Quilts

"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
Patchwork quilt made in Log Cabin blocks from silk velvet and grosgrain. The pattern variation is known as 'straight furrow'. No padding. The backing is made from cream silk with a floral monogram embroidered in satin and stem stitch, featuring the letter 'M'.
1620 x 1620mm
Patchwork quilt in silks and cottons, handsewn from very small fabric pieces, has 2 pieced repeat pattern blocks. The quilt centre groups 9 blocks made of squares. Surrounding them are pieced blocks featuring a star. The strips in between all blocks are made from 2 rows of squares with a diamond pattern making a lattice effect. The first border has hexagons with appliqued and embroidered cats. The second border of cream cotton has harnessed horses embroidered and appliqued. Binding is of green cotton. No padding. Backed with red cotton paisley print. Signed and dated: 'Mrs E. Keen, Junction Hotel, Fyansford, 1879'.
2660 x 2330mm
This quilt is constructed from 40mm hexagons in different colours and patterns formed into rosettes. It is hand stitched and there is a deep border of green-blue material. The backing is white cotton.
1120 x ?mm
Patchwork rug made from tailors' samples, each sample 340 x 200mm. Each piece is edged in green wool blanket stitch, and then each piece is crocheted together using the same green wool. No padding or backing.
2130 x 1280mm
Silk patchwork quilt top. The all over pattern is of part octagons and black four pointed stars in the centre of small squares. When joined together, the effect is rows of octagons. All the seams are outlined with embroidery.
1600 x 1430mm
Rug made from 60 rabbit skins. Backing is brown flannel. The rug has a scalloped edge in brown flannel. 2100 x 1400mm
Patchwork quilt made from squares in cotton fabrics, each piece 120mm square. Filling is a cotton blanket (army style), and the backing is a brushed cotton ticking with a wide green stripe and white, yellow and maroon stripes. Patches are decorated with white cotton herringbone stitch.
1750 x 1000mm
Wholecloth quilt of red and green striped cotton cretonne. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1580 x 1130mm
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
Rug of 24 dingo pelts varying in colour from honey gold to dark brown and joined in a random arrangement. The tails are attached to each square. The backing is navy blue felt with a scalloped edge. 1830 x 1650mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Quilt made of squares of suiting. Pink and blue curtain backing.
1760 x 1320mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Travelling rug. Wool, cotton and velvet. Handsewn, partly filled with wool blanket and hessian. The top of this rug was originally a green crushed velvet overcoat. Various parts of the garment have been unstitched and spread out to form a flat surface.
2100 x 1050mm
Pieced quilt, the top made of fine wool fabric sewn using a treadle sewing machine, to form a distinctive Amish geometric pattern, 'Diamond in a Square'. A large red diamond is in a large blue square, contained by a narrow red border with small blue corner blocks, finished with a binding of deep red. The open areas are intricately hand quilted with patterns of feathers, flowers and leaves. Filling of wool, backing of plain blue cotton.
1770 x 1770mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
Pieced hand sewn quilt of hexagons. All cotton. 4 Hexagons make up a diamond. Materials are scraps from family clothing. The background is caramel poplin and the backing is cream sheeting. The quilt is signed on the back (in satin stitch) "Isabel C.D.Portus 1974" and "Jean C.D.Portus 1976".
2580 x 1950mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]

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