Quilt No.962NGA - National Gallery of Australia

Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Frances Baker
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm
History: 

The quilt was made by Frances Baker in Granville NSW. The National Gallery of Australia purchased it from its owner in NSW in 1992.

Story: 

"Mrs. Frances Baker nee Garnett (1879-1958) was born in Yorkshire, Great Britain and died in Granville, New South Wales. Her parents came to Australia in 1883 and, two years later, Frances and her brother arrived to join them. The family settled in Parramatta.
In 1908 Frances married Edward A. Baker of Granville. Rheumatic fever contracted in 1912 left Frances with a severe arthritic condition. Frances continued to sew, using one of the earliest electric sewing machines that she had bought before her marriage and later, had fitted with a knee control. She could handle small pieces of material and thus the patchwork quilts came into being. Frances used the leftovers from various dresses and she made all her quilts by 1938. This work was made in Granville.

Related Quilts:

The Temora Rural Museum
All cotton hexagon quilt using a wide variety of colours and patterns. The hexagons were hand stitched by Sylvia Schleibs in the same style she and her daughter, Norma Gilchrist, had previously made 3 hexagon quilts. There is a calico border and backing.
2000 x 1450mm
Lyn Uppill
Patchwork quilt in crazy pattern, with pieces of silks, corded silks and velvets in prints, plaids and plains. Nearly all pieces are edged with embroidery, and many pieces have embroidered names and motifs. There are a variety of embroidery stitches. The backing is of slub cotton in a plaid pattern in yellow, grey, red and white. No padding. Quilt has a gathered edging of dark red organdy and silk. Names and dates embroidered are: Bert, Milly, Toots, Verdi, Ida, and 1893, 1895, 1894.
1550 x 1420mm
Flora Noyce
Log cabin quilt consisting of 36 blocks each 200mm square. Light and dark arrangement with a variety of small patterned cotton materials (floral, spotted, striped) and plains. The blocks are hand stitched on to fine cotton and then joined by machine. There is a 120mm double gathered frill of floral cotton with a beige background. The backing is 2 pieces of cream cotton with repeat floral and musical motifs interspersed with forget me nots.
1500 x 1500mm
Lesley Stocker
Suffolk puff quilt with puffs in a variety of fabrics. Very little cotton. Fabrics are satin, polyester, organza, wool (now moth eaten), rayon and silk. There is no padding or backing. 2450 x 2100mm
Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm