Quilt No.773PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Amelia Brown
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Medallion quilt pieced from square, rectangular and triangular pieces from plain and patterned cottons. Central motif is appliqued in red cotton on white background with kangaroo and emu on either side of a shield. Four stars are randomly placed on the white background. There is no padding. The backing is pieced together from different types of white material." [PHM]
2265 x 1975mm
History: 

The quilt was made by Amelia Brown (1817-1905) probably on a property called 'Oakvale' near Binnalong NSW about 1890. It remained in the Brown family until the late 1800s when it was given to a friend Margaret Swann (1871-1963). "The quilt stayed in the Swann family home, Elizabeth Farm, Parramatta until the house was sold in 1968. It then went with the two remaining sisters - Edith and Ruth - to their new home in Dural. When following their deaths the estate was divided up, the quilt was given to their niece Margaret Swann. She sold the quilt in about 1978 to Leigh Taumoefolau who in turn sold it to Hoopers in Melbourne. The Museum acquired it from Hoopers." [PHM]

Story: 

Amelia Brown was "Born in Devon, England, the daughter of James and Mary Parsons, she had married John Brown in 1836 and at the height of the goldrushes came with him and their seven children to Sydney in 1857. One more child, a daughter, was born after their arrival in Australia. The Browns settled on a property called Oakvale, near Binnalong.
A quilt still belonging to descendants of the Brown family - and almost identical in pattern and materials - is said to have been made on the voyage out to Australia. If this was the case, then this quilt may also have been made on the voyage out or shortly thereafter. The form of the coat of arms - with the kangaroo and emu looking backwards over their shoulders - was a popular 'unofficial' coat of arms at the time of the goldrushes and appeared in popular magazines, illustrations and books." [PHM]
Margaret Swann "was the daughter of William and Elizabeth Swann who had lived at Bowning for three years when William Swann was appointed headmaster of the local school in 1877. The Brown children were much older than the Swann children and it is not clear how the two families met. One possibility would be that some of the Brown girls may have helped out in the Swann household. What is known is that they formed a firm friendship and when the Swann family moved to Sydney the Brown girls would come to stay. It is presumably on one of these visits that the quilt was presented to Margaret Swann." [PHM]
"Taken together with the other quilt known to have been made by Amelia Brown, this quilt can be seen as a hopeful tribute made by Amelia Brown as she was embarking on life in her new country. The simple naivety of the central motif has made it an evocative image of Australian women's needlework and one that has been used in numerous publications." [PHM]

Related Quilts:

Wendy Springbett
Patchwork quilt made from alternate squares of light green and medium green cotton headcloth. The light green squares are hand embroidered with Australian native birds, the medium green squares are decorated with pulled thread designs. No padding. Backing and binding of medium green headcloth. Made from patterns published in The Adelaide Chronicle.
2650 x 1573mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
Tricia Bowdler
Small patchwork piece in crazy patchwork in silks, satins, and velvets. Embroidered initials 'A.N' also an embroidered crest, the date 1869 with initials 'A.W.N'. There is also decorative stitching over the joins of most pieces. It is not padded. The backing is Jacquard.
661 a 649mm
Wanda McPherson
Patchwork quilt made from pure wool suiting samples in shades of navy blue and brown. Quilt is constructed in 11 rows containing 11 pieces. Each piece is 14cm x 9cm. No padding. Backing is of mauve cotton with a floral pattern of closely spaces white/pale mauve flowers.
1480 x 900mm
Fran Williams
Crazy quilt made from a lot of light wools including gabardine types. Patches are outlined in embroidery stitches and there is additional embroidery on some patches. It is worked in 3 ply wool thought to be Patonyle (early blend of nylon and wool). The backing is a floral print mainly black with a cream flowers, brought to the front as a binding. Occasional stitches holding front to back by way of quilting. There is no padding.
1600 x 2100mm
Bev Johnston
Patchwork quilt made from squares and rectangles of pink, blue and white fabric set with a frame of pink and white print around a centre rectangle made of 4 pink triangles. Four corner squares of blue and white stripes, Many squares are pieced from smaller scraps. The Material is a crepe type, possibly used for underwear. Handsewn and machined. Backing is made from cotton scraps, possibly lawn or similar. Padding is flanellete or similar. Edges are bound in a striped material. Quilt shows signs of wear.
620mm x 520mm