Quilts

Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Patchwork quilt with centre frame of 4 pointed starwith radiating borders of pieced squares and rectangles. Materials are cottons and some linen and it is constructed using the English hand piecing method. There is no padding and it is backed with cotton sheeting joined by machine so it is a later addition.
1400 x 1050mm
Wholecloth quilt with the top a patterned material of red and yellow carnations. The backing is red and there is a wide red border. The quilting pattern is mainly parallel lines. The padding is cotton grown by Maria's family on the island of Rhodes.
2040 x 1670mm
"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm
Quilt of men's suitings. Machine stitched, red backing.
1800 x 1100mm
Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Patchwork quilt made in Log Cabin blocks from silk velvet and grosgrain. The pattern variation is known as 'straight furrow'. No padding. The backing is made from cream silk with a floral monogram embroidered in satin and stem stitch, featuring the letter 'M'.
1620 x 1620mm
Quilt top. "Handsewn (edges machine sewn only). Quilt, poor, faded, torn. Red and white patches. Red star and white circle with 4 diamonds in centre. Red and white triangle pieces and plain border. No padding or backing."
[K.D.H.S. 19.2.1997]
2030 x 1941mm
"A rectangular double sided quilt, made from gold sateen fabric on one side and red sateen embossed with a delicate scrolling leaf design on the other. The quilt is machine stitched and hand quilted with a design of stylised scrolling leaf and flower motifs that surround the central initials 'M.S'. The edges are deeply scalloped with quilted heart-shaped motifs in each scallop. The quilt is very thick and heavy, like an eiderdown or an old fashioned doona." [PHM] It is padded.
2550 x 2390mm
Margaret Eisenhauer
This is a double sided almost square quilt. Machine made and quilted. Both sides are green cotton. One side has centre square of pink paisley. The other side has a centre square of dark blue/grey with the same material in triangles in each corner. The padding is believed to be raw wool.
1325 x 1350mm
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm
Wholecloth quilt with replacement cover (1958) of green damask type synthetic sateen. The padding is 2 old blankets with staples of cross bred wool hand tacked to one blanket.
1400 x 1210mm
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
Patchwork quilt made from cotton fabric, mainly in greens.
2100 x 1400mm
Wholecloth quilt made of two layers, the top in white cotton sheeting and the backing in a heavier white cotton twill. The layers are joined by quilting, handstitched in a chevron pattern using a coarse white cotton thread. The edges of the quilt are bound with strips of white cotton sheeting. Three edges of the quilt have a scalloped sedge with the top edge of the quilt straight.
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from cotton fabrics in white and a brown print (possibly green originally), with a wide border of cream fabric. The border is quilted with a four cable pattern, and the main part is cross hatch quilted , in a diamond pattern. Backing of cotton. Hand sewn and quilted. Padding unknown.
1970 x 1740mm
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm

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