Quilt No.924CP - Connie Papalazaros

Connie Papalazaros
Owner: 
Connie Papalazaros
Location: 
QLD Brisbane
Maker
Maker: 
Panagioti Zoumbatli
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Wholecloth quilt made from floral cotton material with a light green background. Hand stitched quilting pattern of diamonds in the centre and parallel lines radiating out from this. The padding is cotton wadding.
1940 x 1300mm
History: 

The quilt was made in Sydney by the quiltmaker Panagioti Zoumbatli c.1950. It was ordered by Evdokia (Eve) Kiossoglou for her daughter's 'prika' (dowry or trousseau). Her daughter Connie Papalazaros has always been the owner.

Story: 

"Connie's Two Quilts
While Connie Papalazaros was still quite young, her mother Evdokia (Eve) began assembling a 'prika' (dowry or trousseau) for her daughter, in preparation for getting married. Evdokia was being true to her Kastellorizian origins - her daughter's prika would not be complete without at least one 'paploma' (quilt) She ordered these two quilts from Panagioti Zoumbatli a Sydney-based 'paplomatas' (quilt-maker). He, like Connie's parents, had migrated from the tiny Greek island of Kastellorizo.
Evdokia Kiossoglou came to Australia in 1935, married Agapitos (Peter) Pengly in the north Queensland town of Innisfail, just at the time that the Greek Orthodox Church was being established there. They had four children: Connie, Pauline, Thaao, and George. Soon after Connie was born, the family moved to Sydney and lived first in Surry Hills and later in Kingsford, which has always been a popular 'Greek' suburb of Sydney. 'Mum used to walk to the Cassie Club!' Connie recalls. Sydney's well known Castellorizian Club has played an important role in the life of the city's Greek Australian community.
Connie eventually returned to Brisbane (taking her 'prika', of course!) and married John, who had migrated from Kastellorizo in 1950. As with so many other Greek-Australian women in Queensland, Connie started off using her quilts, but the hotter climate meant that they were eventually replaced by lighter bedcovers. Connie and John have always owned their own snack bar business, and their traditioinal 'Queenslander' house where they still are today."
[Written by Lula Saunders, adapted from interview 6/9/00 for the National Quilt Register]

Connie Papalazaros at her Brisbane house, 2000
Connie Papalazaros at her Brisbane house, 2000

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
Angela Smith
Durham quilt made of cotton sateen, mainly gold on one side and yellow green on the other. Top, pillow fold, has been removed. The straight sides have tiny pin stripe added border. The quilting pattern is large tree of life (palm like), swags and cable on top and bottom border. Fill in is slightly elongated diamonds. 1880 x 1520mm
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
National Trust of Australia (SA)
Quilt made of white cotton net, embroidered or 'voided', with an all-over pattern of parrots perched on branches and flying around a flowering tree. There is a tufted effect on the edges of figures. The top has a centre panel with 2 side panels attached to match the pattern. Quilt is lined with white cotton, and edged with a white cotton fringe. There are 2 matching pillowshams. Handsewn.
11920 x 1830mm