Quilt No.13JHS - Junee & District Historical Society

Junee & District Historical Society
Owner: 
Junee & District Historical Society
Location: 
NSW Riverina
Maker
Maker: 
Amelia Cuttle
Made in
ENGLAND
Date: 
1851 - 1880
Description: 
Pure silk hand sewn Tumbling Block quilt incorporating a great variety of silks in plains, florals and stripes. The backing is large rectangles of striped silks or polished cottons. It is hand quilted in a simple square cross hatch.
790 x 1470mm
History: 

The quilt was made in England by Amelia, the wife of the Reverend William Cuttle before they came to Australia. The Rev. William and Mrs Cuttle were grandparents of Dr. Ronald Cuttle. His wife Mrs Ronald Cuttle donated the quilt to the Junee and District Historical Society NSW.

Story: 

Label reads: 'Hand made box pattern patchwork quilt. Made in England by the wife of the Reverend William Cuttle before they came to Australia in 1884. The Rev. William and Mrs Cuttle were grandparents of Dr Ronald Cuttle M.B. B.S. (Melb) FRCS. Presented by Mrs Ronald Cuttle.'
"Enclosed is a photo of a Quilt which we have always believed came to Australia in March 1863 with my great grandparents - Rev William & Mrs Amelia Cuttle. Whether she made it on the way out, or had made it before she left, we are not sure. Unfortunately some parts of it have begun to deteriorate - it is made from mostly silk materials. Some years ago my mother gave it to the Junee Museum where it's displayed in a glass case which my mother provided for its protection. �..Rev William Cuttle came out from the Whitfield Tabernacle Congregational Church, Kingswood Bristol, to be minister of the Geelong (Vic) Congregational Church in 1863."
[Letter from Anne Carter, 1996]

Related Quilts:

Gwen Cordinglay
Patchwork quilt made from hexagon patches in silks and rayons, in pinks, blues, red, yellow mainly, with pastels. No padding. Bordered and backed with green satin.
1829 x 1372mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Margaret Williams
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
Jan Tregoweth
Patchwork quilt of cotton hexagon patches grouped in 'flowers', comprising 4 rings of patches around a central hexagon. Prints and plains are used, the colours mainly browns, greens, yellows, dark blue and dark pink. The 'paths' are in a yellow-brown cotton. Cotton backing. The padding is probably an old blanket. The quilt is an irregular shape, and is tied.
2550 x 1870mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has a central patch of small rectangles and borders of half square triangles. Seamed construction. Side 2 is crazy patch in wools and cottons on to a backing material. There is one round segmented circle in the centre. Machine pieced and quilted.
2050 x 1610mm