Quilt No.11NHS - Narrandera and Sturt Historical Society

Owner:
Narrandera and Sturt Historical Society
Location:
NSW Riverina
Maker
Maker:
Mrs. Clayton
Made in
AUSTRALIA NSW
Patterms
Date:
1851 - 1880
Description:
The quilt is double bed size, white, damask type material with a pale pink light cotton backing. The quilt itself is made up of rectangular pieces which are laid out in a pattern and joined to each other with 'suffolk puff' patches of the same white material. The edge is crocheted wheels with tassels made about 100mm long, hanging about 50mm apart all the way around.
2200 x 1900mm approx.
2200 x 1900mm approx.
History:
The label in the showcase at the Narrandera Historical Society's Parkside Museum reads: "Made by Mrs Clayton while living with her son who was bookkeeper on Berandara Station, c.1870."
The quilt was donated by Miss E. Walker of Cremorne Sydney to the Narrandera and Sturt Historical Society.
Related Quilts:
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
2600 x 2600mm
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
920 x 920mm
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
2040 x 1800mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm