Quilt No.177EQ - Janette McInnes

Janette McInnes
Owner: 
Janette McInnes
Location: 
VIC Melbourne
Maker
Maker: 
Elizabeth Perry
Made in
AUSTRALIA VIC
Date: 
1921 - 1940
Description: 
Pieced and appliqued quilt of pink, blue and brown wool. Centre motif is an applique whirligig or flower in pink and blue on tan, with two pink side borders topped by smaller appliqued whirligigs or flowers in the same colours. The outer frame is made of strips of pink, blue,and brown, with a border of brown. Some silk embroidery on the applique edges. No padding. Backing is of cretonne.
1423 x 1144mm
History: 

Made by Elizabeth Perry, at Brunswick (VIC), probably during the Depression. Given to an Op Shop by Elizabeth's niece, Mrs Beryl Chalmers. Now owned by Essendon Quilters Inc.

Story: 

"The quilt was donated to Essendon Quilters. It had been bought at an op shop for $2.00. I had become very interested in the quilt and after a bit of research found the person who gave it to the op shop. That was Mrs Chalmers. Beryl Chalmers remembers the quilts (there was another) when the family lived in Brunswick (Vic) and feels they were made for a move the family made to Hampton.
Later on the quilts were used at a beach house at Lorne and withstood a lot of hard work. Although the quilt is quite small by our standards today it was made for a single bed.
Elizabeth Perry was born around 1895 and died in 1975. Her niece remembers her as a remarkable lady being able to produce fine hand work or turn to heavy work such as crocheting etc. She was a great seamstress and also did fancy work and made baby clothes as well."

Letter from Janette McInnes, 1997:
"Elizabeth Perry never married and lived with her parents until they died. The qult was made in Brunswick where the family lived at 8 Barrow St, brunswick. The family moved to Hampton about this time - 60 years ago. Mrs Chalmers feels that the quilt was made to be used in their new home.
Elizabeth Perry worked at the Commonwealth Clothing Factory during World War I and Mrs Chalmers thinks she continued working after that but doesn't know where. She seems to have worked as a machinist or perhaps hand tailoring? Mrs Chalmers remembers her as a very talented sewer, who also crocheted, made beautiful baby clothes and did fine hand work.
She doesn't remember her grandmother sewing and her own mother did sew but didn't have the skills that Elizabeth had. �"

Elizabeth Perry, 1975
Elizabeth Perry, 1975

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Tasmanian Museum and Art Gallery
Cot quilt of mixed textiles and techniques. Made in sections and stitched together possibly with some padding. It features embroidered and appliqued animals (cats, donkey, elephant, squirrel, birds, kangaroo, emu) and nursery rhyme characters. Materials are cotton, silk, wool, imitation fur. There is a black velvet patch with a cross stitch parrot and embroidered date and initials 'May 1925 AE'. The backing is woven self patterned curtain material. There is a ruffle around the edge in the same material.
1400 x 930mm
National Trust of Australia (NSW)
" Double bed size coverlet made of white cotton 'blue bags' fabric (white cotton squares used to hold a measured amount of blueing agent used to keep linens white during the laundering process). Patches are sewn together in the 'Suffold Puff' style - a circle of fabric is gathered up to make a puff. Patches are joined by a few stitches on four sides. Coverlet is edged with a deep crochet fringe, to a depth of approx. 18cm on all four sides���On lining is written in black ink: 'C.Bleagard Baby Ken'. " [NT NSW]
2570 x 2380mm
Albury Regional Museum
Log cabin patchwork pieces (2) with each block approximately 120 x 120mm. They are diagonally divided into light and dark side. Materials are mainly silks including silk velvets. Each block is stitched on to a backing square, pieces of old blanket, woollens, cottons, many very worn. There is no other backing.
Quilt is hand pieced.
1000 x 1000mm
Jindera Pioneer Museum
Quilt made of 26 x 13 rectangles of woollen men's suiting samples. Each rectangle is about 70 x 130 mm. Wide variety of patterns, mainly stripes, and colous. The padding is part of a worn cream blanket and joined pieces of woollen clothing. The backing is a well worn piece of brushed cotton. Machine made.
11900 x 1870 mm
Lois Ryan
Log Cabin quilt made from a variety of cottons and silks. There is no padding and the backing is calico bags. 1500 x 1250 mm.