Quilt No.773PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Amelia Brown
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Medallion quilt pieced from square, rectangular and triangular pieces from plain and patterned cottons. Central motif is appliqued in red cotton on white background with kangaroo and emu on either side of a shield. Four stars are randomly placed on the white background. There is no padding. The backing is pieced together from different types of white material." [PHM]
2265 x 1975mm
History: 

The quilt was made by Amelia Brown (1817-1905) probably on a property called 'Oakvale' near Binnalong NSW about 1890. It remained in the Brown family until the late 1800s when it was given to a friend Margaret Swann (1871-1963). "The quilt stayed in the Swann family home, Elizabeth Farm, Parramatta until the house was sold in 1968. It then went with the two remaining sisters - Edith and Ruth - to their new home in Dural. When following their deaths the estate was divided up, the quilt was given to their niece Margaret Swann. She sold the quilt in about 1978 to Leigh Taumoefolau who in turn sold it to Hoopers in Melbourne. The Museum acquired it from Hoopers." [PHM]

Story: 

Amelia Brown was "Born in Devon, England, the daughter of James and Mary Parsons, she had married John Brown in 1836 and at the height of the goldrushes came with him and their seven children to Sydney in 1857. One more child, a daughter, was born after their arrival in Australia. The Browns settled on a property called Oakvale, near Binnalong.
A quilt still belonging to descendants of the Brown family - and almost identical in pattern and materials - is said to have been made on the voyage out to Australia. If this was the case, then this quilt may also have been made on the voyage out or shortly thereafter. The form of the coat of arms - with the kangaroo and emu looking backwards over their shoulders - was a popular 'unofficial' coat of arms at the time of the goldrushes and appeared in popular magazines, illustrations and books." [PHM]
Margaret Swann "was the daughter of William and Elizabeth Swann who had lived at Bowning for three years when William Swann was appointed headmaster of the local school in 1877. The Brown children were much older than the Swann children and it is not clear how the two families met. One possibility would be that some of the Brown girls may have helped out in the Swann household. What is known is that they formed a firm friendship and when the Swann family moved to Sydney the Brown girls would come to stay. It is presumably on one of these visits that the quilt was presented to Margaret Swann." [PHM]
"Taken together with the other quilt known to have been made by Amelia Brown, this quilt can be seen as a hopeful tribute made by Amelia Brown as she was embarking on life in her new country. The simple naivety of the central motif has made it an evocative image of Australian women's needlework and one that has been used in numerous publications." [PHM]

Related Quilts:

Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
Ruth Flett
Quilt is made of wool tailors' samples, each measuring 6 x 3 1/2 inches. The colours are predominantly navy and grey. Most pieces are striped but some more distinctly than others. Both sides are mad eof smaples, one side being mainly grey and the other almost exclusively navy. There doesn't seem to be another layer of material as padding. There is no added decoration. Made on a treadle sewing machine.
1703 x 1423mm
Queen Victoria Musuem and Art Gallery
Quilt with log cabin blocks forming centre rectangle with border of crazy patchwork, in silks and velvets, handsewn on to backing of blue, beige, white woven cotton. Log cabin blocks are in rich dark and light rows forming diagonal stripes. The crazy patchwork has edges decorated with yellow and cream feather stitch. Mostly plain materials with some checks and stripes. The quilt appears to have had the edges cut down. The outer border is a dark blue figured velvet. There is no padding and the backing is maroon silk with a woven yellow motif.
1655 x 1215mm
Barbara McCabe
Patchwork quilt made from rectangles of mostly woollen fabrics sewn in strips and then stitched together. Fabrics left over from dressmaking projects. Machine stitched. Colours mainly green, purple, blue, pink, pastels, in plain, checks and spots. No padding or quilting. Lining is an old bedspread.
2200 x 1440mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
National Trust of Australia (QLD)
Hexagons appliqued onto sheeting. 5 groups of 6 hexagons in centre of sheet and continuous row of hexagon rosettes around border.
2261mm x 1664mm