Quilt No.768PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
ENGLAND
Date: 
1901 - 1920
Description: 
"A medallion style, handpieced cot quilt with dark and light checkerboard patterning of rectangular cotton printed fabrics, probably taken from a fabric sample book. Two frames of pink cotton strips printed with navy blue polka dots outline the central block and separate the outer rows of patches. The quilt is edged with narrow strips of brown floral cretonne and dramatic triangular 'flames' of red floral cretonne attached all around. The seams joining the patches are oversewn with blue featherstitch embroidery, and the quilt is backed with printed cotton." [PHM] There is no padding.
1480...
History: 

"The maker is unknown but is probably a woman from northern Lancashire. She was about 80 when she made the quilt and gave it to Annie Dixon, who lived in the same area, sometime before 1920. This was said to be her last quilt." [PHM] When Annie died her niece Margaret Juckes inherited the chest and its contents, which were sent to Australia in 1960. The Powerhouse Museum bought the quilt in 1989.

Story: 

"The quilt was once owned by Annie Elizabeth Dixon, who was born in 1880 and died in 1959/60. She spent her early years at Aynsome Farm (or Mill) near Cartnel in Northern Lancashire, then moved to nearby Kent's Bank. Annie migrated to Canada in 1920, leaving the quilt in England in a chest of things belonging to her. When Annie died her neice Margaret Juckes inherited the chest and its contents, which were sent to Australia in 1960��.." [PHM]

Related Quilts:

National Trust of Australia (WA)
Frame quilt in cottons with a centre motif of pieced 8 point star surrounded by borders, 2 from red/white material printed to represent Tumbling Block patchwork. The remaining borders are, one plain, one of pieced squares, one of pieced large triangles with squares in the corner. The outer border is plain. The padding is wool and the backing is cream cotton. It is elaborately quilted.
2400 x 2260mm
Mrs M Batts
This quilt is allover crazy patchwork not done in squares. Many pieces are awkward shapes. In the centre is a 150 x 150mm square of squares each 25mm repeating some of the materials in the quilt. Most of the materials are velvets, satins and silks. There is a border of red and green patterned wool and all seams are feather stitched in a thick gold thread. The padding is thought to be flannelette and the backing is polished cotton in faded red and green.
2560 x 2160mm
Elizabeth Williams
Cotton quilt of plain and patterned hexagons, 6 joined to make a flower. The flowers are arranged in rows with single motifs filling the spaces. Hand sewn. The backing is heavy red cotton material. There is no padding.
2490 x 1803mm
Margery Creek
Double Wedding Ring' cotton pieced quilt. Machine constructed and hand quilted. Padding is Mountain Mist cotton. The backing is unbleached calico.
2160 x 1855mm
Joyce Lannin
Machine stitched quilt made from tailors' samples cut into squares. The colours are mainly greys, browns and fawns. There is no padding and the backing is a grey herringbone heavy woollen material with a white fleck. This is folded back to the front to make a 75mm border and finished with a dark grey braid where it meets the patchwork top. 1525 x 1225mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm