Quilts

Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Crazy patchwork quilt made from pieces of velvets, plush and corduroy, in prints and plain. Patches are sewn directly on to a backing with feather and herringbone stitches in pearl thread. Quilt has a 1/2 inch binding of black velvet. Backing is a pea green cotton twill. One of the patches has the dates 1909 - 1948 embroidered on it.
920 x 920mm
Wholecloth quilt made of two layers, the top in white cotton sheeting and the backing in a heavier white cotton twill. The layers are joined by quilting, handstitched in a chevron pattern using a coarse white cotton thread. The edges of the quilt are bound with strips of white cotton sheeting. Three edges of the quilt have a scalloped sedge with the top edge of the quilt straight.
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
Embroiderers' Guild Victoria
This quilt has white cotton bands of hand quilting in between strips of squares in printed cotton, placed on the diagonal. The padding is cotton and there is a cotton backing.
2440 x 1940mm
Patchwork quilt in silks and cottons, handsewn from very small fabric pieces, has 2 pieced repeat pattern blocks. The quilt centre groups 9 blocks made of squares. Surrounding them are pieced blocks featuring a star. The strips in between all blocks are made from 2 rows of squares with a diamond pattern making a lattice effect. The first border has hexagons with appliqued and embroidered cats. The second border of cream cotton has harnessed horses embroidered and appliqued. Binding is of green cotton. No padding. Backed with red cotton paisley print. Signed and dated: 'Mrs E. Keen, Junction Hotel, Fyansford, 1879'.
2660 x 2330mm
Quilt, in 2 parts, made from samples of different coloured velvets. It has 2 layers and is machine made. It became too heavy to sew on a domestic sewing machine so was constructed in two separate pieces. There is no padding.
2370 x 1550mm and 2230 x 800mm
National Museum of Australia
Handsewn patchwork quilt in a mosaic pattern of squares and pentagons. Patches are in very bright coloured print and plain cottons, with 'filler' squares of beige cotton. Quilt is machine stitched to a backing of apricot cotton. There is no padding.
2980 x 1655mm
Log cabin quilt with 90mm squares in cotton materials, white (or cream), faded blacks, dark blues, reds and browns. All the strips are very narrow. No actual padding as such but the quilt is fairly thick because with such narrow strips, there is so much seam allownace. The backing is a light calico.
1715 x 1575mm
Patchwork quilt made from squares in cotton fabrics, each piece 120mm square. Filling is a cotton blanket (army style), and the backing is a brushed cotton ticking with a wide green stripe and white, yellow and maroon stripes. Patches are decorated with white cotton herringbone stitch.
1750 x 1000mm
Patchwork quilt of hand sewn hexagons in a variety of print and plain cotton fabrics from 1950-1960. Colours are mainly pinks, blues, greens and yellow, with some red, and white. Quilt has a wide border of yellow poplin, which also forms the backing. No padding.
2280 x 1520mm
Patchwork on canvas lining. Feather stitching around squares. Pattern of cricketers and kangaroos on backing.
1200 x 800mm
Crazy quilt with one large panel. Materials include wools, velvets, silks and crepes. Each piece embroidered in herrigbone stitch to the adjoining piece. 25mm blue border chain stitched on, then 75mm border of black wool crepe with a crocheted edge. The padding is an old blanket and the backing is red/brown printed cotton.
1730 x 1040mm
Rug of 24 dingo pelts varying in colour from honey gold to dark brown and joined in a random arrangement. The tails are attached to each square. The backing is navy blue felt with a scalloped edge. 1830 x 1650mm
Quilt of cotton hexagons, 6 form the petals of a flower with 1 in the centre. There are approximately 138 flowers in the quilt. It is all hand stitched including the edges on to deep blue backing. Wide variety of materials patterned and plain. Some were dress samples from John Wild in Wagga and some from her mother's (Betty Johnson, Wagga Wagga) dressmaking. The hexagons were stitched on papers cut from a glass template made by Celia's brother.
2370 x 2690mm
Jenny Loder and Rosemary Hart
Log cabin quilt with logs made from silks (including moire), velvets, brocades and tartan ribbons. Each square is separately backed. There is no padding.
2020 x 1460mm
Quilt of [cotton], with geometric pattern of squares and triangles in primary colours. Tassels attached.
2320 x 1490mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
Patchwork Quilt, silk patchwork on one side with dark ground, constructed of five pieces joined to form a floral motif. The reverse is quilted pink silk. The padding is cotton.
2700 x 2400mm
Norma Gilchrist
Cotton quilt with overall pattern of hexagons joined to make 'flowers'. Brown paper templates were used. All hexagons are hand stitched including on to the blue border which was then machined on to the same blue headcloth backing. The materials used were mainly scraps, including some from an aunt of the present owner, and are in a wide variety of patterns and colours. There is no quilting.
2110 x 1700mm

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