Quilt No.1091MC - Margaret Cameron

Margaret Cameron
Owner: 
Margaret Cameron
Location: 
SA Adelaide
Maker
Maker: 
Jeanie Stretch
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Hand stitched quilt of hexagon shapes in a random pattern and using a wide variety of materials including satins, cottons, underwear material, curtain pieces. There is no padding and it is backed with black silk. 1500 x 1000mm.
History: 

The quilt was made by Jeanie Stretch probably in the 1930s to 1940s. It was made in Sydney NSW. It was then owned by the maker's niece, Helen Pankhurst, and now by Helen's sister Jeanie Stretch in SA. It is not used.

Story: 

"Jeanie Margaret Stretch was the second of seven children of Bishop John Francis and his wife Amelia Margaret Stretch. She was born on 19th April 1888, in Melbourne and died on 13 October 1961 in Sydney. She was a violinist and never married.
From approx 1930's she lived at 2 Carter St. North Sydney, in a little cottage built on an old quarry. Her companion who lived with her, Vicky Spraggon, a New Zealander, also played a violin. They both played at concerts in North Sydney in the 40's and 50's. I used to visit them and stay weekends when I was at college in the late 1940's.
My father, Carlos, the eldest in the family, is on the extreme right of the photo." [ Margaret Cameron]

Jeanie Stretch 1888-1961
Jeanie Stretch 1888-1961
Jeanie in centre back between her parents c.1912
Jeanie in centre back between her parents c.1912

Related Quilts:

Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from silk and challis and velvet hexagons set to form diamond shapes. The centre shape has 8 hexagons surrounded by a row of 16 hexagons. The outer border of the quilt is 2 rows of 'Tumbling Blocks' set amongst a variety of black silk and satin patches. There is a wide fringe in red, green, blue and yellow. There is no padding and the backing is a recent addition in red cotton, synthetis mix.
1770 x 1740mm
Beryl Warne
The quilt's construction is cotton patches about 170mm square joined in strips and then the strips joined. The border and backing are pale lemon coloured cotton lawn. The padding is an old woollen blanket. There is ric-rac braid around the border of the top.
2180 x 1420mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
The Queensland Women's Historical Assoc.
Frame quilt in cotton with cotton backing. Centre square of floral chintz surrounded by 8 smaller squares with floral and probably Egyptian motifs. 4 surrounding frames of plain and patterned cotton in squares, diamonds and strips. Hand stitched and hand quilted. Has been used as a curtain and has metal rings attached to one edge.
3759 x 2286mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.