Quilt No.301ASA - Art Gallery of South Australia
Owner:
Art Gallery of South Australia
Location:
SA Adelaide
Maker
Maker:
Henretta Stanton
Made in
ENGLAND
Patterms
Date:
1851 - 1880
Description:
Patchwork quilt in the Tumbling Block pattern in light and dark silks in bright colours. On both sides and at the bottom is a wide border in Tumbling Blocks, the pattern vertical at the sides and forming a triangle centre bottom, with an edge on both sides of two black bands with pieced diamonds between. Made for a poster bed. Hand sewn.
1790 x 1750mm
1790 x 1750mm
History:
Made by Henrietta Stanton (born Rodwell), in Norfolk, England, c.1860s-1870s. Given to the maker's youngest child, and her daughter, by an aunt in England in 1949. Donated to the Art Gallery of South Australia, Adelaide, in 1977 by Miss C. Magarey.
772A74
Story:
Henrietta Stanton was born in London in 1840, daughter of a jeweller, marrying William Stanton around 1862. She and her husband both died in 1925. The quilt was made in Norfolk, England, and donated to the Art Gallery of South Australia by the maker's grand-daughter, whose mother was the youngest of Mrs. Stanton's ten children. It was given to the donor and her mother by an aunt when in England in 1949.
Related Quilts:
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
2250 x 2000mm
Frame cot quilt in cotton fabrics, the centre square in a paisley print surrounded by two plain borders or frames, then two frames pieced in alternate light and dark triangles, then a frame in a floral print. Outer border is of red fabric, longer at top and bottom to make a rectangle. No quilting. Machine sewn.
1050 x 770mm
1050 x 770mm
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
1270 x 950mm
Hand pieced hexagon quilt or table cover with centre motif of hexagons within hexagons. The remainder of the quilt is mainly hexagon rosettes. The materials are silks and brocades and it is pieced over papers in the English tradition.
1710 x 1600mm
1710 x 1600mm
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm