboards." [Flora Noyce 8.12.98]
Remains of cottage built by William Weir c.1880
Related Quilts:
Crazy patchwork on to foundation material with the edges of the pieces turned under and machined. It is not quilted. A 25mm red binding has been machined on. There is no padding. The backing is red wholecloth cotton.
1940 x 1540mm
1940 x 1540mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
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1880 x 1850mm
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2400 x 1500mm
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