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Patchwork quilt made up of machine pieced squares and rectangles of cotton dress materials. The backing is a large piece of furnishing material. The padding is an old cream blanket.
1750 x 1350mm
1750 x 1350mm
Traditional Aboriginal fur cloak called a 'Buka' or 'Boka', made with three pieces of pelt. Fastened at the front with a piece of fur inserted into the other side.
1500 from back of neck to hem
1600 measuring around to just below the shoulders
Wholecloth bedcover with all over pattern in crewel (wool) embroidery. The background is beige linen and the embroidery is flower motifs with a flowing leaf pattern border. It has a backing but no padding.
2280 x 1770mm
2280 x 1770mm
The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm
The quilt is not padded. 2160 x 1910 mm
Quilt, hand pieced and quilted and cut in half and made into two curtains. It consists of hexagons in the pattern known as 'Grandmother's Flower Garden' and is in cotton prints and white cotton 'paths'. Some hexagons are joined. The quilt is quilted allover in a variety of patterns in fine close stitching, chevron, single cable, palm leaves, hearts. The backing is cream linen and the padding is wool.
2430 x 1200mm
2430 x 1200mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm
Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed.
The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour.
Longest part: 750mm approx.
[From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
Quilt entirely made of hexagons joined to make 'flowers', 6 hexagons form the petals and one in the centre. The quilt is all cotton in a wide variety of colours in plains, checks and florals. The hexagons are all hand stitched using stranded cotton. There is a plain blue border of headcloth machined around the edge to the backing material. It is not quilted The materials were almost all from the scrap bag. Brown paper templates were used. This arrangement of hexagons is one variation of a pattern commonly called 'Grandmother's Flower Garden'.
2040 x 1720mm
2040 x 1720mm
Quilt of men's suitings. Machine stitched, red backing.
1800 x 1100mm
1800 x 1100mm
Hand and machine pieced top and back using irregular pieces of men's hand and machine knitted jumpers and navy serge. The backing is mainly serge, part of an uncle's bus conductor's uniform. The pockets from the uniform have been left as is. There is no padding.
1850 x 970mm
1850 x 970mm
Unfinished patchwork of hexagon patches in cotton, linen and other fabrics. Hexagons have 3cm sides. Fabrics are a mixture of prints and plains, in bright shades and pastels, with reds, greens, blues and pinks predominating. Paper templates are still in place in sections.
980 x 950mm
980 x 950mm
Verandah quilt. Floral and patterned cover encasing duck feathers. Silk organza conservation work reveals other materials.
1050 x 800mm
1050 x 800mm
Quilt top. "Handsewn (edges machine sewn only). Quilt, poor, faded, torn. Red and white patches. Red star and white circle with 4 diamonds in centre. Red and white triangle pieces and plain border. No padding or backing."
[K.D.H.S. 19.2.1997]
2030 x 1941mm
[K.D.H.S. 19.2.1997]
2030 x 1941mm
A hand stitched top in randomly placed diamond shapes in mixed materials, mainly cottons. These are stitched to a flannelette backing. There is herringbone stitching around the border.
1250 x 930mm
1250 x 930mm
Patchwork quilt of diamond shapes in cotton fabrics. Patterns include florals, spots and stripes, and colours are navy, red, pink and grey. No padding. Backing is of strips of cotton in pinks and fawns sewn together.
2236 x 1931mm
2236 x 1931mm
Crazy patchwork quilt made from pieces of velvets, plush and corduroy, in prints and plain. Patches are sewn directly on to a backing with feather and herringbone stitches in pearl thread. Quilt has a 1/2 inch binding of black velvet. Backing is a pea green cotton twill. One of the patches has the dates 1909 - 1948 embroidered on it.
920 x 920mm
920 x 920mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
2720 x 1880mm
Wagga, made from 2 jute bags split and hand-bound along the seams.
1870 x 1130mm
1870 x 1130mm
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
The quilt is not padded or quilted. 2370 x 2340mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
2160 x 1550mm