Quilt No.768PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
ENGLAND
Date: 
1901 - 1920
Description: 
"A medallion style, handpieced cot quilt with dark and light checkerboard patterning of rectangular cotton printed fabrics, probably taken from a fabric sample book. Two frames of pink cotton strips printed with navy blue polka dots outline the central block and separate the outer rows of patches. The quilt is edged with narrow strips of brown floral cretonne and dramatic triangular 'flames' of red floral cretonne attached all around. The seams joining the patches are oversewn with blue featherstitch embroidery, and the quilt is backed with printed cotton." [PHM] There is no padding.
1480...
History: 

"The maker is unknown but is probably a woman from northern Lancashire. She was about 80 when she made the quilt and gave it to Annie Dixon, who lived in the same area, sometime before 1920. This was said to be her last quilt." [PHM] When Annie died her niece Margaret Juckes inherited the chest and its contents, which were sent to Australia in 1960. The Powerhouse Museum bought the quilt in 1989.

Story: 

"The quilt was once owned by Annie Elizabeth Dixon, who was born in 1880 and died in 1959/60. She spent her early years at Aynsome Farm (or Mill) near Cartnel in Northern Lancashire, then moved to nearby Kent's Bank. Annie migrated to Canada in 1920, leaving the quilt in England in a chest of things belonging to her. When Annie died her neice Margaret Juckes inherited the chest and its contents, which were sent to Australia in 1960��.." [PHM]

Related Quilts:

Betty Johnson
Pieced wool quilt, machined. Rectangles and squares, from a wide variety of materials including tartans, checks, tweeds, herringbones, joined in strips and then the strips joined. The backing is scraps of woollen material with a seal motif aookiqued on. There is no padding.
1350 x 800mm
Cobram Shire Historical Society
Patchwork quilt in Log Cabin pattern, arranged in 'furrows', and made from cottons, wool and suiting fabrics. Centres of blocks are pastel or dark; dark colours are black, brown, purple blue and red. Pastel side of blocks includes a bright pink. Quilt backing is pieced, with a centre rectangle of cotton surrounded by 5 borders of plain and alternate rectangular pieced strips, in wool and suiting fabrics. Colours are black, dark blue, brown, green, grey and pastels. Inner lining is of cotton pieces, to which the Log Cabin blocks have been machined.
1620 x 1360mm
Alison Barlow
Quilt in traditional design called 'Seven Sisters'. Seven stars, each of six diamonds are set against a cream background, surrounded by bright pink triangles. Hand pieced and hand quilted. Padding is cotton, and backing is cream calico. 2100 x 1850 mm.
Tricia Bowdler
Small patchwork piece in crazy patchwork in silks, satins, and velvets. Embroidered initials 'A.N' also an embroidered crest, the date 1869 with initials 'A.W.N'. There is also decorative stitching over the joins of most pieces. It is not padded. The backing is Jacquard.
661 a 649mm
Tongarra Bicentennial Museum
Patchwork cot quilt top made from cotton hexagon patches, featuring a centre rosette with 7 rows of patches around it forming an elongated shape, with rosettes and patches randomly placed on the sides. Quilt has a border of triangles pieced to form squares. Cotton prints with over 50 different patterns. Colours are faded, with red and brown (may be faded green) and mostly pastels. Hand sewn using whip stitch. No padding or backing.
990 x 825mm
Fran Williams
Crazy quilt made from a lot of light wools including gabardine types. Patches are outlined in embroidery stitches and there is additional embroidery on some patches. It is worked in 3 ply wool thought to be Patonyle (early blend of nylon and wool). The backing is a floral print mainly black with a cream flowers, brought to the front as a binding. Occasional stitches holding front to back by way of quilting. There is no padding.
1600 x 2100mm