Quilts

Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm
Illawarra Historical Society Inc
Wholecloth quilt, both sides cretonne in different rose patterns. 120mm double frill matches each side. Padding is possibly hessian bags. It is hand quilted in large stitches in white/cream cotton in strips with circles, diamonds and scrolls repeated.
2070 x 2030mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Fran Williams
150 x 210mm pieces of bound suiting samples overlapped and machined together then herringboned with gold/yellow thread. Each piece has an embroidered motif, using single thread, mainly non Australian birds and animals. '1903' is embroidered on a centre piece. It is hand quilted. The backing is a black floral print. There is no padding.
1800 x 1940mm
National Museum of Australia
A 'Farm Life Quilt' made from alternate squares of beige linen and brightly coloured cotton headcloth. The coloured squares are farm animals and birds in a variety of embroidery stitches. The beige squares have a cornucopia design embroidered in dark brown stem stitch. There is a wide border front and back of beige linen. The backing is brown and white check cotton. There is no padding.
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Narryna Heritage Museum
Cotton applique quilt in 'Kentucky Rose' wreath pattern. Cream background with applique flowers in deep pink with green stems and leaves. The wreaths, each with 4 flowers, are repeated across the quilt. It is extensively hand quilted. The backing is cream finished cotton and the padding is cotton.
2300 x 2250
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
Gloria Martin
Double sided quilt machine made from clothing scraps. Shapes are mainly rectangles in corduroy and wool blend. The padding is an old grey blanket.
1524 x 1372mm
Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Red Cliffs Historical Society
Garland with berries appliqued on wholecloth quilt of off white cotton. The backing is whole cloth in soft green. The garland (ribbon appearance) is in floral patterned green. The red berries are padded. It is machine quilted. Dacron type padding.
1820 x 1500mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Nancy Stinson
The padding consists of layers of pieced used clothing including; part of machine knitted child's wool dress (Nancy had this when she was 3 or 4); part of father's cardigan; parts of 'neck to knee' bathers in light green and dark green wool. The padding is all hand pieced and machined around the edge. There have been 2 wholecloth cotton covers to this quilt. It is one of a pair.
1870 x 1020mm
Alyce Wright
Cotton scrap quilt in a pattern known as 'Grandmothers Fan'. It is hand quilted. The padding is hand carded cotton and the backing is muslin.
2235 x 1880mm
National Gallery of Australia
"A medallion or framed quilt in design. There is a central field of small patchwork diamonds, and from this radiates plain stripes of fabric bordering areas of patchwork panels. The edge of the quilt carries bands of red cotton, which are slightly larger at the top and bottom edges, and here the band is additionally decorated with appliqué diamonds. The fabric of the patchwork is cotton in fine plain weave of pale coloured florals and small geometric designs. The framing and border stripes are of bright red twill weave cotton. The small diamonds of the central field are hand sewn, with more use of machine stitching around the outer edge of the quilt.
The quilt is not padded. The patchwork is fully lined with a printed plain weave cotton fabric with a design commemorating Queen Victoria's Jubilee. The design is based on a repeated grid of circles. In the centre of each circle is a cameo of Queen Victoria, surrounded by images of the national flowers of England, Scotland and Ireland: the rose, the thistle and the shamrock. The edge of the front face of the quilt is trimmed with a red and white cotton braid." [NGA] 2380 x 2220mm
Julianne Humphris
Patchwork quilt of hand sewn hexagons in a variety of print and plain cotton fabrics from 1950-1960. Colours are mainly pinks, blues, greens and yellow, with some red, and white. Quilt has a wide border of yellow poplin, which also forms the backing. No padding.
2280 x 1520mm
Julie Pearce
Rectangular quilt of print and plain cottons pieced in squares and rectangles, the centre group of pieces surround a larger piece of pale blue fabric, within a frame or border, of bright pink material, then 3 rows of squares and rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
Annette Gero
This quilt consists of many blocks of different colours with etchings and verse from the bible machine appliqued on to a red backing material. It is a kit quilt.
2580 x 24100mm
Margery Creek
Cotton quilt made in the USA. The pattern is called 'Turkey Tracks'. It has a cotton backing and a bottle green binding. The red patches have faded to pink. The quilt is hand pieced and hand quilted. Two names are written on tape sewn on the back viz: Cora Phelps and M.Hoover.
2135 x 1727mm

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