Quilt No.462MW - Margaret Wood

Margaret Wood
Owner: 
Margaret Wood
Location: 
VIC Melbourne
Maker
Maker: 
Mrs Tadgell
Made in
AUSTRALIA VIC
Date: 
1921 - 1940
Description: 
Velvet log cabin quilt. The background is black and the colours are shades of pale blue to royal blue, apple green to forest green, purple and a deep salmon. Original backing of artificial silk now replaced (1940s) with striped folk weave bedspread hand stitched on.
1860 x 1290mm
History: 

Mrs. Doris Rodgerson, mother of the present owner, asked Mrs. Tadgell in 1936 to make the quilt for her daughter. Mrs. Rodgerson supplied the materials and Mrs Tadgell made it on her treadle sewing machine. It has never been used and always stored in the linen press firstly in Margaret's parents' homes and then in Margaret's homes all in the Box Hill and Blackburn areas. In 1998 the quilt was offered to the Museum of Lilydale.

Story: 

"Early this century, my grandparents William and Maria Young, bought some bushland running down to the Olinda creek, below Mt. Evelyn. On the hillside, they built "Kookaburra Cottage" which they referred to as their Mountain house. Beside them, a Mr. Clarrie Earl built a luxurious log cabin, with Charlie Mezgar (?) as resident caretaker. It is now known as Chateau Wyuna. Ours was a timber shack, where our family and friends spent so many happy week-ends. They travelled by buggy prior to their Fiat owning years, setting off from Box Hill on Friday evenings.
Down the hill and across the creek on the flats, I remember Mrs. Tadgell's farm, with cows. It was about 1935 that Mrs. Tadgell sewed on her treadle machine, a velvet patchwork quilt for my single bed������The final backing was an artificial silk, which later suffered moth damage. My Mother replaced this in the early post-war years, when material was scarce, by hand stitching on a striped folk weave cotton fabric. It is not in keeping with the quilt's elegance, but does hold it firmly on the bed. The velvet surface is without blemish or wear. It has remained in our linen press, being considered too delicate to stand up to children's wear and tear. The stitching is perfect and a lasting tribute to Mrs. Tadgell's ingenuity and skill in creating this lovely quilt."
[Margaret Wood July 1998]

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
National Museum of Australia
A 'Farm Life Quilt' made from alternate squares of beige linen and brightly coloured cotton headcloth. The coloured squares are farm animals and birds in a variety of embroidery stitches. The beige squares have a cornucopia design embroidered in dark brown stem stitch. There is a wide border front and back of beige linen. The backing is brown and white check cotton. There is no padding.
Bev Johnston
Patchwork quilt made from squares and rectangles of pink, blue and white fabric set with a frame of pink and white print around a centre rectangle made of 4 pink triangles. Four corner squares of blue and white stripes, Many squares are pieced from smaller scraps. The Material is a crepe type, possibly used for underwear. Handsewn and machined. Backing is made from cotton scraps, possibly lawn or similar. Padding is flanellete or similar. Edges are bound in a striped material. Quilt shows signs of wear.
620mm x 520mm
Muriel Hartmann
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has an off centre frame based on a hexagon and including triangles and squares in a concentric pattern. The borders are all small rectangles with a single strip of large rectangles at one end. Side 2 has a central patch of pieced shapes appliqued to the background. The borders are squares and rectangles many in striped shirting cotton. Side 1 has minimal quilting to the interlining but it does not go through to side 2. The padding is a thin sheet.
The circle (sometimes pieced hexagons) is common to other 'Craigmoor' quilts.

1450 x 1230mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.