Quilt No.811QVM - Queen Victoria Museum and Art Gallery

Queen Victoria Museum and Art Gallery
Owner: 
Queen Victoria Museum and Art Gallery
Location: 
TAS
Maker
Maker: 
Unknown
Made in
WALES
Date: 
1851 - 1880
Description: 
Wholecloth quilt with one side cream wool and one side faded red wool. Red wool is joined with 3 seams by loom length; red appears to be cochineal dyed. Cream wool side appears to have been made from a hand woven blanket with blue selvidge on 2 sides. It is hand quilted in red wool thread; Welsh patterns including clamshell, Welsh pear, snail or spiral. Centre frame has 2 cable borders and the centre corners have fans. The outer quilted border has alternate 4 petal flowers, clamshell, and spirals.
It is padded with hand carded wool.
1950 x 1935mm
History: 

The maker is unknown but the quilt was made in Wales c. 1850 -1870. It was given to William Thomas Huxley and his wife Laura (born Ludbery) when their home and contents were destroyed by bushfires that swept through Anderson's road lower Longley Tasmania in the late 1880s. It then passed to their grand-daughter Miss Essie Huxley of 'Telopea' lower Longley who gave it to Yvonne Hamdorf. Yvonne donated it to the Queen Victoria Museum and Art Gallery in 1997.

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Powerhouse Museum
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm
Dulcie Williams
Wholecloth quilt, the cover made of blue and red paisley cotton cretonne, and filled with feathers. The cover is reversible. The machine quilting is a simple pattern of 2 diamonds, one within the other, in the centre, with 3 rows of stitching around the edge of the quilt, forming a wide border.
2033 x 1474mm
Effie Katianos
Wholecloth quilt of golden brown cotton sateen, the backing of a lighter yellow cotton sateen. Hand quilted with an allover repeatingr pattern of a cross within a square. The border is quilted with 4 parallel rows of stitching at the sides, and 5 at the top and bottom. Padding is cotton wadding. 1920 x 1440 mm.
1920 x 1440mm
June Brown
Rectangular cot quilt of green floral cretonne with pleated frill. Machine made. The backing is the same material. It is tied not quilted. The padding is old woollen jumpers.
1050 x 610mm