Quilt No.1009FG - Fiona Gavens

Fiona Gavens
Owner: 
Fiona Gavens
Location: 
NSW North Coast
Maker
Maker: 
Deborah Gavens
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
History: 

Quilt made by Deborah Gavens in Colac, Victoria, from the late 1950's to early 1960's (took about five years to make). Deborah owned and used the quilt until she passed it on to her daughter Fiona in the late 1980's. Quilt is not used.

Story: 

"My mother, Deborah Gavens (nee Lee), arrived in Australia as a war bride in 1946, having married Philip Gavens, an Australian pilot, in London just before his departure.
Five daughters were born between 1948 and 1958 and the oldest four in particular were dressed in beautiful, matching vyella dresses embellished with smocking and embroidery. Mum made most of these dresses, which reflected her well-heeled British background.
Mum loved sewing but had very little time to do no-utilitarian work when we were young. I have strong memories of her mainly sewing this quilt at meal times when we were having dessert (which she rarely ate). That is why it took about five years to create!
When Mum finished piecing the quilt and started embroidering it, it was our job to find the seams that she had missed, and we would often talk about who wore what dress and whom the dresses had been passed on to.
The quilt was used as a comforter when we were sick and, later on, when grandchildren visited.
I have the original book containing the instructions on how to piece and embroider the quilt, entitled 'Pictures and Patchwork' by Priscilla M. Warner, the Dryad Press, Leicester, 1950. Mum still has a set of metal hexagon templates made for her by Dad.
I have no doubt that this quilt contributed to my evolution into a professional quilter (1978 - 1995), as it was obvious that creating something beautiful by hand was of intrinsic importance to Mum. Her father designed and stitched beautiful wool tapestry, and my father was a carpenter/builder, so it was natural to be a designer and maker.
I sewed from an early age and in my late teens embarked on my first quilt of hand-sewn hexagons. This took several years to make, and ensured I would only sew with a machine from then on! It is interesting to look at Mum's quilt and the mix of techniques, as I always felt free to use whatever techniques I needed, and wonder now if that was another subconscious influence." [Fiona Gavens]

Deborah Gavens 1950
Deborah Gavens 1950
Four of the 'Gaven girls' wearing viyella dresses, 1957<br />b-Fiona(6), l-Thalia(9), r-Juliet(4),f-Clare(6)
Four of the 'Gaven girls' wearing viyella dresses, 1957
b-Fiona(6), l-Thalia(9), r-Juliet(4),f-Clare(6)
The Gavens home, where quilt was made. 1964
The Gavens home, where quilt was made. 1964

Related Quilts:

Annette Gero
Frame quilt or coverlet with centre frame surrounded by floral printed panels. The centre is cotton chintz block printed material in madder colours. It is hand quilted.
2700 x 2700mm
Ida Blenkiron
Patchwork quilt of square and rectangular patches, mainly in cotton fabrics, in plains and prints. Colours are predominantly yellow, pinks, blues and prints on white. Backing is the same except there is a piece of patterned curtaining material as a patch across the middle width. Padding is old blanketing.
1830 x 1140mm
Fran Williams
150 x 210mm pieces of bound suiting samples overlapped and machined together then herringboned with gold/yellow thread. Each piece has an embroidered motif, using single thread, mainly non Australian birds and animals. '1903' is embroidered on a centre piece. It is hand quilted. The backing is a black floral print. There is no padding.
1800 x 1940mm
Helen Cornish
Patchwork quilt in the Log Cabin pattern, each square 14cm x 14cm, made of used cotton fabrics with a fine wool fabric as the centre square of each. Colours are mainly reds, blues, greens and maroon, and pastels, in prints and plains. Quilt has a wide border of dark blue cotton with mitred corners. The padding is black and white mattress ticking, and the backing is the same dark blue cotton as the border. Machine stitched.
1770 x 1170mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm
Gloria Martin
Double sided quilt machine made from clothing scraps. Shapes are mainly rectangles in corduroy and wool blend. The padding is an old grey blanket.
1524 x 1372mm