Quilts

Cotton material, pink one side and orange the other. Hand quilting is in a geometric pattern in parallel lines. Padding is raw cotton. 2000 x 1460 mm
National Parks & Wildlife Service of SA
Child's cot quilt of crazy patchwork, with patches of velvet, silk brocade and satin, all seams embroidered with feather stitch in different coloured threads. There is a wide border of peach-brown velvet. Backing is a floral cotton. Has been in poor condition, conserved by Artlab SA.
1490 x 1000mm
Utility quilt, machine pieced from mainly squares of dress materials in many different patterns. The backing is a wholecloth paisley print. The padding is pieced used clothing and materials including chenille and plush.
1950 x 1270mm
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
"A wagga quilt machine-pieced from old woollen suiting fabrics; some hand stitching is visible along a few of the joins. The quilt has 3 layers: the top layer has a rectangular centre composed of randomly-pieced woollen patches in grey tonings with a border composed of irregular navy rectangles; the lining is made from corn bags, and the backing is a striped cotton fabric. The three layers are machined together at the edges, thus holding the filling in place. There is no quilting."
1660 x 1610mm
Utility quilt made from large squares of reused woollen materials joined in strips. All hand sewn. There is no padding and the backing is a piece of woollen material. 2000 x 1300mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
Crazy patchwork quilt in silks and velvets. Some patches with embroidered flowers, including wattle, worked in chenille thread. Machine quilting. There is a border of velvet. The backing is silk and has an envelope opening edged with silk cord. There is no padding. There is a matching nightgown sachet.
Embroiderers' Guild Victoria
One of a pair of quilts with traditional Durham quilting. All hand stitched. Elaborate quilting in a wide variety of patterns. The backing material is the same as the top.
2340 x 2000mm
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
"The quilt is of plain weave white cotton, quilted with white cotton thread. The design is 288 squares following the log cabin design. The lining is a fine white cotton.
The edges of the front face and the lining have been turned, and positioned within this seam is a ruffle. This ruffle is of very fine muslin with 2 rows of pin tucks along the edge. The ruffle runs along all edges of the quilt." [NGA] The quilt is not padded and is lined with white cotton fabric. 2400 x 2140mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Double sided quilt, machine pieced from large rectangles of used clothing in various materials including wools and suitings. The sides are turned in and machined to make a firm edge. It is machine quilted. The padding is 3 old sheets and a blanket.
1370 x 1040mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Unfinished patchwork quilt in the pattern known as 'Grandmother's Flower Garden'. Hexagons are pieced over papers in the English tradition and most papes are intact some with pencilled numbers. 6 hexagons and one in the centre form the 'flowers'. There are 49 fabric samples of varying prints and sizes.
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Papers are still in place. Some of the materials have been dated to the 1830s and it is thought they came from old garments. This is similar to another cover in the Guild's collection.
1280 x 1280mm
Quilt of pieced repeat blocks in Art Deco Fan pattern, using 1930s fabrics, prints and solid. Blocks have a muslin background and quilt has a muslin backing. There has been some restoration done by previous owners.
1398 x 1016mm
Machine made wholecloth quilt in gold satin cotton. "�...perhaps a new cover over the blue japara cotton base. Vaguely oval central medallion with floral tulip pattern in trapunto with ruching. Outside this is another trapunto pattern." [Edith Young]
The backing is gold satin cotton and the padding is quite thick, possibly down. 1720 x 1420 mm.

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