Quilt No.245RC - Ruth Collins

Ruth Collins
Owner: 
Ruth Collins
Location: 
SA Country
Maker
Maker: 
Selina Pavy
Made in
AUSTRALIA SA
Date: 
1921 - 1940
Description: 
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
History: 

Made by Selina Pavy (born Martens) (1873-1950) at Lameroo (SA), in the 1920s. Given to her elder daughter Melva and then to her son and owner, the oldest grandchild, Mr Collins.

Story: 

"Selina Martens was born on 12th February 1873, at Clare, a rural town north of Adelaide in South Australia. She was the seventh child in a family of five daughters and three sons. The Martens family later moved to Port Germein where Selina grew up. Her father died at the age of 50 when she had only recently celebrated her 12th birthday.
Selina (who was called Lena) was obviously taught excellent sewing skills by her mother, and prior to her marriage she was the sewing mistress at the Port Germein school, and gave this as her occupation upon her marriage to Ernest (Ern) Pavy on 25th April 1893.
Following their marriage Lena and Ern lived in Port Germein, where their son and first daughter were born, then in Jamestown and Wilmington during which period they had another daughter. Finally, in 1910 they were among the early settlers who opened up virgin mallee land north of Lameroo, in another part of the state. This was a time of hardship and poverty, of clearing mallee and developing a farm, with some assistance from their two elder children. Lena, like all pioneer women of this era, assisted her husband where possible, as well as caring for her family under difficult circumstances, some distance from amenities such as medical care and shops. She used her considerable sewing skills to clothe the family to quite an extent, and in doing so passed on her talents, particularly to her elder daughter.
Unfortunately, after years of hard work, the farm had to be sold in the early 1920s due to the ill health of Ern and following the loss of their only son on the battlefields of France in June 1918. They lived in the township of Lameroo thereafter, and Lena is remembered by her grandchildren as a very caring and hardworking woman.
The quilt would probably have been made by Lena in the 1920's and some of her older grandchildren can recall this, and other similar items being in their grandparents' home � The quilt was later given to her elder daughter who in turn passed it on to her son (Lena's oldest grandchild), in whose possession it now rests. This grandson recalls the quilt being used in the base of the buggy during his childhood, and how soft and warm it was for he and his sisters to sleep on, while travelling home along the country roads at night after visiting their grandparents.
The quilt has been used through the years by various family members, and a great grand-daughter enjoyed its cosiness as a play rug beneath her play-pen in the early 1960's. A friend of Lena and Ern conducted a tailoring business in Lameroo, and it was from this source that the material samples were obtained, and crafted into the quilt.
Another surviving piece of Lena Pavy's needlework, which dates from the early 1930's, is a small doll's quilt made for her oldest granddaughter. Although now somewhat faded, it is still treasured by a great granddaughter, and is made from small pieces of cotton material worked onto a backing with a herringbone stitch."
[From information provided by Ruth Collins.]

Selina Pavy
Selina Pavy

Related Quilts:

N.S.W. Parks and Wildlife Service
The top is strips of mainly wools in blue, maroon and purple. The backing is imitation fur in brown and grey. They is no quilting. The padding appears to be a double sided pieced quilt from men's suitings or tailors' samples.
1500 x 1130mm
King Cottage Museum
Hand sewn hexagons over paper templates in a pattern known as 'Grandmother's Flower Garden'. Materials are printed dress cottons, patterned and plain, mainly in pinks, blues and browns. The border and backing is grey linen and is machine stitched on. There is no padding. 2060 x 1579 mm.
Evelyn McAlister
Quilt made from dressmaking materials in a design probably made up by the maker but resembling 'Courthouse Steps'. The outer border of each block is mitred. Originally it was reversible but during restoration the back was brought to the front, doubling the size of the quilt. The padding is old woollen materials. The backing is a new piece of floral material. It is now machine quilted.
1830 x 1220mm
Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Marie Thomas
150mm squares of old material scraps, mostly cotton, including some curtain material. There is no padding and the backing is brown lawn.
2540 x 2370mm