Quilt No.351GPM - Griffith Pioneer Park Museum

Griffith Pioneer Park Museum
Owner: 
Griffith Pioneer Park Museum
Location: 
NSW Riverina
Maker
Maker: 
Fanny Matilda Elliott
Made in
ENGLAND
Date: 
1881 - 1900
Description: 
Patchwork quilt made from hexagon patches of cotton, silk, brocade, sateen and wool. Some silk patches are individually lined. Colours are mainly red, blues, purple, black, yellow and brown, with some pastels. Many silk patches have disintegrated, showing the paper templates. Quilt has a brown cotton inner lining, then a blue cotton backing, and is edged on the reverse with checked silk. Hand sewn by more than one person: one experienced sewer, one not so experienced.
1370 x 1170mm
History: 

Made in 1886 at Middleton Stoney, Oxfordshire, England, by Mrs Fanny Matilda Elliott (born East, 1860-1934). Previously owned by Fanny's daughter, Olive Avenell Scott (born Elliott, 1899-1991). Donated to the Griffith Pioneer Park Museum, Griffith NSW.

Story: 

Fanny Elliott's husband was a tailor, and the quilt was made from scraps from the Tailor's shop.
In 1923 Fanny's daughter Olive came to Australia and brought the quilt with her. She had met Mr Doug Scott in England during the war years (1916-1918) and they had struck up a relationship, so Olive came out to marry him.
Doug and Olive lived out on the farm at Lake Wyangan, which they had bought in the 1920s. The farm is run by their son Frank, who remembers the quilt being used on beds when he was growing up.

Fanny Matilda Elliott
Fanny Matilda Elliott
Olive Avenell Scott
Olive Avenell Scott

Related Quilts:

Rita Fiddian
Grandmother's Flower Garden quilt. Hexagons are from cotton and polyester material mostly from 'Reverse Garbage' Melbourne. Hand pieced by Rita Fiddian, the owner. Hand quilted. The padding is wool and the backing cotton.
3049 x 2109mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has an off centre frame based on a hexagon and including triangles and squares in a concentric pattern. The borders are all small rectangles with a single strip of large rectangles at one end. Side 2 has a central patch of pieced shapes appliqued to the background. The borders are squares and rectangles many in striped shirting cotton. Side 1 has minimal quilting to the interlining but it does not go through to side 2. The padding is a thin sheet.
The circle (sometimes pieced hexagons) is common to other 'Craigmoor' quilts.

1450 x 1230mm
Shirley Maywald
Patchwork crazy quilt in velvets and silks, no pieces over 4" long. Colours are black, maroon, pinks, blues and pastels, and all seams embroidered with coloured silks in herringbone stitch. Backing is green, there is no padding. Quilt is bound with black velvet 1/2" wide. A patch near the centre is embroidered: '1909' and '1948'.
940 x 915mm
Marion Coleman
Quilt made of Tailors' wool samples in stripes, checks and plain,, rectangles in different sizes machined together in strips. Colours are grey, navy, brown, light grey and cream. Lining or backing is of patterned cotton, in three layers as it has worn and been replaced. Machine and zigzag quilting.
1626 x 1271mm
Barbara McCabe
Patchwork quilt made from rectangles and squares of woollen fabrics from dress making projects. Colours are mainly grey, blue, brown, green, with some red and yellow. Fabrics are plain, cheks and stripes. No padding or quilting. Backing is made of white flannelette sheets. The quilt has been lengthened after it was completed, and the backing sheet has been added to at the same place.
2470 x 1320mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm