Quilts

King Cottage Museum
Hand sewn hexagons over paper templates in a pattern known as 'Grandmother's Flower Garden'. Materials are printed dress cottons, patterned and plain, mainly in pinks, blues and browns. The border and backing is grey linen and is machine stitched on. There is no padding. 2060 x 1579 mm.
Rhona Dunwoodie
Block pattern consisting of a circle, hexagon and circle within a square. Cotton dressmaking fabrics with a few plain creams. Hand pieced and hand quilted. At some stage has been machine reinforced. Now faded, worn and damaged especially one end. Quilting pattern is four leaf clover inside large cable. The backing is 4 different pink toned fabrics in longitudinal stripes. Cotton batting. 2620 x 2300mm
West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Gladys V. Williams
Grandmother's Flower Garden, also known as French Bouquet. The quilt comprises 181 flowers. No padding is used. Each flower has seven hexagonal patches, cut from a metal template pattern. Floral and plain silk materials are used and mounted on pale blue moire taffeta.
3050 x 2031mm
Ruth Hansen
Cotton patchwork quilt in an all over pattern of diamonds in a wide variety of patterned and plain materials. Many seams are oversewn in feather stitch which goes through to the backing of calico.
1625 x 925mm
Maria Politis
Wholecloth quilt made of deep cherry red satin with backing of sky blue satin. The padding is cotton wadding. It is hand quilted and the pattern is an all over one of four leafed clovers with a border of crescent shapes within straight parallel lines.
2000 x 1700mm
Connie Papalazaros
Wholecloth quilt made from floral cotton material with a light green background. Hand stitched quilting pattern of diamonds in the centre and parallel lines radiating out from this. The padding is cotton wadding.
1940 x 1300mm
Marie Thomas
150mm squares of old material scraps, mostly cotton, including some curtain material. There is no padding and the backing is brown lawn.
2540 x 2370mm
Margery Creek
Cotton quilt in 'Pyramid Charm' pattern. Made in the USA and thought to have come from Louisiana. Hand pieced and hand quilted with the quilting following the triangular shapes. The quilting is quite coarse. The backing is black printed material and there is cotton padding.
1931 x 1855mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
John Coman
Dingo skin rug. 3 skins long x 5 skins wide with only the backs of the skins used. The backing is blue felt. The skins were tanned with wattle bark. 2100 x 1800mm
Anastasia Penklis
Traditional hand stitched Greek quilt, the top piece (in Greek a 'Stoffa') is of blue brocade with a gold pattern of roses and leaves. The border and backing are made from gold brocade woven with a daisy pattern (the same material as is in sister Ann Kyranis' quilt). The padding is cotton wool.
2100 x 1740mm
Elizabeth Williams
Cotton quilt of plain and patterned hexagons, 6 joined to make a flower. The flowers are arranged in rows with single motifs filling the spaces. Hand sewn. The backing is heavy red cotton material. There is no padding.
2490 x 1803mm
Agnes Pratten
Thick padding for a wholecloth quilt constructed from pieces of old woollen clothing. The backing is a calico sheet. Originally had a cretonne cover.
Rozanne Andrew
Patchwork crazy quilt of late 40s and early 50s. Pieces are from curtains, tablecloth,other kitchen type fabrics in cotton, seersucker and linen. Colours are mainly reds, greens, blues, and pastels, in prints and plain. Herringbone stitch is worked around the edge of each patch. No filling. The backing is calico with one edge in a piece of coloured cotton from the front; the calico was a little small for the top.
2020 x 1400mm
Deb Nichol
Rug made from 40 brown fur skins (8 rows by 5), possibly possum. Skins are sewn by machine, with seams covered with white tape. Rug is backed with cream wool felt, and bordered with beige scalloped felt. There is a braid binding along the outer edge of the skins. No padding. 1640 x 1480mm
Bundaberg & District Historical & Museum Soc. Inc.
World' quilt of linen squares , autographed, embroidered in stranded cotton and the squares sewn together.
2000 x 2000mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
N.S.W. Parks and Wildlife Service
Crazy patchwork on to foundation material with the edges of the pieces turned under and machined. It is not quilted. A 25mm red binding has been machined on. There is no padding. The backing is red wholecloth cotton.
1940 x 1540mm
Della Savvas
Wholecloth quilt with one side of mauve coloured cotton sateen and the reverse side of cherry coloured cotton. The hand quilting pattern is a diamond shape in the centre of a large floral motif. Around the edge is a large curvilinear pattern. The padding is raw cotton.
2000 x 1810mm

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