Quilt No.203WO - Win Oliver

Win Oliver
Owner: 
Win Oliver
Location: 
VIC Northern
Maker
Maker: 
Elizabeth Curnow
Made in
AUSTRALIA VIC
Date: 
1851 - 1880
Description: 
Crazy patchwork quilt made from silk, brocade and velvet pieces, the seams covered with feather stitching in yellow silk. Fabrics are plain, and patterned with tartans, woven spots, stripes and floral brocade. Colours are rich, mainly red, pink, blue, green and cream. Quilt has a patterned velvet or velour border with urns and flowers in pale olive green and black, edged with a fringe in these colours.
1090 x 1040mm
History: 

Made by Elizabeth Curnow (born Paynter) between 1855-1900, at Yarra St, Geelong (VIC). Owned by her daughter Ada Cox, then in succession Elsie Burrage (Elizabeth's grand-daughter), Winifred Burrage (Elizabeth's great grand-daughter) and Winifred Oliver (Elizabeth's great great grand-daughter), the current owner.

Story: 

"Elizabeth Curnow was born in 1827 and travelled to Australia in 1852, leaving St Ives, in Cornwall, England. She had been married at 18 to William Edward Curnow. When they left England they had 2 little girls, aged 6 and 4.
On the 5 month voyage she taught William to read and write, so that on arrival in Australia he was able to sign his name and state his trade and religion etc. Also on the long trip, Elizabeth completed a tapestry which remains in the family today.
When the ship arrived near Geelong on Christmas Eve, William went ashore. Upon returning, he commented 'I think we're in for some excitement, Ma.' - there had been shooting at the hotel he had visited.
William Curnow set up as a shipsmith near the docks in Geelong, moving to live in Yarra Street, where he and Elizabeth lived for the rest of their lives. Elizabeth had 10 children, with only 6 surviving to grow up - 2 boys and 4 girls. One grandson, Percy Curnow, was an original Anzac, who lived to return.
Elizabeth Curnow practised crafts from an early age. When a little girl, as a compulsory duty, she had to spend a certain amount of time each day knitting. All through her life she continued her craft work until she died in 1916, leaving tapestry and fine lace work as well as quilting, to her descendants."
[Win Oliver]

Elizabeth Curnow
Elizabeth Curnow
l to r: Elizabeth, Marion Hunter, Elizabeth Ayres, May Hunter
l to r: Elizabeth, Marion Hunter, Elizabeth Ayres, May Hunter
l.to r. Isobel Cox, Ada & Ben Curnow, Elizabeth Curnow, Elsie Cox
l.to r. Isobel Cox, Ada & Ben Curnow, Elizabeth Curnow, Elsie Cox

Related Quilts:

Annette Gero
Utilitarian quilt made from large pieces of wool, flannel and cotton. Machine construction and the padding is wool.
1570 x 152Omm
National Trust of Australia (QLD)
Crazy patchwork quilt with mainly patterned pieces in a wide variety of designs and colours. Backing is wholecloth patterned cotton. The quilt is edged with a checked bias binding. Machine construction.
2299 x 1449mm
King Cottage Museum
Hand sewn hexagons over paper templates in a pattern known as 'Grandmother's Flower Garden'. Materials are printed dress cottons, patterned and plain, mainly in pinks, blues and browns. The border and backing is grey linen and is machine stitched on. There is no padding. 2060 x 1579 mm.
Jindera Pioneer Museum
Quilt made of 26 x 13 rectangles of woollen men's suiting samples. Each rectangle is about 70 x 130 mm. Wide variety of patterns, mainly stripes, and colous. The padding is part of a worn cream blanket and joined pieces of woollen clothing. The backing is a well worn piece of brushed cotton. Machine made.
11900 x 1870 mm
National Trust of Australia (VIC))
Patchwork quilt, log cabin pattern. Made of strips of dark and light material arranged to produce strongly contrasting bands running diagonally across the quilt. Colours are mainly pinks and blues in small floral and paisley cotton prints. There is no padding.
1310 x 1140mm
Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm