Quilt No.773PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Amelia Brown
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Medallion quilt pieced from square, rectangular and triangular pieces from plain and patterned cottons. Central motif is appliqued in red cotton on white background with kangaroo and emu on either side of a shield. Four stars are randomly placed on the white background. There is no padding. The backing is pieced together from different types of white material." [PHM]
2265 x 1975mm
History: 

The quilt was made by Amelia Brown (1817-1905) probably on a property called 'Oakvale' near Binnalong NSW about 1890. It remained in the Brown family until the late 1800s when it was given to a friend Margaret Swann (1871-1963). "The quilt stayed in the Swann family home, Elizabeth Farm, Parramatta until the house was sold in 1968. It then went with the two remaining sisters - Edith and Ruth - to their new home in Dural. When following their deaths the estate was divided up, the quilt was given to their niece Margaret Swann. She sold the quilt in about 1978 to Leigh Taumoefolau who in turn sold it to Hoopers in Melbourne. The Museum acquired it from Hoopers." [PHM]

Story: 

Amelia Brown was "Born in Devon, England, the daughter of James and Mary Parsons, she had married John Brown in 1836 and at the height of the goldrushes came with him and their seven children to Sydney in 1857. One more child, a daughter, was born after their arrival in Australia. The Browns settled on a property called Oakvale, near Binnalong.
A quilt still belonging to descendants of the Brown family - and almost identical in pattern and materials - is said to have been made on the voyage out to Australia. If this was the case, then this quilt may also have been made on the voyage out or shortly thereafter. The form of the coat of arms - with the kangaroo and emu looking backwards over their shoulders - was a popular 'unofficial' coat of arms at the time of the goldrushes and appeared in popular magazines, illustrations and books." [PHM]
Margaret Swann "was the daughter of William and Elizabeth Swann who had lived at Bowning for three years when William Swann was appointed headmaster of the local school in 1877. The Brown children were much older than the Swann children and it is not clear how the two families met. One possibility would be that some of the Brown girls may have helped out in the Swann household. What is known is that they formed a firm friendship and when the Swann family moved to Sydney the Brown girls would come to stay. It is presumably on one of these visits that the quilt was presented to Margaret Swann." [PHM]
"Taken together with the other quilt known to have been made by Amelia Brown, this quilt can be seen as a hopeful tribute made by Amelia Brown as she was embarking on life in her new country. The simple naivety of the central motif has made it an evocative image of Australian women's needlework and one that has been used in numerous publications." [PHM]

Related Quilts:

Jean Winchester
Patchwork quilt in the Log Cabin pattern, made from cotton fabrics in prints and plains in bright colours. There are 185 squares, all sewn on to check gingham. No padding. Backing is of black cotton.
2718 x 2540mm
Queen Victoria Museum and Art Gallery
Quilt has a centre panel of white velvet roses and green leaves with embroidered spider webs, on red velvet. Two side panels are in crazy patchwork in plain and patterned silks and velvets. All patches are edged with feather, herringbone or blanket stitch. Many patches are embroidered, including 'Minnie', 'Good Luck', birds, flowers, anchor, boat, fish, shell, spider web, crown,, 2 crossed flags, tennis racquets, Australian motifs including wattle. The centre panel has a row of ruched olive green ribbon each side and the whole quilt has a border of dark blue velvet. The padding is cotton wadding and the backing is cream cotton printed with red and pink chrysanthemums and green leaves.
2113 x 1995mm
Ida Blenkiron
Rectangular quilt with front and back made of rectangles of cotton samples of shirt materials, in checks, stripes and plains. Colours are soft muted reds, greens, blues, yellows and browns, and pastels. Construction is 3 to 4 rows of rectangles joined across the quilt. Padding is probably an old blanket. There is a row of hand quilting approximately the width of one patch in from the edge, holding the layers together.
1870 x 950mm
Annette Gero
This domestic Wagga is two layers of woollen army blankets with the top layer in rectangles joined in rows. The backing is hessian bags that originally contained meat meal.
11650 x 1130mm
Narelle Grieve
English pieced hexagonal star quilt in silks, velvets and satins. Commercially made fringe in cotton maroon twill. Some motifs have herringbone stitching around them. There is no padding and the backing is polished cotton twill. 1840 x 1660 mm
The Pioneer Women's Hut
Single bed quilt made up entirely of hexagons in 'Granny's Flower Garden' pattern. The rosettes are made up of 8 hexagons and a central one. Native flower prints, including wattle, on a white background. Plain hexagons in white, yellow and blue form a scalloped border. Hexagons are hand stitched and the 2 layers are quilted in running stitch. The backing is a pieced sheet.
2400 x 1500mm