Quilt No.251HS - Helen Sparkman

Helen Sparkman
Owner: 
Helen Sparkman
Location: 
SA Adelaide
Maker
Maker: 
Clara Pitt
Made in
AUSTRALIA SA
Patterms
Wholecloth, Utilitarian
Date: 
1941 - 1970
Description: 
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
History: 

This quilt was made by Clara Pitt, daughter of Matilda Pitt, probably during the 1950s. It has always been in the family and Clara was the great aunt of the present owner, Helen Sparkman. It is not used now.

Story: 

"Clara May Pitt 1892-1985 (Daughter of Matilda Pitt)
Clara made many quilts mainly during the 1950s and 1960s, not out of need but because of her love of patchwork. Her quilts were mainly Hexagons and Suffolk Puffs. Clara was a single lady who had five neices and a nephew, and quite a number of great neices and nephews. As each quilt was completed it was presented to a family member. These family members now cherish her gifts, even though all have often smiled and queried her fabric selection, placement, neatness and her continual use of white thread over the years. Clara was over 80 years of age when she made her last quilt (Hexagons of course) for a private museum."
[Helen Sparkman Dec.2000]

Clara Pitt c.1960
Clara Pitt c.1960

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Dorothy Stevens
Quilt No.88DS - Dorothy Stevens
Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Efthimia Toubakaris
Quilt No.273ET - Efthimia Toubakaris
Wholecloth quilt of golden brown cotton satin, the reverse side of pink cotton satin. Central quilting pattern of interlaced curves, within 3 rows of parallel stitching, then a border pattern of an interlaced knot design, the edge finished with 2 rows of parallel quilting. Filling of cotton. 2010 x 1920 mm.
2010 x 1920mm
Wholecloth, Quilting as major design element, Greek
National Gallery of Australia
Quilt No.971NGA - National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm
Embroidered and/or Appliqued, Motifs or Names, Pictorial, Wholecloth, Typically Australian
National Gallery of Australia
Quilt No.973NGA - National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Embroidered and/or Appliqued, Motifs or Names, Pictorial, Wholecloth, Typically Australian