Quilt No.842AG - Annette Gero,

Annette Gero,
Owner: 
Annette Gero,
Location: 
NSW Sydney
Maker
Maker: 
Annie Whitehead
Made in
AUSTRALIA Vic
Date: 
1901 - 1920
Description: 
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
History: 

This quilt was made by Annie Whitehead (1868-1953) at Cudgewa, Victoria early this century. It is now in the collection of Annette Gero.

Story: 

"Mary Annie Whitehead was born in Lincolnshire UK in 1868 and died in 1953, having married Edwin Simon Whitehead at Wabba Station, near Corryong in 1895. They had 5 children. Her second youngest child, Gladys Mary married Joseph Gibson, whose sisters Daphne, Olive, and Ruby made the waggas [AG cat. Nos 156, 157]. The family had migrated from Benambra, near Omeo in to Thowgla, near Corryong. The main reason for the shift was that the valleys flowing into the Murray were more fertile and the climate a lot milder than the bleak high plains of the Alps. The shift was accomplished by bullock waggon and horses. It must have been a rather hazardous journey, as there were no roads to follow."
[Annette Gero]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Lorna Calder
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with red cotton damask showing underneath, possibly an earlier backing.
2165 x 2165mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Muriel Hartmann
Old jute wool pack opened out and joined together selvedge to selvedge. Ends bound with recycled curtain material.
1550 x 1321mm
Beryl Warne
The quilt's construction is cotton patches about 170mm square joined in strips and then the strips joined. The border and backing are pale lemon coloured cotton lawn. The padding is an old woollen blanket. There is ric-rac braid around the border of the top.
2180 x 1420mm