Quilts

Wholecloth quilt with top and backing of green and pink floral cretonne. The padding is machine pieced patches from old woollen blankets.
1440 x 1070mm
Quilt top of patches of tailors' samples and men's suiting pieces in dark colours, mainly black and grey. Machine construction. It has a border of rose coloured velveteen and the backing is a single piece of cream patterned flannelette.
Traditional Aboriginal fur cloak called a 'Buka' or 'Boka', made with three pieces of pelt. Fastened at the front with a piece of fur inserted into the other side. 1500 from back of neck to hem 1600 measuring around to just below the shoulders
Patchwork quilt made from squares in cotton fabrics, each piece 120mm square. Filling is a cotton blanket (army style), and the backing is a brushed cotton ticking with a wide green stripe and white, yellow and maroon stripes. Patches are decorated with white cotton herringbone stitch.
1750 x 1000mm
Frame quilt in linen has a centre motif in broderie perse applique of a blue urn topped with a blue basket of flowers, and perched on the basket handle a parrot. This is in a blue oval, with butterflies, a ribbon at the top and several posies of roses. Either side is a panel of broderie perse flowers. There is a narrow frame of patterned fabric, then a border of triangles pieced to make squares, with octagonal printed patches at each corner. The outer border is of appliqued circles of printed fabric on a dark background. Hand sewn.
1770 x 1730mm
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Kangaroo skin cloak of seven gores is made from the skins of eight grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The extra skin has been used to make a collar.The two skins on the edge of the cloak are roughly rectangular. The cloak edges are untrimmed. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. The skins have been sewn together with thread, the older thread is natural coloured linen, then the resewn areas have been stitched with black thread. The skins are a creamy yellow in colour. Longest part: 750mm approx. [From S. Meagher MA Thesis 1973 'A Reconstruction of the Traditional Life of the Aborigines in the SW of Western Australia']
Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm
Log cabin quilt with 90mm squares in cotton materials, white (or cream), faded blacks, dark blues, reds and browns. All the strips are very narrow. No actual padding as such but the quilt is fairly thick because with such narrow strips, there is so much seam allownace. The backing is a light calico.
1715 x 1575mm
Quilt of cotton hexagons, 6 form the petals of a flower with 1 in the centre. There are approximately 138 flowers in the quilt. It is all hand stitched including the edges on to deep blue backing. Wide variety of materials patterned and plain. Some were dress samples from John Wild in Wagga and some from her mother's (Betty Johnson, Wagga Wagga) dressmaking. The hexagons were stitched on papers cut from a glass template made by Celia's brother.
2370 x 2690mm
Quilt, hand pieced and quilted and cut in half and made into two curtains. It consists of hexagons in the pattern known as 'Grandmother's Flower Garden' and is in cotton prints and white cotton 'paths'. Some hexagons are joined. The quilt is quilted allover in a variety of patterns in fine close stitching, chevron, single cable, palm leaves, hearts. The backing is cream linen and the padding is wool.
2430 x 1200mm
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from cotton fabrics in white and a brown print (possibly green originally), with a wide border of cream fabric. The border is quilted with a four cable pattern, and the main part is cross hatch quilted , in a diamond pattern. Backing of cotton. Hand sewn and quilted. Padding unknown.
1970 x 1740mm
Crazy quilt with one large panel. Materials include wools, velvets, silks and crepes. Each piece embroidered in herrigbone stitch to the adjoining piece. 25mm blue border chain stitched on, then 75mm border of black wool crepe with a crocheted edge. The padding is an old blanket and the backing is red/brown printed cotton.
1730 x 1040mm
A Durham quilt. All white mercerised cotton. The quilting is a floral design in each corner, a large floral design in the centre, edging all around of scallops and filled in with small squares on the diagonal. It is padded.
2000 x 2400mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
Jenny Loder and Rosemary Hart
Log cabin quilt with logs made from silks (including moire), velvets, brocades and tartan ribbons. Each square is separately backed. There is no padding.
2020 x 1460mm
Cotton quilt of rectangles (150 x 100mm) of patterned materials in various colours and textures. Many patterns in different colourways as quilt was made from a bag of material samples. The plain off white backing has been machined to the top of the quilt and turned through then a row of zig zag sewed to the top edge. There is no padding.
2440 x 2120mm
Patchwork quilt in silks and cottons, handsewn from very small fabric pieces, has 2 pieced repeat pattern blocks. The quilt centre groups 9 blocks made of squares. Surrounding them are pieced blocks featuring a star. The strips in between all blocks are made from 2 rows of squares with a diamond pattern making a lattice effect. The first border has hexagons with appliqued and embroidered cats. The second border of cream cotton has harnessed horses embroidered and appliqued. Binding is of green cotton. No padding. Backed with red cotton paisley print. Signed and dated: 'Mrs E. Keen, Junction Hotel, Fyansford, 1879'.
2660 x 2330mm
Ruth Wallace
A hand stitched top in randomly placed diamond shapes in mixed materials, mainly cottons. These are stitched to a flannelette backing. There is herringbone stitching around the border.
1250 x 930mm
The Adelaide Chronicle 'International Quilt'. Squares of fawn cotton with alternate squares embroidered with scenes from different countries using coloured threads in a variety of stitches. The alternate squares have a pattern of feathered circle and this is back stitched in beige embroidery thread. The backing is turquoise cotton blend attached to the quilt with pale blue herringbone stitch. The quilt is padded.
2430 x 1440mm

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