Quilts

Ladies samples coverlet. Machine stitching. Multicoloured patching on the back.
1730 x 1220mm
"The quilt is of plain weave white cotton, quilted with white cotton thread. The design is 288 squares following the log cabin design. The lining is a fine white cotton.
The edges of the front face and the lining have been turned, and positioned within this seam is a ruffle. This ruffle is of very fine muslin with 2 rows of pin tucks along the edge. The ruffle runs along all edges of the quilt." [NGA] The quilt is not padded and is lined with white cotton fabric. 2400 x 2140mm
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
Machine pieced patchwork top of Tailor's samples with a backing of patches of furnishing materials. There is no padding.
1930 x 1530mm
Crow's Nest and District Historical Society
Reversible quilt with an all over pattern of squares in printed cottons including cretonnes. Originally longer but it was shortened in 1980 by a member of the Crow's Nest and District Historical Society.
1702 x 1220mm
Joyce Lloyd
Hand pieced quilt of mainly cotton hexagons with 7 forming a 'flower' in a pattern often called 'Grandmother's Flower Garden'. The backing is glazed chintz and the padding is American polyester.
3000 x 1430mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
Child's coverlet, made from suiting samples sewn in a patchwork effect.
1000 x 1000mm
Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
Quilt top has a white background with pink and purple applique hearts and stars in the centre within a pink circle and square border, letters are appliqued in pink. Inscription is: 'Mary Hunt is my name Dapto is my dwelling place When I am dead and all my'� (incomplete)
1000 x 1000mm
Utilitarian wholecloth quilt made from red flecked furnishing material. The padding is army blankets. It is machine sewn and quilted.
2100 x 2100mm
Patchwork quilt made of fine pieces of silk from ballgowns and cut into small triangular pieces, sewn together to form a pinwheel pattern. Quilt has a wide border with a quilted feather motif and is edged with red silk.
No padding, backing is of cotton.
2500 x 2500mm
Tailors' samples quilt. Random sized rectangles joined in rows. There is a 3cm wide pleated frill of navy woollen material. The padding (synthetic) and the backing (green and white striped cotton) are recent. 1900 x 1850mm.
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
Patchwork quilt made of hexagonal patches of variously patterned cottion chintz. The fabrics are printed with floral, geometric and striped designs in brown, blue, pink and cream stitched together by hand in no fixed pattern. There is a cream cotton backing.
1940 x 1410mm
Julie Bos
All over pattern of cotton rectangles mainly in borders with the outer border grey cotton. There is no padding. The backing is wholecloth of pink and red printed cotton.
1200 x 1290mm
Mary-O Roberts
This domestic Wagga is made from an opened out jute wool bale as the padding with a woollen blanket as the backing. The top was originally curtains (brown cotton printed with daisies and dull yellow tulips) and the material has been folded over to the back for 60mm and stitched with 'Barbour's Linen Wax Thread' using running stitches about 50mm long. The whole domestic Wagga is then stitched in a large square grid.
1980 x 1730mm
Quilt of pieced repeat blocks in Art Deco Fan pattern, using 1930s fabrics, prints and solid. Blocks have a muslin background and quilt has a muslin backing. There has been some restoration done by previous owners.
1398 x 1016mm
" This quilt is in the Suffolk puff tradition. The quilt consists of 1,518 white plain weave 'puffs'. Unlike some quilts where the puffs have been made from blue bags, here they are from circles of fabric with the edge turned with a gather stitch, which has been pulled and secured. The quilt is entirely hand sewn. The edge of the quilt is decorated with a 35cm band of crochet; producing a net with scalloped edge. The crochet is executed in a thick cotton thread." [NGA] There is no padding or lining. 3230 x 2120mm

Pages