Quilts

National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
Flora Noyce
Hand worked wholecloth Chinese quilt. Background is cream with a central motif of a dragon embroidered in various shades of orange. The border has floral and leaf decoration at each corner joined by a stem interspersed with leaves, berries and butterflies. The border is dull gold satin finished cotton with a fine gold braid machined on. The backing is fine brown cotton.
1730 x 1700mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
National Trust of Australia (WA)
Silk and velvet frame quilt with centre patchwork block of squares and triangles with a top and bottom border of silk in Royal Stewart tartan. This rectangular centre frame is surrounded by plain and 'saw tooth' (triangles) borders. The outer border is dark grey silk embroidered in pastels in stem stitch in a meandering vine and leaf pattern. There is no padding or quilting. Backing originally of mustard wool material machine stitched along turned in edges. Dark red cotton is attached to original backing.
2015 x 1320mm
Barbara McCabe
Patchwork quilt made from squares of woollen fabric scraps from dressmaking. Squares are stitched together in no particular order. Colours are bright, with pink, yellow, green, brown and light blue predominating. Fabric is plain, checks and stripes. No padding or quilting. Backing is a cotton bedspread, striped in pinks and magenta.
2530 x 1640mm
Museum Victoria
Possum skin cloak. Possum skins sewn together with vegetable fibre or kangaroo sinew. Designs incised into the skins, some of which are decorated with ochres. 2070 x 1540mm
Ryder Lundy
"Hexagons pieced over cardboard hand-sewn together. Each rosette was then machine quilted 1/8th to 1/4 inch from edge of rosette in shape of each rosette. Quilt is mainly cottons with a few rayons. Some checks and stripes are used but mainly florals. Has been machine quilted in rosette shape using green on green fabrics, lemon on lemon, orange on orange and red on red." [Ryder Lundy] There is no padding and the backing is gold curtain fabric extended at the end and one side with matching taffeta. 2220 x 1270 mm.
Agapi Naoumidis
Wholecloth quilt made of deep cherry red satin with a cotton backing of a lighter red colour. The padding is wool. The quilting pattern comprises twelve squares, each approximately 350mm with a four leaf pattern in each. The border is straight and wavy parallel lines.
2000 x 1820mm
Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
Annette Gero
Cotton frame quilt with a diamond in the centre of the frame and a border of straight pieces. The outer border is diamonds. The quilt is hand sewn and hand quilted.
1910 x 1830mm
Mare Carter
Patchwork quilt. All cotton with cotton filling. Entirely made of hexagons, patterned and plain. 6 hexagons surround a central one. Colours, red, blue, yellow and white. Hnad stitched and hand quilted.
2108 x 1702mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Lorna Calder
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with red cotton damask showing underneath, possibly an earlier backing.
2165 x 2165mm
National Museum of Australia
Platypus skin rug. Skins are joined in 7 rows with the larger skins on the outside and the smaller ones in the centre. Skins are rich dark brown with yellow/cream sides (the belly fur). The backing is dark brown felt extending beyond the fur and with a stamped scalloped edge. 1720 x 1490mm
Muriel Mackenzie
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. Machine sewn and quilted.
1677 x 1144mm
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
National Trust of Australia (NSW)
Hand pieced and quilted quilt in silks, wool and cotton dress materials. The centre is a hexagon star in pink and yellow with black points. Most of the body of the quilt is pieced in Tumbling Blocks with an outer border of triangles. The backing is pieced from large rectangles of blue satin, rust-brown moire taffeta and brown-grey silk in a 'rectangle within a rectangle' pattern. The quilting is all over and finely done in yellow thread in a variety of patterns including snails, petalled flowers and hearts.
Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.

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