Quilt No.230SM - Stansbury Museum

Owner: 
Stansbury Museum
Location: 
SA
Maker
Maker: 
Hazel Colwell
Made in
AUSTRALIA SA
Date: 
1941 - 1970
Description: 
Patchwork quilt constructed of two panels, top and bottom, of squares in coloured fabrics with a single horizontal panel in the middle. Machine stitched. The backing is a black and white striped material similar to mattress ticking.
History: 

Made by Hazel Colwell for the Stansbury Museum when it opened in 1972 in Stansbury (SA). Owned by the Stansbury Museum.

Story: 

"Hazel Colwell (born Bowman) was born at Kadina (SA) on 7 February 1900, and died 25 March 1995. Parents Mary and Alfred Bowman lived on the farm at Weavers until 1922 when the family moved to Adelaide, returning to Stansbury in 1924.
Hazel attended the Stansbury school, the first 3 years she boarded with a family in Stansbury and went home on weekends. The next four years she rode a pushbike the 12 kms every day sometimes scoring a ride home with the Brentwood mail driver. In those days the mail came to Stansbury by steamer and the Brentwood man came across to collect the mail.
Hazel was baptised into the membership of the Stansbury Methodist Church (now Uniting) in 1916 and from then on she became a dedicated member of the church community in all its aspects. She was for over 50 years a member of the teaching staff of the Sunday School, was leader of the young worshippers league for 20 years. Hazel was a very active member of the ladies guild.
On 28 January 1928 she married husband Bruce and in 1930 son Barry was born.
She was involved in many community activities as a very keen member of the Dalrymple Camera Club, won many awards for high quality pictures and gave a great deal of pleasure to many people with her coloured slides. �
She was also an active member of the School Welfare Club. She assisted the V.S.D. (volunteer Services Department) with the war effort contributing her sewing skills, following on to Red Cross activities.
Along with other members Hazel was instrumental in founding the Stansbury Museum and saving the old school house from demolition to retain memories of the past as we see it today.
Hazel was very active in establishing the artifacts displayed, many of them being donated by her including her original camera. She set up the dolls section and old frocks as well����."
[Extract from Hazel Colwell's Obituary]

Related Quilts:

Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
Western Australian Quilters' Association
Quilt made from furnishing materials, mostly velour type or uncut moquette. The colours are dusty pinks and beige/camel/blue. It has been put together by making wide strips of various sized rectangles sewn together and any missing piece in a rectangle added by using another piece of material to complete the shape. There is no padding and the backing is winter cotton.
2000 x 1650mm
National Trust of Australia (SA)
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm