Quilts

This utilitarian quilt has a top of mainly woollen used clothing randomly pieced in different sizes and shapes. It includes parts of a jumper, a pocket, a sleeve, the back of a coat, a trouser leg, a piece of 'railway issue' blanket. There are many layers and each layer is stitched together by hand. There is no difference between the padding and the top, it is all layers of pieces of clothes. The backing is an old cotton sheet.
1620 x 1300mm
Margaret-Anne M Thomas
Multi coloured square cotton pieces used to form a 'postage stamp' pattern. The squares are 25mm and the quilt is hand pieced and hand quilted. There is a thin edge of brown on all sides. There is no padding and the backing is joined pieces of floral cotton.
2330 x 2130mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Quilt of [cotton], with geometric pattern of squares and triangles in primary colours. Tassels attached.
2320 x 1490mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Quilt, in 2 parts, made from samples of different coloured velvets. It has 2 layers and is machine made. It became too heavy to sew on a domestic sewing machine so was constructed in two separate pieces. There is no padding.
2370 x 1550mm and 2230 x 800mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
Patchwork quilt made from hexagon patches, cut from cotton scraps, in the 'Grandmother's Flower Garden' design. Hand sewn. No padding. Backing is cotton sheeting.
2100 x 1400mm
Double bed sized quilt with a top of random shapes in a random design, bordered with plain brown cotton. The padding is two quilts.
2100 x 180omm (approx)
"This unusual quilt is comprised of bands of horticultural show ribbons machined onto a blue lining. The ribbons are royal blue in colour and printed in gold/bronze with two inscriptions.
KYOGLE P.A & H SOCIETY and TWEED RIVER AGRICULTURAL SOCIETY
The quilt has been formed so the two inscriptions alternate down the face of the quilt. The ribbons appear to be of rayon. White cotton machine thread was used in the construction. Accompanying the quilt is a carry bag; a rectangular bag made of the same show ribbons as the quilt with a single drawstring at the top." [NGA] The quilt is not padded. 1833 x 1410mm
Patchwork quilt of hand sewn hexagons in a variety of print and plain cotton fabrics from 1950-1960. Colours are mainly pinks, blues, greens and yellow, with some red, and white. Quilt has a wide border of yellow poplin, which also forms the backing. No padding.
2280 x 1520mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
Patchwork quilt made of hexagon patches in a variety of materials, including velvets, corduroy, cotton, underwearmaterial. No padding. The backing is made from scraps in squares and rectangles, including voile, cotton and probably old curtain material.
2134 x 1777mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Wholecloth quilt with top and backing of green and pink floral cretonne. The padding is machine pieced patches from old woollen blankets.
1440 x 1070mm
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from deep pink and white cotton fabrics, with two borders, of pink then white, and bound with the dark pink. Cotton backing. Filling unknown. White squares appear to be outline quilted, white blocks between the chains have an intricate quilted star pattern, and the two borders are quilted with a single cable.
2500 x 2110mm
Patchwork on canvas lining. Feather stitching around squares. Pattern of cricketers and kangaroos on backing.
1200 x 800mm
Handsewn quilt of octagon shaped printed patches. Stitching is in red and white cotton. The backing is heavy cream calico. It is closely quilted in bands of floral and wave patterns.
1950 x 1600mm

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