Quilt No.692MM - Margaret Moloney

Margaret Moloney
Owner: 
Margaret Moloney
Location: 
VIC Melbourne
Maker
Maker: 
Elizabeth Wiltshire
Made in
ENGLAND Somerset
Date: 
1851 - 1880
Description: 
Wholecloth quilt of white polished cotton, hand quilted in an elaborate design. The backing is the same material as the top. The type of padding is unknown.
2330 x 206mm
History: 

The quilt was made in Somerset, England in the 1870s by Elizabeth Wiltshire. She was the great grandmother of the present owner and the quilt passed by maternal descent to Constance Humphreys (grandmother of owner), Joyce Fielder (mother), and then to Margaret Moloney the present owner. The quilt is kept on the double bed in her daughter's bedroom which is now used as a guest room.

Story: 

"The Quilt's Journey
This quilt was created by my great grandmother, Elizabeth Wiltshire who was born in Somerset, England in 1854. She was in her early twenties when she made the quilt for her glory box in the 1870s. She was from a well-to-do family and so had plenty of time to spend on making it.
Elizabeth married John Bourke, an Irish electrical engineer and they lived in Northern Ireland. They had three children, Margaret, Constance (my grandma) and Jack. The marriage was not a happy one and Elizabeth left. John's rich Irish family held the children.
Eventually Elizabeth stole them back and proceeded to move all around England, hiding the children in convents while she earned a living as a cook in the 'big' houses, the homes of the wealthy.
In her latter years, Elizabeth lived with my grandparents, Constance and Jack Humphreys in Deal, Kent. My mother and the other grandchildren remembered Elizabeth in various ways. They loved her 'fancy' cooking at Christmas time, but were a little afraid of her austere personality. She paid my Mum threepence to scrub the floor in her upstairs room each Saturday, yet she also helped her to study for her scholarship.
Elizabeth Wiltshire was killed in 1945 during the Second World War. The air raid sirens sounded, Constance, (her daughter, my grandma) was dashing to the stairs to bring Elizabeth down to the bomb shelter, when the bomb made a direct hit on their home. The door under the stairs fell across the passage forming a triangle, trapping Constance and saving her life. All that was found of Elizabeth Wiltshire was her left hand with the wedding ring on her finger.
My parents were married in 1946, after the war ended. They emigrated to Australia in 1951 ('10 pound Poms') with their two daughters, me three years old and my sister, Carol one year old. Mum's parents, Constance and Jack visited us in Australia in 1965 and brought the quilt with them to give to Mum.
Four years ago my Mum was dying of cancer. She gave me the quilt. I treasure it, as I am sure my three daughters will in the future."
[Margaret Moloney, October 1999]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Margaret Lyons
Padding for a utilitarian quilt that originally had a wholecloth cover. The padding is up to 3 layers of woollen scraps and pieces of used clothing, including hand knitting. White cotton tacking and overcast stitches hold all layers in place. The backing is a cream wool blanket with woven stripes.
1580 x 1200mm
Ida Blenkiron
Wholecloth cot quilt of floral cotton in a pattern of pink roses, green leaves, and blue ribbons. Paddiong is old blanketing, and backing is a soft fawn twill. The cotton was the same fabric as the bedroom curtains. No quilting.
1010 x 840mm
National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Betty Gray
Hand appliqued, embroidered and quilted, 1940s. Cotton quilt with yellow, pink and purple tulips and green leaves, has scalloped edging with green piping. Hand quilted.
2240 x 885mm