Quilts
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The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
2160 x 1550mm
"Welsh wholecloth quilt - red on top and cream on back. Combination of traditional Welsh patterns including circles and diamonds. Quite large quilting stitches (due to thickness of quilt I think). Top (red cotton) just about worn away, and was cut in half by my grandfather in the 1950s to make it fit 2 single beds." [Anita Phillips]
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
The padding includes pieces of wool suiting, jumpers and a piece of mohair and the backing is cream cotton.
Each piece measures approx. 2000mm x 1000mm.
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
1017 x 813mm
Cot quilt. Single piece of floral cotton material top and back (cream background with coloured flowers). The padding is a single layer, twill weave, heavy bag, probably jute. The layers are fixed with a different coloured button in each corner. Machine quilting across the centre
1320 x 1140mm
1320 x 1140mm
Traditional Aboriginal fur cloak called a 'Buka' or 'Boka', made with three pieces of pelt. Fastened at the front with a piece of fur inserted into the other side.
1500 from back of neck to hem
1600 measuring around to just below the shoulders
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Hand appliqued and quilted white cotton quilt with Hawaiian type design in pink. There is a scalloped border also in pink and the backing is fine pink cotton. The padding is 'Mountain Mist'.
2300 x 1600mm
2300 x 1600mm
Quilt in nine patch design. Thirty blocks, hand pieced in mixed cotton fabrics, solids, checks, flowers, stripes. Quilt is tied. Padding is Hobbs Heirloom (cotton 80%, polyester 20%); backing is cream muslin. 2100 x 1750 mm.
Pieced quilt, the top made of fine wool fabric sewn using a treadle sewing machine, to form a distinctive Amish geometric pattern, 'Diamond in a Square'. A large red diamond is in a large blue square, contained by a narrow red border with small blue corner blocks, finished with a binding of deep red. The open areas are intricately hand quilted with patterns of feathers, flowers and leaves. Filling of wool, backing of plain blue cotton.
1770 x 1770mm
1770 x 1770mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
2000 x 1500mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Patchwork quilt, reversible, with both sides constructed from rectangles of cotton materials. These have been joined in strips and then the strips joined.
1900 x 1680mm
1900 x 1680mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
1677 x 1423 mm
Wagga, made from 2 jute bags split and hand-bound along the seams.
1870 x 1130mm
1870 x 1130mm
Patchwork quilt with hexagonal panels of cotton printed with floral and geometric patterns in browns, creams, blues and pinks and with a chinoiserie border. The backing is cream calico.
2720 x 2660mm
2720 x 2660mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
1626 x 1093mm
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
2337 x 1499mm
Unfinished patchwork quilt top of silks and velvets in 'Tumbling Block' arrangement of diamonds. There is no padding or backing. Template papers are still in place and have been cut from magazines and letters from Melbourne.
1420 x 1210mm
1420 x 1210mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
2033 x 1829mm
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Papers are still in place. Some of the materials have been dated to the 1830s and it is thought they came from old garments. This is similar to another cover in the Guild's collection.
1280 x 1280mm
1280 x 1280mm