Quilts

Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
Patchwork quilt made of hexagon patches in a variety of materials, including velvets, corduroy, cotton, underwearmaterial. No padding. The backing is made from scraps in squares and rectangles, including voile, cotton and probably old curtain material.
2134 x 1777mm
Quilt top of patches of tailors' samples and men's suiting pieces in dark colours, mainly black and grey. Machine construction. It has a border of rose coloured velveteen and the backing is a single piece of cream patterned flannelette.
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from deep pink and white cotton fabrics, with two borders, of pink then white, and bound with the dark pink. Cotton backing. Filling unknown. White squares appear to be outline quilted, white blocks between the chains have an intricate quilted star pattern, and the two borders are quilted with a single cable.
2500 x 2110mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Handsewn quilt of octagon shaped printed patches. Stitching is in red and white cotton. The backing is heavy cream calico. It is closely quilted in bands of floral and wave patterns.
1950 x 1600mm
Quilt top is of squares, approximately 180mm, made from a variety of fabrics including fine corduroy. It is hand pieced, and hand embroidered around each square with feather stitch, using blue embroidery cotton. 2380 x 2000 mm. 2380 x 2000 mm.
Rug made from rabbit skins of a uniform grey-brown colour. The rug is pieced by joining 6 rows of 9 skins each with the rows going across the width of the rug. The backing of dark maroon wool extends beyond the fur and has a scalloped edge. 1700 x 1390mm
Cot quilt with both sides of faded blue cotton sateen with pale brown moire effect lines. Piped edges. Machine quilted to form two borders around a central rectangular panel, which has a simple but decorative stitched design with six points, at each of which is a small eyelet, finished with cream thread. The padding is feathers.
Quilt, hand pieced and quilted and cut in half and made into two curtains. It consists of hexagons in the pattern known as 'Grandmother's Flower Garden' and is in cotton prints and white cotton 'paths'. Some hexagons are joined. The quilt is quilted allover in a variety of patterns in fine close stitching, chevron, single cable, palm leaves, hearts. The backing is cream linen and the padding is wool.
2430 x 1200mm
Quilt of three layers with matt insert and floral cover.
1300 x 680mm
Pauline Rogers
Machine constructed patchwork quilt of mainly cotton materials in squares. There is feather stitching as decoration along the seams. There is no padding and the backing is a wholecloth of gold damask like material.
2515 x 2312mm
Quilted wholecloth cover of pink cotton material with a floral design. Quilted squares create the centrepiece surrounded by a border of three rows of quilting. It has piped edges.
The padding is feathers.
1700 x 1350mm
The padding is heavy chaff bags hand sewn to fit a 3/4 or single bed. The top is fawn cotton with a 100mm border of brown twill cotton. The backing is brown twill cotton the same as the border on the top.
2100 x 1400mm (approx)
Embroiderers' Guild Victoria
Cotton quilt in a design called 'Crossed Canoes'. Yellow background with various coloured cotton prints. Machine pieced and hand quilted in a diamond pattern. There is a thin padding and the backing is the same yellow cotton as on the top.
2040 x 1690mm
Ruth Wallace
A hand stitched top in randomly placed diamond shapes in mixed materials, mainly cottons. These are stitched to a flannelette backing. There is herringbone stitching around the border.
1250 x 930mm
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
Wholecloth quilt with the top a patterned material of red and yellow carnations. The backing is red and there is a wide red border. The quilting pattern is mainly parallel lines. The padding is cotton grown by Maria's family on the island of Rhodes.
2040 x 1670mm
Quilt of Suffolk Puffs made from blue bags joined together. No padding or backing. The quilt has two matching pillowcases with lace trimmings.
2060 x 1980mm

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