Quilt No.83BB - Gilgandra Uniting Church

Owner: 
Gilgandra Uniting Church
Location: 
NSW Central West
Maker
Maker: 
Members of Methodist Church
Made in
AUSTRALIA NSW
Patterms
Wholecloth, Signature
Date: 
1921 - 1940
Description: 
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
History: 

Embroidered by members of the Methodist Church Gilgandra in 1926. Owned by the Gilgandra Methodist church. Some time later used as an altar cloth until a new one was made in 1982. Now owned by the Gilgandra Uniting Church and stored in a home in Gilgandra.

Story: 

In the 1920's and 1930's it became fashionable in Gilgandra to raise money for worthy causes, by paying sixpence or one shilling to have one's name embroidered on a quilt.
There are two such quilts in Gilgandra, one made by Mrs. Clara Ward commenced in 1937, raising money towards the building of a new hospital.
The second quilt was embroidered by various members of the Methodist church in 1926, to raise funds for Methodist church renovations."
There are 238 signatures, 60 initials and the centre square.

Share

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Sharon Stacy
Quilt No.551ST - Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
Wholecloth, Embroidered and/or Appliqued
Mary and Max Robertson
Quilt No.378MR - Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
Wholecloth, Traditional Wagga, Utilitarian, Typically Australian
Nancy Stinson
Quilt No.729NS - Nancy Stinson
The padding consists of layers of pieced used clothing including; part of machine knitted child's wool dress (Nancy had this when she was 3 or 4); part of father's cardigan; parts of 'neck to knee' bathers in light green and dark green wool. The padding is all hand pieced and machined around the edge. There have been 2 wholecloth cotton covers to this quilt. It is one of a pair.
1870 x 1020mm
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Maria Kirke
Quilt No.919MK - Maria Kirke
Wholecloth quilt made from deep pink satin. The quilting pattern is a centre circle with a stylised flower surrounded by crescent shapes. This is set in a square and there is a fan design in each corner. Parallel lines create a border. There is a frill on all sides of the quilt. The padding is raw cotton.
2000 x 1770 mm
Wholecloth, Quilting as major design element, Greek