Quilt No.731MR - Mary-O Roberts

Mary-O Roberts
Owner: 
Mary-O Roberts
Location: 
NSW Riverina
Maker
Maker: 
Mary-O Roberts
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
This domestic Wagga is made from an opened out jute wool bale as the padding with a woollen blanket as the backing. The top was originally curtains (brown cotton printed with daisies and dull yellow tulips) and the material has been folded over to the back for 60mm and stitched with 'Barbour's Linen Wax Thread' using running stitches about 50mm long. The whole domestic Wagga is then stitched in a large square grid.
1980 x 1730mm
History: 

This domestic Wagga was made by Mary-O Roberts (born Burnside), under the guidance of her mother-in-law Stella Roberts, at 'Pulgamurtie' Station via Broken Hill in 1959. It is still owned by Mary-O Roberts and is used at 'Gunnadoo' Morago Via Deniliquin NSW.

Story: 

"When I married 44 years ago and lived outback of Broken Hill my mother-in-law was still making Waggas for family members, and had made them also as a young woman for when she and her husband were on the road carting wool by camel team. She also made them for her sons to take as swags when they were camped out on mustering trips, but they were also used on their beds at home at Pulgamurtie Station (150 miles N.W. of Broken Hill). There was no electricity out there and the winters are cold. My own Wagga was used by my son on camping trips and is still used on my own bed on very cold nights - (There is a certain comfort in the sheer weight of it!). As far as I know the use of jute wool packs as a filling was quite common on the wool growing properties and of course they would have the added advantage of being water-proof (and therefore relatively wind-proof) as well."
[ Extract letter from Mary-O Roberts 'Gunadoo' Deniliquin NSW 24.6.2000]
"Jute wool bales [were] sometimes called a Dalgetys Blanket, after Dalgety Stock and Station agents who supplied the bales to graziers."[Mary-O Roberts]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Robyn Oliver
Wholecloth quilt, yellow sateen both sides. Hand quilted, geometric designs; centre square cross hatch, corner spaces filled with diagonal lines, border of 4 lines of parallel quilting. Flock padding visible in holes - said to be wool. 5 cms thick.
2290 x 1950mm
Ruth Hansen
Quuilt constructed from large pieces of used clothing pieced together to form the top. There are layers of under shirts once used by the maker's father and also by her husband Bill. The backing is an old cream blanket.
1700 x 1200mm
Bundaberg & District Historical & Museum Soc. Inc.
World' quilt of linen squares , autographed, embroidered in stranded cotton and the squares sewn together.
2000 x 2000mm