Quilt No.462MW - Margaret Wood

Margaret Wood
Owner: 
Margaret Wood
Location: 
VIC Melbourne
Maker
Maker: 
Mrs Tadgell
Made in
AUSTRALIA VIC
Date: 
1921 - 1940
Description: 
Velvet log cabin quilt. The background is black and the colours are shades of pale blue to royal blue, apple green to forest green, purple and a deep salmon. Original backing of artificial silk now replaced (1940s) with striped folk weave bedspread hand stitched on.
1860 x 1290mm
History: 

Mrs. Doris Rodgerson, mother of the present owner, asked Mrs. Tadgell in 1936 to make the quilt for her daughter. Mrs. Rodgerson supplied the materials and Mrs Tadgell made it on her treadle sewing machine. It has never been used and always stored in the linen press firstly in Margaret's parents' homes and then in Margaret's homes all in the Box Hill and Blackburn areas. In 1998 the quilt was offered to the Museum of Lilydale.

Story: 

"Early this century, my grandparents William and Maria Young, bought some bushland running down to the Olinda creek, below Mt. Evelyn. On the hillside, they built "Kookaburra Cottage" which they referred to as their Mountain house. Beside them, a Mr. Clarrie Earl built a luxurious log cabin, with Charlie Mezgar (?) as resident caretaker. It is now known as Chateau Wyuna. Ours was a timber shack, where our family and friends spent so many happy week-ends. They travelled by buggy prior to their Fiat owning years, setting off from Box Hill on Friday evenings.
Down the hill and across the creek on the flats, I remember Mrs. Tadgell's farm, with cows. It was about 1935 that Mrs. Tadgell sewed on her treadle machine, a velvet patchwork quilt for my single bed������The final backing was an artificial silk, which later suffered moth damage. My Mother replaced this in the early post-war years, when material was scarce, by hand stitching on a striped folk weave cotton fabric. It is not in keeping with the quilt's elegance, but does hold it firmly on the bed. The velvet surface is without blemish or wear. It has remained in our linen press, being considered too delicate to stand up to children's wear and tear. The stitching is perfect and a lasting tribute to Mrs. Tadgell's ingenuity and skill in creating this lovely quilt."
[Margaret Wood July 1998]

Related Quilts:

Annette Gero
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
Tricia Bowdler
Small patchwork piece in crazy patchwork in silks, satins, and velvets. Embroidered initials 'A.N' also an embroidered crest, the date 1869 with initials 'A.W.N'. There is also decorative stitching over the joins of most pieces. It is not padded. The backing is Jacquard.
661 a 649mm
Fran Williams
Crazy quilt made from a lot of light wools including gabardine types. Patches are outlined in embroidery stitches and there is additional embroidery on some patches. It is worked in 3 ply wool thought to be Patonyle (early blend of nylon and wool). The backing is a floral print mainly black with a cream flowers, brought to the front as a binding. Occasional stitches holding front to back by way of quilting. There is no padding.
1600 x 2100mm
Mare Carter
Patchwork quilt of pieced repeat blocks in cotton in white, blue, green, orange and red prints, plains and checks. Blocks are set between green sashes with white corner blocks. The pattern is 'Saw Tooth Star' or 'Jacob's Ladder' variation. Backing is of cotton, padding of cotton. Hand sewn and hand quilted.
2058 x 1296mm
Fran Williams
Quilt with centre area of silk triangles framed with small squares and the rest of the top is larger squares. Wide variety of prints and plain materials. There is no padding. The backing is cotton and "E.M.B." is cross stitched in one corner. "Back is interesting as it's all the same fabric, joined but it appears to have been stitched with a running stitch (cf quilting) before it was attached to the front. It was definitely done after being joined as the stitching design follows through the seams." [Fran Williams]
2500 x 2500mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm