Quilts

Wholecloth quilt made from dusty pink brocade with an all-over large leaf pattern. It is all hand stitched with quilting of parallel lines forming the border. Both sides are the same material. The padding is cotton wool.
2060 x 1770mm
Domestic Wagga, floral patterned rayon cover with jute lining.
2000 x 1000mm
Machine pieced patchwork top of Tailor's samples with a backing of patches of furnishing materials. There is no padding.
1930 x 1530mm
Crow's Nest and District Historical Society
Reversible quilt with an all over pattern of squares in printed cottons including cretonnes. Originally longer but it was shortened in 1980 by a member of the Crow's Nest and District Historical Society.
1702 x 1220mm
"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
Possum skin cloak. The possum skins are sewn together with vegetable fibre or kangaroo sinew. Designs are incised into the skins, some of which are decorated with ochres. 2720 x 2100mm
Joyce Lloyd
Hand pieced quilt of mainly cotton hexagons with 7 forming a 'flower' in a pattern often called 'Grandmother's Flower Garden'. The backing is glazed chintz and the padding is American polyester.
3000 x 1430mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
Julie Bos
All over pattern of cotton rectangles mainly in borders with the outer border grey cotton. There is no padding. The backing is wholecloth of pink and red printed cotton.
1200 x 1290mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
"This is a pieced patchwork quilt comprised of 216 squares. Each square is comprised of 10 diagonal strips that have been joined by being attached to a backing. White cotton plain weave fabric has been used in all the pieces. The quilt is not lined, but the edge is decorated with a fine cotton frill, 15cm deep. The frill carries two 4mm tucks and is edged with 2 cm lace trim. All sewing on the quilt is by machine. The quilt is not padded." [NGA]
2420 x 1690mm
Embroiderers' Guild Victoria
One of a pair of quilts with traditional Durham quilting. All hand stitched. Elaborate quilting in a wide variety of patterns. The backing material is the same as the top.
2340 x 2000mm
" This quilt is in the Suffolk puff tradition. The quilt consists of 1,518 white plain weave 'puffs'. Unlike some quilts where the puffs have been made from blue bags, here they are from circles of fabric with the edge turned with a gather stitch, which has been pulled and secured. The quilt is entirely hand sewn. The edge of the quilt is decorated with a 35cm band of crochet; producing a net with scalloped edge. The crochet is executed in a thick cotton thread." [NGA] There is no padding or lining. 3230 x 2120mm
Quilt of pieced repeat blocks in Art Deco Fan pattern, using 1930s fabrics, prints and solid. Blocks have a muslin background and quilt has a muslin backing. There has been some restoration done by previous owners.
1398 x 1016mm
Quilt top of patches of tailors' samples and men's suiting pieces in dark colours, mainly black and grey. Machine construction. It has a border of rose coloured velveteen and the backing is a single piece of cream patterned flannelette.
Child's coverlet, made from suiting samples sewn in a patchwork effect.
1000 x 1000mm
Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm

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