Quilt No.728SH - Sophia Haskas

Sophia Haskas
Owner: 
Sophia Haskas
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
GREECE Rhodes
Date: 
1941 - 1970
Description: 
Wholecloth quilt with one side of blue satin and the other of red cotton or sateen. Overall intricate quilting pattern with each part based on a symbol of Rhodes. On the blue side the quilting stitches outlining the deer have been over embroidered in gold braid. The padding is raw cotton.
2040 x 1750mm
History: 

The quilt was made in 1955 by a local quilt maker in Rhodes, Greece . It was ordered by Eleni Vardavas for her daughter Sophia's 'prika' (dowry). It has always been owned by Sophia. It is not used as 'it is heavy and Sydney has a moderate climate'. [SH]

Story: 

"A Paploma From Rhodes
This beautiful 'paploma' (quilt) was made in the city of Rhodes, capital of the well-known Greek island, and containing the world's best preserved medieval city. In true Greek tradition, Sophia Haskas' mother, Eleni (Koutsoukou) Vardavas, had ordered several quilts from the local quiltmaker. This one, specially designed, was to be an integral part of Sophia's ' prika' (dowry).
Sophia remembers the paploma-maker at their house in Aghiou Nicolaou, the district where they lived. He came in the springtime, so he could work outside, and he would fluff up the raw cotton, using a 'doxari' (a semi-circular implement with a wire stretched across it). He would then assemble the quilts and stitch them all by hand, using a special, long, thick needle.
This quilt has intricate patterns, each part symbolises an aspect of the rich history of Rhodes. The deer in the centre (overworked in gold braid by Sophia's mother) represents the two bronze deer on stone columns which stand at the entrance to Rhodes harbour, said to mark the position of the famous Colossus of Rhodes. The squares surrounding the deer represent the medieval stonework of the old city; the hibiscus is one of Rhodes' best-known native flowers.
In 1957, together with her mother and three brothers, Sophia came to Australia on the ship 'Skana'; her father had preceded them two years earlier. As with so many of Australia's post-war migrants, the Vardavas family came to Australia for a better life, but for teenage Sophia, it proved a difficult time of living with the disadvantages of not being able to further her education. Then, having trained as an accounting machine operator, she constantly had to fight against the discrimination commonly encountered by people of non-English-speaking backgrounds.
In 1961 when Sophia and Manuel were married, Greek tradition was once again observed when Sophia's paploma was laid out on the wedding bed blue satin side up, and covered with a beautiful white cut-work embroidered bed-spread which had belonged to her mother.
This paploma, with the customs and history it represents, is somehow symbolic of the many years Sophia has been teaching traditional Greek dancing and music to a vast number of young Greek Australians. Sophia and Manuel have three children, George Eleni and Michael."
[Written by Lula Saunders, adapted from interview 6/3/2000, for the National Quilt Register]

Sophia Haskas & the cut-work bedspread also used on her wedding day
Sophia Haskas & the cut-work bedspread also used on her wedding day

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Maria Ahilas
The quilt top is of rose-pink satin and the backing is a lighter pink cotton. The quilting pattern is a large central 'wheel' motif repeated from each corner like a fan. The centre 'wheel' is surrounded by a single feathered wreath and diamond fill pattern. Hand quilted. The padding is cotton wadding from cotton grown on Lesvos island.
2000 x 1600mm
Stavroula Iouannou
Wholecloth quilt with both sides in a cotton floral material with a dusty pink background. All over hand quilting is in loose parallel lines.
Stavroula re-covered this quilt with this material about 20 to 25 years ago. Originally the quilt had a yellow gold satin top with yellow gold cotton backing. Padding is cotton wadding.
1900 x 1600mm
Inverell Pioneer Village
Wholecloth quilt made of red floral crinoline cotton material. Quilting is in vertical rows, alternating cables with orange peel patterns. Padding is of cotton flock. Backing is of white cotton. Quilt is edged with a self fabric ruffle on three sides. Hand sewn.
2236 x 2236mm
National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm