Quilt No.482CR - Catherine Ringwood

Description:
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
1118 x 814mm
History:
The quilt was made by Kate Day (1922-1965) around 1935 to 1938 when she was a pupil at the Presbyterian Ladies College Melbourne. It is believed to have been made as part of the needlework curriculum at the school. It is now owned by her daughter Catherine Ringwood. The quilt is not used now and probably never was.
Story:
"My mother told me she disliked making the quilt but it was a compulsory activity and she reluctantly finished it." [Catherine Ringwood 10.3.1999]
Related Quilts:
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Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
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1695 x 1390mm
1695 x 1390mm
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
2040 x 1800mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm