Quilt No.773PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Amelia Brown
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Medallion quilt pieced from square, rectangular and triangular pieces from plain and patterned cottons. Central motif is appliqued in red cotton on white background with kangaroo and emu on either side of a shield. Four stars are randomly placed on the white background. There is no padding. The backing is pieced together from different types of white material." [PHM]
2265 x 1975mm
History: 

The quilt was made by Amelia Brown (1817-1905) probably on a property called 'Oakvale' near Binnalong NSW about 1890. It remained in the Brown family until the late 1800s when it was given to a friend Margaret Swann (1871-1963). "The quilt stayed in the Swann family home, Elizabeth Farm, Parramatta until the house was sold in 1968. It then went with the two remaining sisters - Edith and Ruth - to their new home in Dural. When following their deaths the estate was divided up, the quilt was given to their niece Margaret Swann. She sold the quilt in about 1978 to Leigh Taumoefolau who in turn sold it to Hoopers in Melbourne. The Museum acquired it from Hoopers." [PHM]

Story: 

Amelia Brown was "Born in Devon, England, the daughter of James and Mary Parsons, she had married John Brown in 1836 and at the height of the goldrushes came with him and their seven children to Sydney in 1857. One more child, a daughter, was born after their arrival in Australia. The Browns settled on a property called Oakvale, near Binnalong.
A quilt still belonging to descendants of the Brown family - and almost identical in pattern and materials - is said to have been made on the voyage out to Australia. If this was the case, then this quilt may also have been made on the voyage out or shortly thereafter. The form of the coat of arms - with the kangaroo and emu looking backwards over their shoulders - was a popular 'unofficial' coat of arms at the time of the goldrushes and appeared in popular magazines, illustrations and books." [PHM]
Margaret Swann "was the daughter of William and Elizabeth Swann who had lived at Bowning for three years when William Swann was appointed headmaster of the local school in 1877. The Brown children were much older than the Swann children and it is not clear how the two families met. One possibility would be that some of the Brown girls may have helped out in the Swann household. What is known is that they formed a firm friendship and when the Swann family moved to Sydney the Brown girls would come to stay. It is presumably on one of these visits that the quilt was presented to Margaret Swann." [PHM]
"Taken together with the other quilt known to have been made by Amelia Brown, this quilt can be seen as a hopeful tribute made by Amelia Brown as she was embarking on life in her new country. The simple naivety of the central motif has made it an evocative image of Australian women's needlework and one that has been used in numerous publications." [PHM]

Related Quilts:

National Trust of Australia (SA)
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm
Art Gallery of South Australia
Rectangular patchwork crazy quilt pieced in squares (3 across by 4 down), in silks and wool, with red sashing between blocks and red border, quilted. Colours are dark, with red and light blue. Embroidery includes double feather, rope, herringbone, satin, cross, sword edge, buttonhole and coral stitches, and French knots. Embroidered flowers include lily of the valley, rose, daisy, and sunflower, also butterflies. Backing is pieced in the frame style, with a large centre red square, within 10 frames or borders. Embroidered "In Most Loving Memory of My Darling 1883", "V.H.B." Hand sewn.
1900 x 1500mm
Joyce Lannin
A hand sewn quilt of more than 6,536 hexagon pieces in cottons, silks and polyester mix. There is a centre circular pattern of hexagons within a larger hexagon and small hexagons form larger hexagons in a random pattern on the quilt top. There is no padding and the backing is a plain fawn sheet with a floral edging in hexagons. 2880 x 2550 mm.
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Annette Gero
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm