Quilt No.64MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1901 - 1920
Description: 
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
History: 

The quilt was made by Eva Leota Towe in southern California pre 1920. In 1950 her grand-daughter Mare (Carter) came to Australia to live. In 1953 Eva Towe died and in 1960 "my mother brought me Grandmother's legacy, her hand-works including the quilts, when she visited Australia". Mare Carter now owns the quilt one of a collection of 16 made by her grandmother.They were used frequently as family quilts and now occasionally.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground 1998]

Eva Leota Towe c 1940
Eva Leota Towe c 1940

Related Quilts:

Nancy Dunlap
Repeat block in wedding ring pattern. All cottons with cream background and mainly pale mauve and green dressmaking prints in wedding rings. Green border and cream calico backing. The padding is cotton. 1800 x 210mm.
National Trust of Australia (NSW)
Handsewn quilt of hexagon patches in cotton prints in 'Grandmother's Flower Garden' pattern. Each flower consists of double rows of print hexagons around a yellow centre and these are joined by 'paths' in plain green and white cotton. Backing is green cotton and there is a wool padding. There is outline quilting around all green and white hexagons and centre and first row of hexagons in flowers.
1885 x 1750mm
Mare Carter
Patchwork quilt made for a child. All cotton with cotton padding. White blocks have embroidery depicting different nursery rhymes eg Mary, Mary, Quite Contrary ; Old Mother Goose. These blocks are separated by rectangular strips of teal cotton. The quilt is hand stitched and heavily quilted.
1677 x 1271mm
Jean Gill
Pieced quilt featuring log cabin and tumbling block patterns. It is handsewn and has some appliqued flowers.Materials are mainly velvet with a small amount of cotton. There is no padding and the backing is cotton flannelette.
1525 x 1220mm
Darla Taylor
Double sided patchwork quilt. Both sides have central frame surrounded by borders. Side 1 has diamond of squares set in a square frame 490mm. Borders are squares and triangles. Side 2 is central frame of squares on point surrounded by plain grey velvet border then marroon border. Materials are cottons, silks, velvet, crepe, rayons in a wide variety of colours and apperned and plain. Machine construction. No quilting. Padding is a cream wool blanket.
1440 x 1420mm
Kristine Gray
Double sided quilt. One side is frame with borders of wool rectangles mainly offcuts of men's suiting from tailors' shops. The other side is mainly flannelette in stripes and patterns similar to pyjama material. The padding is pieced patches of worn jumpers that were too matted to be unpicked. Machine construction.
1700 x 1490mm