Quilts

Mirgation Museum
Unfinished patchwork of hexagon patches in cotton, linen and other fabrics. Hexagons have 3cm sides. Fabrics are a mixture of prints and plains, in bright shades and pastels, with reds, greens, blues and pinks predominating. Paper templates are still in place in sections.
980 x 950mm
Wholecloth quilt with top and backing of green and pink floral cretonne. The padding is machine pieced patches from old woollen blankets.
1440 x 1070mm
Helen Sparkman
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
Handsewn quilt of octagon shaped printed patches. Stitching is in red and white cotton. The backing is heavy cream calico. It is closely quilted in bands of floral and wave patterns.
1950 x 1600mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Double sided quilt, machine pieced from large rectangles of used clothing in various materials including wools and suitings. The sides are turned in and machined to make a firm edge. It is machine quilted. The padding is 3 old sheets and a blanket.
1370 x 1040mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
Pauline Rogers
Machine constructed patchwork quilt of mainly cotton materials in squares. There is feather stitching as decoration along the seams. There is no padding and the backing is a wholecloth of gold damask like material.
2515 x 2312mm
National Parks & Wildlife Service of SA
Child's cot quilt of crazy patchwork, with patches of velvet, silk brocade and satin, all seams embroidered with feather stitch in different coloured threads. There is a wide border of peach-brown velvet. Backing is a floral cotton. Has been in poor condition, conserved by Artlab SA.
1490 x 1000mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
Utility quilt, machine pieced from mainly squares of dress materials in many different patterns. The backing is a wholecloth paisley print. The padding is pieced used clothing and materials including chenille and plush.
1950 x 1270mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
Embroiderers' Guild Victoria
Cotton quilt in a design called 'Crossed Canoes'. Yellow background with various coloured cotton prints. Machine pieced and hand quilted in a diamond pattern. There is a thin padding and the backing is the same yellow cotton as on the top.
2040 x 1690mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm

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