Quilts
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Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
2240 x 1820mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
2160 x 1550mm
Patchwork quilt of square and lozenge patches of silk, taffeta and ribbed silk patches in purples, greens, blues and reds, and pastels, in brocades, stripes, checks and plains. The block pattern is four lozenge patches around a centre square patch. A group of these patches in the dark bright colours form a central diamond, with pastel groups around. The darker colours are used to form the border of 'square' patches. Hand sewn, machine quilted. Backing of [silk], padding is cotton.
2450 x 2100mm
2450 x 2100mm
Child's cot quilt of crazy patchwork, with patches of velvet, silk brocade and satin, all seams embroidered with feather stitch in different coloured threads. There is a wide border of peach-brown velvet. Backing is a floral cotton. Has been in poor condition, conserved by Artlab SA.
1490 x 1000mm
1490 x 1000mm
Utility quilt, machine pieced from mainly squares of dress materials in many different patterns. The backing is a wholecloth paisley print. The padding is pieced used clothing and materials including chenille and plush.
1950 x 1270mm
1950 x 1270mm
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
1578 x 1094mm
Wholecloth quilt of red and green striped cotton cretonne. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1580 x 1130mm
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
11900 x 1350mm
Wholecloth quilt made from dusty pink brocade with an all-over large leaf pattern. It is all hand stitched with quilting of parallel lines forming the border. Both sides are the same material. The padding is cotton wool.
2060 x 1770mm
2060 x 1770mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
2720 x 1880mm
Domestic Wagga, floral patterned rayon cover with jute lining.
2000 x 1000mm
2000 x 1000mm
White cotton quilt of gathered hexagons. Hand embroidered roses in the centre of each hexagon. It is quilted.
2395 x 2286mm
2395 x 2286mm
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
1271 x 1271 mm
"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
Double sided quilt, machine pieced from large rectangles of used clothing in various materials including wools and suitings. The sides are turned in and machined to make a firm edge. It is machine quilted. The padding is 3 old sheets and a blanket.
1370 x 1040mm
1370 x 1040mm
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
2337 x 1499mm
Patchwork quilt made of gathered circles stitched into a square shape. Made of scraps of fabrics from the depression period. The maker called the shapes 'squirkles'. No padding. Quilt is lined.
2100 x 1400mm
2100 x 1400mm
Quilt top has a white background with pink and purple applique hearts and stars in the centre within a pink circle and square border, letters are appliqued in pink. Inscription is: 'Mary Hunt is my name Dapto is my dwelling place When I am dead and all my'� (incomplete)
1000 x 1000mm
1000 x 1000mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
2033 x 1829mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]