Quilts

"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Embroiderers' Guild Victoria
Quilt in patchwork and applique. Patchwork is in an all over pattern based mainly on triangles in floral and plain cottons. The centre and the inner border are appliqued. It is not quilted. There is no padding and the backing is calico. It is believed to be an 1840 - 1860 design.
2800 x 1500mm
Wholecloth quilt with the top a patterned material of red and yellow carnations. The backing is red and there is a wide red border. The quilting pattern is mainly parallel lines. The padding is cotton grown by Maria's family on the island of Rhodes.
2040 x 1670mm
Ladies samples coverlet. Machine stitching. Multicoloured patching on the back.
1730 x 1220mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Cot quilt with both sides of faded blue cotton sateen with pale brown moire effect lines. Piped edges. Machine quilted to form two borders around a central rectangular panel, which has a simple but decorative stitched design with six points, at each of which is a small eyelet, finished with cream thread. The padding is feathers.
Kangaroo skin rug with pelts arranged so that the largest and palest are in the centre and the smaller towards the outside. There are 34 large pelts and 31 half pelts, all rectangular. The backing is maroon felt, scalloped and pinked. 1850 a 1600mm
Patchwork quilt with hexagonal panels of cotton printed with floral and geometric patterns in browns, creams, blues and pinks and with a chinoiserie border. The backing is cream calico.
2720 x 2660mm
Patchwork quilt made from hexagon patches in cottons. No filling or padding. Backing is of green cotton.
2050 x 1600mm
Quilt of three layers with matt insert and floral cover.
1300 x 680mm
The Pioneer Women's Hut
The top is a wholecloth, coarse, bluish cotton, furnishing weight material, probably part of a curtain. The backing is half the same material and half is part of a brown travelling rug. The padding is 2 heavy pieces of coarse jute bag roughly sewn together with twine.
1600 x 1360mm
Patchwork quilt made from tailors' samples, constructed of 144 rectangles each approx. 100 x 160mm. Colours are greys, blues, browns, fawns, plains and patterned. At the top and bottom edges 16 same size rectangles have been folded in half. No filling. Backing is a cream and brown patterned flannelette.
1880 x 1260mm
Embroiderers' Guild Victoria
Unfinished patchwork quilt top of silks and velvets in 'Tumbling Block' arrangement of diamonds. There is no padding or backing. Template papers are still in place and have been cut from magazines and letters from Melbourne.
1420 x 1210mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Some of the materials have been dated to the 1830s and it is thought they came from old garments.
1600 x 1800mm
The padding is heavy chaff bags hand sewn to fit a 3/4 or single bed. The top is fawn cotton with a 100mm border of brown twill cotton. The backing is brown twill cotton the same as the border on the top.
2100 x 1400mm (approx)
Wholecloth quilt with replacement cover (1958) of green damask type synthetic sateen. The padding is 2 old blankets with staples of cross bred wool hand tacked to one blanket.
1400 x 1210mm
Quilt in nine patch design. Thirty blocks, hand pieced in mixed cotton fabrics, solids, checks, flowers, stripes. Quilt is tied. Padding is Hobbs Heirloom (cotton 80%, polyester 20%); backing is cream muslin. 2100 x 1750 mm.
Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
Helen Sparkman
Patchwork quilt made from large pieces of cretonne and similar type cotton materials. On one side the seams and edges have been embellished with chain stitch.
2150 x 1220mm
"A rectangular patchwork quilt made in the 'tumbling blocks' pattern using dark and lighter patterned silks. In 'tumbling blocks', one light, one medium and one dark toned diamond piece are joined to form a hexagonal shape. The hexagons are pieced with the different tones regularly oriented so that they create a three dimensional illusion of rows of cubes or blocks. The quilt is hand pieced throughout and bordered with a tobacco-coloured glazed chintz. The backing papers have been removed." [PHM]
There is no padding or backing.
3012 x 2002mm

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