Quilt No.547KG - Kristine Gray

Kristine Gray
Owner: 
Kristine Gray
Location: 
NSW Sydney
Maker
Maker: 
Florence Edith Gray and Bessie Gray
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Double sided square quilt. One side is a crocheted rug. The centre of this is 4 triangles joined and from this coloured bands in crochet radiate out to the border. The other side is randomly pieced scraps of mainly woollen material in checks, plains and tartans. Machine construction.
1600 x 1600mm
History: 

This quilt originally started as a rug crocheted by Florence (Blue) Edith Gray pre 1939 at Guildford NSW. It was inherited by Bessie Gray (Blue was her mother-in-law) and when it started to fray Bessie added the other side made from woollen scraps. Bessie passed it on to her daughter Kristine. It is not used now.

Story: 

Robert (1857-1935) and Margaret (1865-1950) Mays were married at Hartley NSW in 1884. Robert came to Australia from Norfolk (England) in 1879. Margaret was the daughter of Samuel Perry a convict transported to Australia in 1835. They were pioneers of the Rydal district near Lithgow NSW. Robert and Margaret had 12 children.
Margaret (Maggie) (1897-1981) was a daughter of Robert and Margaret Mays. She and Arthur Flint were married in 1919 and moved to Bassett Downs a sheep station at Cowra NSW where Arthur worked on the property and Maggie cooked for farm labourers and shearers. They had 4 children. Maggie made her own soap, preserves, jams, pickles, sauces bread etc. just as her mother and sisters did. She also made all her children's clothes on a treadle sewing machine. Like her mother, she had neither electricity nor running water in her home.
Bessie (born 1925)is a daughter of Margaret and Arthur Flint and grew up at Bassett Downs and lived there until she was 20 years old. She cooked for the shearers and did a man's job during the war, mustering, killing sheep, milking cows etc. She also learnt unarmed combat. Bessie married Ian Hamilton Gray in 1946 and they moved to the St. Mary's district NSW where they had 4 girls. This was the first time she had electricity and running water. Bessie ran the school canteen for 10 years, made her own pickles, jams, preserves etc. She also knitted , crocheted, embroidered and made all the children's clothes. Kristine, her daughter, remembers having her first bought dress when she was 13. Bessie is still an active needlewoman, knitting and crocheting for her grand children and Mission Austeralia. She has passed on her considerable skills to her daughters just as she learnt from her mother, Margaret Flint, who in turn had learnt from her mother, Margaret Mays.
Most of the quilts registered with the NQR were made by Bessie Gray at her home at St. Marys on a treadle sewing machine. All the quilts were made of necessity. Scraps left over from making the children's clothes were often joined when the garment was finished with and put away until there were enough joined pieces to make a quilt. The very heavy ones were called 'Waggas' and the others 'rugs' or 'blankets'. Many of the quilts were made in one large piece and then folded over. Bessie and Kristine Gray can still recall which garments many of the scraps came from.
The quilts are valued and will be handed on in the family with pride.

[Notes taken from family history accounts by Kristine Gray and also conversations Bessie Gray, Kristine Gray and Wendy Hucker (NQR) in Wagga Wagga on 2/3 October 1999]

Related Quilts:

Red Cliffs Historical Society
Crazy patchwork quilt pieced from velvets, satins, braids, taffetas, cottons with some decorative stitching. A ruffle and the backing are in ruby red satin. There is a dacron type padding.
1620 x 1200mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
National Museum of Australia
A 'Farm Life Quilt' made from alternate squares of beige linen and brightly coloured cotton headcloth. The coloured squares are farm animals and birds in a variety of embroidery stitches. The beige squares have a cornucopia design embroidered in dark brown stem stitch. There is a wide border front and back of beige linen. The backing is brown and white check cotton. There is no padding.
Glenda Wilkinson
Small quilt made from pieces of heavy weight wooollen coat material cut into strips and machined together. It is reversible. Each side is made from different materials but in similar colours of aqua, blue, green and beige. The 2 layers are quilted together with a few machined lines of straight stitching. It has a folded and machine stitched edge. There is no padding.
950 x 790mm