Quilts

Helen Sparkman
Patchwork quilt made of hexagon patches from satin scraps. Hexagons are in solid colours and joined to make rosettes. Hand sewn.
1800 x 1025mm
Helen Sparkman
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
Wholecloth quilt with replacement cover (1958) of green damask type synthetic sateen. The padding is 2 old blankets with staples of cross bred wool hand tacked to one blanket.
1400 x 1210mm
Cotton appliqué quilt in green and pink 'Rose of Sharon' design, against a white background. Finely quilted with feathers between flowers and feathers on the border, with some cross hatching. Padding is cotton, and backing is white cotton. 2250 x 1700 mm.
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Quilt, Grandmother's Flower Garden pattern, has hexagon flowers with plain centres and floral material for 'petals', and paths of mid to dark blue. Cotton fabric. No padding. Backing is of unbleached calico.
Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
The quilt is made from dark coloured tailors' samples. There is no padding and the backing is pieced scraps of cotton.
1950 x 1650 mm
Joyce Lloyd
Hand pieced quilt of mainly cotton hexagons with 7 forming a 'flower' in a pattern often called 'Grandmother's Flower Garden'. The backing is glazed chintz and the padding is American polyester.
3000 x 1430mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
Val Bensen
A scrap quilt constructed in blocks, each block pieced differently and all linked by the same printed cotton. Machine pieced and hand quilted with thread saved from 'feed sacks'. The padding is cotton and the backing is brown checked cotton twill.
2033 x 1677mm
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
Wholecloth quilt with top and backing of green and pink floral cretonne. The padding is machine pieced patches from old woollen blankets.
1440 x 1070mm
Hand sewn frame quilt featuring appliqué. There is a centre square surrounded by two wide borders. The design consists of a large basket in each corner of the square with leaves and buds scattered at random. The 2 borders have flowers and leaves and the outer wide border has a small basket in each side. Colours are pale and strong pinks, blues shading to indigo, browns-beiges and dusty red. The centres of the flowers are all reverse appliqué. There are signs that there has been a backing but it is now one layer. 2700 x 2700 mm.
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
Patchwork quilt with centre frame of 4 pointed starwith radiating borders of pieced squares and rectangles. Materials are cottons and some linen and it is constructed using the English hand piecing method. There is no padding and it is backed with cotton sheeting joined by machine so it is a later addition.
1400 x 1050mm
Patchwork quilt made in Log Cabin blocks from silk velvet and grosgrain. The pattern variation is known as 'straight furrow'. No padding. The backing is made from cream silk with a floral monogram embroidered in satin and stem stitch, featuring the letter 'M'.
1620 x 1620mm
Patchwork quilt made from darned cardigan sleeves in green, grey, cream and black [wool] stitched to a top layer with a blue wool running stitch. No padding. Backing is a green and cream bedspread.
Mary-O Roberts
This domestic Wagga is made from an opened out jute wool bale as the padding with a woollen blanket as the backing. The top was originally curtains (brown cotton printed with daisies and dull yellow tulips) and the material has been folded over to the back for 60mm and stitched with 'Barbour's Linen Wax Thread' using running stitches about 50mm long. The whole domestic Wagga is then stitched in a large square grid.
1980 x 1730mm

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