Quilts

The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
Kangaroo skin rug with pelts arranged so that the largest and palest are in the centre and the smaller towards the outside. There are 34 large pelts and 31 half pelts, all rectangular. The backing is maroon felt, scalloped and pinked. 1850 a 1600mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Papers are still in place. Some of the materials have been dated to the 1830s and it is thought they came from old garments. This is similar to another cover in the Guild's collection.
1280 x 1280mm
Quilt of Suffolk Puffs made from blue bags joined together. No padding or backing. The quilt has two matching pillowcases with lace trimmings.
2060 x 1980mm
Patchwork of damask squares with dark grey central square edged in black, covering felting fabric.
1420 x 1300mm
Wholecloth quilt with top and backing of green and pink floral cretonne. The padding is machine pieced patches from old woollen blankets.
1440 x 1070mm
Jean East
Doll's quilt of crazy patchwork of cotton fabrics including handkerchiefs, mainly in checks and stripes, in pinks, yellow, blues and black, stitched to a cotton backing with herringbone stitch in embroidery thread in brown, light brown, and white..
327 x 320mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Unfinished patchwork quilt in the pattern known as 'Grandmother's Flower Garden'. Hexagons are pieced over papers in the English tradition and most papes are intact some with pencilled numbers. 6 hexagons and one in the centre form the 'flowers'. There are 49 fabric samples of varying prints and sizes.
Quilt of brown woollen patchwork on both sides.
1770 x 1750mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
"The quilt is of plain weave white cotton, quilted with white cotton thread. The design is 288 squares following the log cabin design. The lining is a fine white cotton.
The edges of the front face and the lining have been turned, and positioned within this seam is a ruffle. This ruffle is of very fine muslin with 2 rows of pin tucks along the edge. The ruffle runs along all edges of the quilt." [NGA] The quilt is not padded and is lined with white cotton fabric. 2400 x 2140mm
Quilt made from suitings and cloth patchwork, hand stitched with blanket insert and pieces of knitting from garments.
1900 x 1190mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
Child's coverlet, made from old blankets and clothing pieces with a curtain and blanket back.
1500 x 1100mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Machine pieced patchwork top of Tailor's samples with a backing of patches of furnishing materials. There is no padding.
1930 x 1530mm

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