Quilts

Pauline Rogers
Machine constructed patchwork quilt of mainly cotton materials in squares. There is feather stitching as decoration along the seams. There is no padding and the backing is a wholecloth of gold damask like material.
2515 x 2312mm
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
Migration Museum
Wholecloth quilt with top of dark purplish-pink cotton sateen and backing of black sateen printed with pink flowers. Hand quilted all over with a variety of patterns, including spirals and diamonds, parallel lines and hearts in the borders. Centre has a curved diamond shaped motif within a circular border of spirals. Padding is wool.
1990 x 1730mm
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Cotton quilt, hand pieced from dress type materials with the backing applied by machine. The backing is calico and has maker's signatures embroidered on it. There is no padding.
2460 x 2300mm
Quilt of Suffolk Puffs made from blue bags joined together. No padding or backing. The quilt has two matching pillowcases with lace trimmings.
2060 x 1980mm
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
Wholecloth quilt of red and green striped cotton cretonne. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1580 x 1130mm
National Trust of Australia (SA)
Patchwork frame quilt in various cotton print fabrics, main colours are red, grey, pink, blue, light brown. Centre panel (104cm x 99cm) made of stars constructed from diamond shapes, in a grey stripe frame (2cm). Wide border (25cm) of hexagon 'flowers' with a grey stripe frame (3 1/2cm), then a border (17cm) of randomly placed diamond patches with a frame of grey stripe fabric. Two sides have a border of pastel stars with bright colour diamonds in between, then a narrow frame of red and grey stripe fabric. Quilt has a border of triangle squares. No padding. Cotton backing.
2810 x 2340mm
Wholecloth quilt made from dusty pink brocade with an all-over large leaf pattern. It is all hand stitched with quilting of parallel lines forming the border. Both sides are the same material. The padding is cotton wool.
2060 x 1770mm
Domestic Wagga, floral patterned rayon cover with jute lining.
2000 x 1000mm
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
The top is suit samples or remnants cut in squares and machined together. The centre panel is bordered with cotton tape. Each square is also bordered and forms a grid. There is no padding and the backing is a white cotton sheet with a floral pattern. It is hand stitched along the edges.
1500 x 1500mm
"All handsewn. Quilt in fragile condition. Hexagonal patches in blocks of 19 patches & joined together with diamond and triangle patches. All patches recycled cotton material. The centre patch is one material, the 6 patches around are another material and the surrounding 12 are white sheeting. The diamonds and triangles are pale blue. No padding. Cotton sheeting backing. Patches sewn onto a ? old cotton ? damask weave tablecloth or bedspread. This is woven in strips. The backing sewn on."
[K.D.H.S.1997] 2500 x 2450mm
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
"This is a pieced patchwork quilt comprised of 216 squares. Each square is comprised of 10 diagonal strips that have been joined by being attached to a backing. White cotton plain weave fabric has been used in all the pieces. The quilt is not lined, but the edge is decorated with a fine cotton frill, 15cm deep. The frill carries two 4mm tucks and is edged with 2 cm lace trim. All sewing on the quilt is by machine. The quilt is not padded." [NGA]
2420 x 1690mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Papers are still in place. Some of the materials have been dated to the 1830s and it is thought they came from old garments. This is similar to another cover in the Guild's collection.
1280 x 1280mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]

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