Quilt No.217MSR - Upper Murray Historical Society

Upper Murray Historical Society
Owner: 
Upper Murray Historical Society
Location: 
VIC North East
Maker
Maker: 
Harriet Dixie
Made in
WALES
Date: 
pre 1850
Description: 
This patchwork quilt in the Tumbling Block pattern is hand sewn from silks. The quilt has a border of elongated hexagons outlined with black silk fabric, the gaps betweewn each black edged hexagon filled with a triangle. The edge of the patchwork has been tacked on to a white material backing. The papers behind each patch are old docket books from 'The Great Northern Railway'
.
1829 x 1220mm
History: 

Made by Miss Harriet Dixie in Treventy, Wales c. 1820. Later owned by Miss Winifred Waters, daughter of Harriet's eldest son Thomas Beaumont and Alice Wheeler, and then by the Waters family. Donated to The Man from Snowy River Museum, Upper Murray Historical Society, Corryong (Vic) in 1980.

Story: 

Harriet Dixie made the quilt in Treventy, Wales, c. 1820. In 1831 she married John Waters, and had four sons, Thomas Beaumont, Alexander Dixie, Edward and John. After John Waters died Harriet remarried. The children, not liking their stepfather migrated, Thomas to Australia, and later Alexander followed. Edward and John (who became a doctor), went to Canada.
Thomas Beaumont, on migrating, settled in the Upper Murray. He married Alice Wheeler in 1863 and they lived at Gravel Plains. Amongst their children were Rose and Winifred, who later owned the quilt, and a son, Charlie.
There are two stories as to how the quilt came to Australia:
1. The quilt was sent to Australia in 1856 on the death of its maker, Harriet, and it then remained in the Waters Family until donated to the Upper Murray Historical Society's museum.
2. The quilt was sent out to the young couple, Thomas Beaumont Waters and Alice Wheeler, on their marriage in 1863. Their granddaughter gave it to the museum.
[From notes supplied by a member of the Upper Murray Historical Society 2.12.97]

Related Quilts:

Mare Carter
Patchwork quilt, all cotton including cotton filling. "Wedding Ring" pattern in variety of materials in plains and patterned, many pinks and blues.
Hand sewn and hand quilted.
2236 x 1804mm
June Brown
This quilt has been strip pieced with no regular pattern. It seems a large quilt has been made then folded in half. The materials used are woollen skirting pieces in a variety of colours. It could be used either way. There is no padding and it is very heavy.
2100 x 1950mm
Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
The Embroiderers' Guild of S.A.Inc Museum
This Adelaide Chronicle wildflower quilt has alternating squares of green and fawn headcloth embroidered with Australian wildflowers on the fawn squares and stylised floral motifs on the green squares. It is bordered and backed with the same green material. It is padded.
2350 x 1530mm
Oakey Historical Museum Society Inc.
Cotton patchwork cover constructed from hand sewn hexagons (65mm) in cotton and linen furnishing materials. The curved edges are bound with blue and cream printed striped cotton. The backing material is not visible.
941 x 261mm